<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-5853454098911399626</id><updated>2012-01-19T20:00:05.779-08:00</updated><category term='CL102w - Space Race'/><category term='Ranciere'/><category term='China'/><category term='Derrida'/><category term='acedia'/><category term='Lanzmann'/><category term='anxiety'/><category term='idealism'/><category term='t-shirt'/><category term='Josie Fanon'/><category term='Lalami'/><category term='Noli Me Tangere'/><category term='Longworth'/><category term='youth'/><category term='pets'/><category term='evil'/><category term='letters'/><category term='greed'/><category term='rant'/><category term='Rizal'/><category term='Queer'/><category term='Sartre'/><category term='reality'/><category term='empire'/><category term='salon figure'/><category term='Wu'/><category term='Cuaron'/><category term='Jelinek'/><category term='Eggleston'/><category term='power'/><category term='music videos'/><category term='nationalism'/><category term='Labor'/><category term='Burma'/><category term='homonormativity'/><category term='FMS130 - Comparative Minority US Cinema'/><category term='memorials'/><category term='PST'/><category term='gay marriage'/><category term='democracy'/><category term='Wojnarowicz'/><category term='&apos;fishing&apos;'/><category term='Muller'/><category term='pettiness'/><category term='censorship'/><category term='fascism'/><category term='Sissako'/><category term='hollywood'/><category term='protest'/><category term='CL144 - Politics of Crime'/><category term='m.i.a.'/><category term='Butler'/><category term='Obama'/><category term='sexuality'/><category term='signs'/><category term='Gerow'/><category term='Manning'/><category term='canada'/><category term='von Trier'/><category term='Faon'/><category term='Bishop'/><category term='film-essay'/><category term='Davis'/><category term='body'/><category term='outsider'/><category term='music'/><category term='LAPD'/><category term='Abulhawa'/><category term='Ocampo'/><category term='Dante'/><category term='guzman'/><category term='Walser'/><category term='melancholia'/><category term='Mbemebe'/><category term='US economy'/><category term='Ali'/><category term='words'/><category term='Castilian'/><category term='Gaza'/><category term='Thek'/><category term='Baudelaire'/><category term='coffee'/><category term='post-colonialism'/><category term='Palestine'/><category term='solidarity'/><category term='UCI'/><category term='&apos;science&apos;'/><category term='Refugee'/><category term='plans'/><category term='authenticity'/><category term='courses'/><category term='what is cl?'/><category term='Rafael'/><category term='for fun'/><category term='genre'/><category term='seduction'/><category term='art'/><category term='exhibit'/><category term='Foundas'/><category term='Harvey'/><category term='African-American experience'/><category term='Celine and Julie'/><category term='Barthes'/><category term='Foucault'/><category term='Roy'/><category term='working class'/><category term='homosexuality'/><category term='bookstores'/><category term='family'/><category term='zombie'/><category term='book lust'/><category term='Africa'/><category term='Coates'/><category term='Algeria'/><category term='Okinawa'/><category term='idlers'/><category term='racism'/><category term='Coombes'/><category term='Wilco'/><category term='dialogues'/><category term='Almodovar'/><category term='gao'/><category term='fragments'/><category term='WikiLeaks'/><category term='Bunuel'/><category term='Darwish'/><category term='economy'/><category term='Kieslowski'/><category term='language'/><category term='Menchu'/><category term='performance art'/><category term='topical'/><category term='writers'/><category term='imperialism'/><category term='amanuensis'/><category term='global English'/><category term='Oshima'/><category term='city'/><category term='Urdu'/><category term='obsessions'/><category term='Casque d&apos;Or'/><category term='interviews'/><category term='temporary entry'/><category term='Yamashita'/><category term='oddities'/><category term='Spivak'/><category term='circles'/><category term='screen memory'/><category term='invisible'/><category term='street'/><category term='colonialism'/><category term='Dardennes'/><category term='monuments'/><category term='labyrinth'/><category term='CL143 - Monuments/Memorials/Monstorsities'/><category term='resistance'/><category term='Fassbinder'/><category term='Archive Fever'/><category term='Daisy Rockwell'/><category term='eiting'/><category term='press'/><category term='America'/><category term='globalization'/><category term='synaesthetic'/><category term='Egyptian Literature'/><category term='Bamako'/><category term='Asco'/><category term='archive'/><category term='Benjamin'/><category term='US elections'/><category term='Coetzee'/><category term='fortune cookies'/><category term='homoeroticism'/><category term='CL190w - Critiquing Sexual Politics'/><category term='Shakespeare'/><category term='blues'/><category term='cinephilia'/><category term='Filipinos'/><category term='Ikeda'/><category term='Libya'/><category term='highschool'/><category term='Adorno'/><category term='Arendt'/><category term='random'/><category term='subjectivity'/><category term='Arcades Project'/><category term='time'/><category term='publicity'/><category term='face'/><category term='Arcade Fire'/><category term='voyeurism'/><category term='dreams'/><category term='Bachelard'/><category term='Inoue'/><category term='cinema'/><category term='poetry'/><category term='Assange'/><category term='anime'/><category term='visuality'/><category term='Barakat'/><category term='Nights of Labor'/><category term='TLS'/><category term='Vertigo'/><category term='Japan 2011'/><category term='failure'/><category term='Fabiola'/><category term='A Lover&apos;s Discourse'/><category term='Levinas'/><category term='images'/><category term='manifesto'/><category term='child'/><category term='Nancy'/><category term='Marx'/><category term='books'/><category term='homophobia'/><category term='immigration'/><category term='death'/><category term='self'/><category term='veranculars'/><category term='Pushing Daisies'/><category term='post-colonial concepts'/><category term='war'/><category term='Recent Gleanings'/><category term='Rivette'/><category term='masses'/><category term='Rousseau'/><category term='CL210-Pasolini-Fassbinder-Tsai'/><category term='prison'/><category term='gleanings'/><category term='pornotrope'/><category term='personal notes'/><category term='copy'/><category term='Gordimer'/><category term='Tsai'/><category term='genius'/><category term='Ngugi'/><category term='anger'/><category term='rhetoric'/><category term='Arnold'/><category term='work'/><category term='mix tape'/><category term='past'/><category term='torture'/><category term='reading'/><category term='melodrama'/><category term='Silliman'/><category term='Exile'/><category term='Powell'/><category term='sublimation'/><category term='Planet X'/><category term='Rodowick'/><category term='feminism'/><category term='October'/><category term='Georgia'/><category term='violence'/><category term='memory'/><category term='psychoanalysis'/><category term='Marker'/><category term='native'/><category term='Mekas'/><category term='University of California'/><category term='Chronicles of Disappearances'/><category term='Sufjan Stevens'/><category term='Edelman'/><category term='Saramago'/><category term='Nishikori'/><category term='West'/><category term='Waberi'/><category term='wish list'/><category term='CL102w - Vagabonds'/><category term='Japanese TV'/><category term='Oh Mikey'/><category term='pain'/><category term='rally'/><category term='Rohmer'/><category term='Bon Iver'/><category term='racist'/><category term='race'/><category term='education'/><category term='Zadie Smith'/><category term='Douglass'/><category term='nekochan'/><category term='amour fou'/><category term='Huppert'/><category term='Flaubert'/><category term='citizen'/><category term='lists'/><category term='Los Angeles'/><category term='Pessoa'/><category term='countermonument'/><category term='Carson'/><category term='Varda'/><category term='May Day'/><category term='Badiou'/><category term='sleep'/><category term='S/Z'/><category term='postcolonialism'/><category term='decay'/><category term='Genet'/><category term='Tunisia'/><category term='writing exercise'/><category term='Esposito'/><category term='voice'/><category term='Rizal Fragments'/><category term='Mendoza'/><category term='Ono'/><category term='Chinese cinema'/><category term='Proust'/><category term='Spanish'/><category term='Facebook'/><category term='colonial education'/><category term='activist'/><category term='Richter'/><category term='tourist'/><category term='election'/><category term='illusions'/><category term='photography'/><category term='Micheaux'/><category term='Darger'/><category term='Chomsky'/><category term='ego'/><category term='pop cult trivia'/><category term='humanities'/><category term='literature'/><category term='friendship'/><category term='Pasolini'/><category term='comparative studies'/><category term='Dumaguete'/><category term='protest songs'/><category term='eroticism'/><category term='gardening'/><category term='chance'/><category term='gender'/><category term='raad'/><category term='Walker'/><category term='sentimentalism'/><category term='questions'/><category term='short cuts'/><category term='Freud'/><category term='Make Way For Tomorrow'/><category term='biopolitics'/><category term='Said'/><category term='beginnings'/><category term='Egypt'/><category term='photographs'/><category term='Goldsworthy'/><category term='human rights'/><category term='stupidity'/><category term='Sans Soleil'/><category term='Bifo'/><category term='Cesaire'/><category term='Burgin'/><category term='Kafka'/><category term='novel'/><category term='FMS 101C - Film History II'/><category term='spring'/><category term='Agamben'/><category term='social justice'/><category term='plastic'/><category term='Magic Closet'/><category term='Tarkovsky'/><category term='friars'/><category term='Djebar'/><category term='Soderbergh'/><category term='appropriation'/><category term='racism.'/><category term='dance'/><category term='Godard'/><category term='humor'/><category term='corporate values'/><category term='pre-Theory'/><category term='blue'/><category term='lost'/><category term='video games'/><category term='Bataille'/><category term='school'/><category term='gratitude'/><category term='links'/><category term='civil rights'/><category term='laughter'/><category term='transcript'/><category term='Weerasethakul'/><category term='Porcile'/><category term='Maier'/><category term='Wittig'/><category term='Bisayan history'/><category term='elsewhere'/><category term='The Law'/><category term='UCI CTE'/><category term='aspiration'/><category term='architecture'/><category term='capitalism'/><category term='influence'/><category term='Duras'/><category term='media'/><category term='Philippines'/><category term='Balibar'/><category term='E28c - Writing Women&apos;s Lives'/><category term='ideology'/><category term='critical theory'/><category term='criminals'/><category term='Hedges'/><category term='Bisaya'/><category term='Bolano'/><category term='Zizek'/><category term='activism'/><category term='unnoticed'/><category term='Visayan'/><category term='de Beauvoir'/><category term='surrealism'/><category term='Tawada'/><category term='Hoberman'/><category term='Taglish'/><category term='flaneur'/><category term='film notes'/><category term='Rancière'/><category term='thinking'/><category term='Tagalog'/><category term='women'/><category term='student protest'/><category term='Balzac'/><category term='Alys'/><category term='translation'/><category term='document'/><category term='graduate school'/><category term='terrorism'/><category term='blog'/><category term='collecting'/><category term='television'/><category term='reverie'/><category term='Antony and the Johnsons'/><category term='public spaces'/><category term='religion'/><category term='quotes'/><category term='Lynch'/><category term='death drive'/><category term='class struggle'/><category term='Christgau'/><category term='satire'/><title type='text'>a small gleaning factory</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default?start-index=101&amp;max-results=100'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>472</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-6785445273569763804</id><published>2011-12-30T12:29:00.000-08:00</published><updated>2011-12-30T12:29:40.233-08:00</updated><title type='text'>Status Queue</title><content type='html'>&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-BqNK4osZQMs/Tv4e0SLP4GI/AAAAAAAAAsM/S9Oo_aYvtRc/s1600/crisis.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-BqNK4osZQMs/Tv4e0SLP4GI/AAAAAAAAAsM/S9Oo_aYvtRc/s320/crisis.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Street art by Stinkfish&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;Facebook status updates as diary. A year of crisis and mini-crisis. &lt;br /&gt;&lt;br /&gt;January&lt;br /&gt;...discovers that melancholy without irony is not worth talking much about.&lt;br /&gt;...interns at a place where young folks are encouraged to create their own paths in life, while a few feet away, just outside the building, are day laborers who must have journeyed harder and farther. Who will ask them about their longings?&lt;br /&gt;...After Jandek, everything else is just noice.&lt;br /&gt;...keeps trying on prosthetic ghost limbs.&lt;br /&gt;...attempts to mimic Yahoo Babelfish: Uno, this crash won't end in the well, like yore 13?&lt;br /&gt;...Dear stars, please look after those who are driving 13 hours tonight to be with their beloved.&lt;br /&gt;...would like to comb your hair.&lt;br /&gt;...just found out that he was left-handed as a child!&lt;br /&gt;&lt;br /&gt;February &lt;br /&gt;..., in a dream, was told he was an alien by an alien...&lt;br /&gt;...wonders if the stray cat was expressing an opinion by pissing on today's papers?&lt;br /&gt;...Insomnia, they name is Egypt.&lt;br /&gt;..., when in doubt, applies glitter.&lt;br /&gt;...is calling it a Mizoguchi moon.&lt;br /&gt;...London calling.&lt;br /&gt;...wonders if the attraction to sleep is because it is an alternative (or escape) from linear thinking which there is too much of. &lt;br /&gt;...is being psyopsed by one of the cats.&lt;br /&gt;&lt;br /&gt;March&lt;br /&gt;...finds it difficult to absorb the news but would like to share it with &amp;lt;3 friends.&lt;br /&gt;...misses Final Cut Pro. I hardly knew ya.&lt;br /&gt;...may need to detach from his detachment.&lt;br /&gt;...wholeheartedly supports "the people demand the army returns the popcorn machine' movement.&lt;br /&gt;...hopped unto the anxiety train. Choo-choo.&lt;br /&gt;...suddenly finds the phrase 'pleasures of exile' annoying as hell.&lt;br /&gt;...is having mightmares.&lt;br /&gt;...complimented a plant, twice.&lt;br /&gt;..."But I'm not good with anger. I go straight to depression." (Bored to Death)&lt;br /&gt;...dreamt that his tax preparer was also his psychiatrist.&lt;br /&gt;...is inclined to take arbography, if all else fails.&lt;br /&gt;&lt;br /&gt;April&lt;br /&gt;...4:44 p.m.&lt;br /&gt;...dreamt of a pen and pencil that jumped to their deaths.&lt;br /&gt;...is getting an I patch.&lt;br /&gt;...was unable to determine if it was a burning book or a book about fire.&lt;br /&gt;...notes that the body remembers it differently.&lt;br /&gt;...name dropped Fragonard and Ai Weiwei in a dream set in a hospital.&lt;br /&gt;...can only afford a second-hand poem.&lt;br /&gt;...Dial it down, sunshine.&lt;br /&gt;...'s eyes were dilated for envy.&lt;br /&gt;&lt;br /&gt;May&lt;br /&gt;...may have uttered the following in his sleep: "I come from the future. Listen to what I have to say..."&lt;br /&gt;..."Number 7 has no answers."&lt;br /&gt;..., observing today's clear skies, wondered about the cloud control units.&lt;br /&gt;...'s mother's sighs are like daggers.&lt;br /&gt;...will be citing grudges, slights, and snubs in the MLA format.&lt;br /&gt;...longs to be a region-free player.&lt;br /&gt;...Friends, let's slip away...&lt;br /&gt;...Month of May, you have been unkind.&lt;br /&gt;..."Don't get high on your own supply."&lt;br /&gt;...'s timepiece insists that he's in another time zone.&lt;br /&gt;...'s fam is hellbent on sending him off to the equivalent of Siberia.&lt;br /&gt;...needs to be in a square. Pronto.&lt;br /&gt;&lt;br /&gt;June&lt;br /&gt;...Poll: Lil white lies (others not hurt) to achieve goal or tell truth and blow lifetime opportunity?&lt;br /&gt;...dreamed of overpriced lemons.&lt;br /&gt;...has a pinky toe situation.&lt;br /&gt;...Oh June, how could you?&lt;br /&gt;...'s tendency to misread is getting out of hand: "unmarried emails" made him look twice.&lt;br /&gt;...has been to the moo-vies.&lt;br /&gt;...This light, this wind, at this hour, induces reverie.&lt;br /&gt;...was told the following: "You have nothing here. You only have the sunshine."&lt;br /&gt;&lt;br /&gt;July&lt;br /&gt;..."Even if it isn't as it should be, even if they make it hard, where else would we go? Who else would have us?" (Treme)&lt;br /&gt;...lost his sideburns to summer.&lt;br /&gt;...Maple syrupy day.&lt;br /&gt;...is breaking up with Los Angeles.&lt;br /&gt;...had an L.A.-centric diva dream. Just before quitting: "I come in on time. I have the least retakes. And I have an Emmy."&lt;br /&gt;...got a ticket. &lt;br /&gt;...is drunk on nostalgia...&lt;br /&gt;...dreamed that the world momentarily lost written communication... &lt;br /&gt;...highly recommends shredding old paperwork (credit card bills, embarassing poetry, clippped articles, etc.) as therapy. Side effects may include nostalgia.&lt;br /&gt;...went to a taco spot called Taco Spot in Eagle Rock where he supposes that there are eagles and rocks?&lt;br /&gt;...may be trading CA for .ca.&lt;br /&gt;...did Porto's in Downey and Glendale within a 24-hour period.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;August&lt;br /&gt;...Dude, vivre sa vie.&lt;br /&gt;...When in doubt, bow or nod profusely. [omgwtf.jp]&lt;br /&gt;...spoke to his daddy-p for the first time in 19 years. [omgwtf.jp]&lt;br /&gt;...is completely, absolutely sold on mechanized butt wash. [omgwtf.jp]&lt;br /&gt;...One typhoon is enough.&lt;br /&gt;...On my profile page it says, &lt;add station="" train="" your=""&gt;.&lt;/add&gt;&lt;br /&gt;...was told by his well-meaning uncle to have kids so that there will be someone who will pray for me at the even of my passing and for someone to (literally) pick up the bones. That's it, when do I become Canadian? [omgwtf.jp]&lt;br /&gt;...impatiently awaits for his clothes to dry on the clothesline while the sea breeze tells him to wait till morning.&lt;br /&gt;...observes that in the go-go-go economy of Okinawa, fueled by tourism from mainland Japan, Taiwan, and China, some of the locals are left out by the financial rewards, resorting to a kind of traditionalism (like my uncle's decision to live farther inland and tending to small plots of land) which is in fact a reaction to an alienating capitalist wave of 'foreign' investment.&lt;br /&gt;...went ahead and ordered the goya juice.&lt;br /&gt;...bypassed the McDonalds and KFC for the goya burger.&lt;br /&gt;...was told that the food and water placed before a closed stall were for the stray cats that roam the market at night.&lt;br /&gt;...stands out for perspiring all day the whole thirteen days he has been here, and may have produced extra sweat glands in the process.&lt;br /&gt;...went to the corner store (to flee from his uncle's) and met a lady and her dog companion Nora who have been hiking around the island for the past few days.&lt;br /&gt;...attended a neighborhood (obon) block party which was held underneath an old tree filled with fruit bats.&lt;br /&gt;...is terribly glad that the kids (nephews and nieces) have not yet called him ojisan...&lt;br /&gt;...is going to jigoku for the crushes he has had in Oki. [omgwtf.jp]&lt;br /&gt;...For those in the know: Vancouver. Study permit (5 years). Bam!&lt;br /&gt;...It's awfully expensive here in Toronto. Send me your love and $.&lt;br /&gt;...found the first apartment viewing a disaster, not for himself, but for the person who was showing the place. [Toronto Rooms]&lt;br /&gt;...envies the middle-aged Spanish couple who take their time preparing their meals at the hostel. Yesterday, they had shrimps and pasta, and they also cleaned the communal kitchen for the rest of us.&lt;br /&gt;...'s hostel is in the middle of a business district where nattily dressed men pretend they're not robots with their averted gazes and their look-at=me gait.&lt;br /&gt;...may have to take antibiotics regularly if he's to rent a room at this place. [Toronto Rooms]&lt;br /&gt;...spent about 15 minutes talking to the potential landlady about rental matters, and then proceeded to talk an hour and 15 minutes more conversing about other stuff, like Herzog's latest film, vacationing in Cuba for the winter, and why liquor stores in Toronto are ran by the government. And oh yeah, the place is sweet. [Toronto Rooms]&lt;br /&gt;...went inside the old church across the street from the hostel and lighted a candle and watched the flames go by... &lt;br /&gt;...was told by his Brazilian and German hostelmates that he looked partly Latin and assumed that he was part Mexican. Verdad?&lt;br /&gt;...feels like a semiotic mess.&lt;br /&gt;...will be a T.A. for an undergrad film history course but isn't allowed to take a graduate level film history class.&lt;br /&gt;&lt;br /&gt;September&lt;br /&gt;...managed an incomplete sentence at today's seminar while his classmates spoke in paragraphs. Plan B: Bartending school. &lt;br /&gt;...misses hearing random Spanglish.&lt;br /&gt;...is watching live Caltrans footage.&lt;br /&gt;...wonders why there's no trace of snow on the university website.&lt;br /&gt;..., ugh, snap out of it!&lt;br /&gt;...How can I be homesick for places that were never my home? ...Am I mistaking homescikness for something else like a longing for a home, THE home?&lt;br /&gt;...'s first day as a TA started out really badly but also got an applause at the end of class...&lt;br /&gt;....produces a crypto-accent when he gets nervous.&lt;br /&gt;...found out its called shorelessness.&lt;br /&gt;...scoffs at calling it fall or autumn and prefers calling it as pre-winter.&lt;br /&gt;...was told about cyborgs and aborigines in hushed tones while in the library also know as The Fortress.&lt;br /&gt;&lt;br /&gt;October&lt;br /&gt;...is another one of those dodgy exiles doing something called comparative literature.&lt;br /&gt;...was told in a dream that his Kanji is like a crooked lane in his hometown.&lt;br /&gt;...wonders how to turn doubts into donuts.&lt;br /&gt;...Dear Friday, I'm already looking forward to sharing a drink with you.&lt;br /&gt;...stands by his X.&lt;br /&gt;...is still coming to terms with fragments of disbelief that comes his way like falling leaves.&lt;br /&gt;...keeps forgetting that he's no longer talking with Americans...&lt;br /&gt;&lt;br /&gt;November&lt;br /&gt;...'s inability to cook has reportedly been turned into an Estonian family's cautionary tale.&lt;br /&gt;...Occupy Melancholia.&lt;br /&gt;...wonders aloud if Occupy (and other historic events in 2011) will affect the direction of his studies...&lt;br /&gt;..."Those who do not move, do not notice their chains." (Rosa Luxemburg)&lt;br /&gt;...can't wait for the new year (1968)!&lt;br /&gt;...Eisenstein, did you ever hear of livestreaming?&lt;br /&gt;..."Remember MacArthur Park!"&lt;br /&gt;...kept on Googling to find out what it was called: snow.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&amp;nbsp;December&lt;br /&gt;...thinks this is potentially life changing: "Why does it have to be between two national literatures (or cinemas)? Why can't it be a question? (E.C., September 2011)&lt;br /&gt;...fantasy Facebook check-in would look like this: "--at LAX."&lt;br /&gt;...is going home after this exam and watching an Ozu film.&lt;br /&gt;...politely asked his host how she seasoned the fish. It was chicken.&lt;br /&gt;...went to a holiday choir program last night and kept thinking that the music would fit in well with the end of the world, which only made him want to rush out of the auditorium to go see "Melancholia" again.&lt;br /&gt;...just realized that X stands for ten, also. &lt;br /&gt;...is a flaming pinata. &lt;br /&gt;...is paying up in besos.&lt;br /&gt;...is no longer negotiating with nostalgia. Capish?&lt;br /&gt;..."You say L.A. like you're from there." Verdad?&lt;br /&gt;..."You think your pain and your heartbreak are unprecedented in the history of the world. But then you read. It was books that taught me that the things that tormented me the most were the very things that connected me with all the people who are alive, who have ever been alive." (James Baldwin) Happy holidays. Now go read.&lt;br /&gt;...is considering being reincarnated as a neon sign.&lt;br /&gt;..., in a dream, was presenting on Van Gogh use of space and poetics of objects (none of which I know anything in my waking life) only to be informed by the professor (who comes out of a booth wearing goggles) how all this relates to photography...&lt;br /&gt;...asked Santa for a teleportation device.&lt;br /&gt;...proceeded to chop onion with sunglasses.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-6785445273569763804?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/6785445273569763804/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=6785445273569763804' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/6785445273569763804'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/6785445273569763804'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/12/status-queue.html' title='Status Queue'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-BqNK4osZQMs/Tv4e0SLP4GI/AAAAAAAAAsM/S9Oo_aYvtRc/s72-c/crisis.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-5959169164173918250</id><published>2011-12-18T02:04:00.000-08:00</published><updated>2011-12-18T02:04:30.030-08:00</updated><title type='text'>"WE ARE NOT CONTINGENT: An Adjunct Manifesto"</title><content type='html'>&lt;div id="internal-source-marker_0.04220299865119159"&gt;"We are the non-tenure track faculty who now constitute two-thirds of the instructional workforce at universities and colleges across the nation. We are frequently invisible to administrators, yet we are the first professors and instructors that undergraduate students meet on their journey to becoming engaged learners. We are the majority. We have been silent too long, and it is time for us to reclaim our voices and outline our demands. &amp;nbsp;&lt;/div&gt;&lt;span&gt;&lt;strong&gt;WE ARE ESSENTIAL&lt;/strong&gt;. &lt;/span&gt;&lt;span&gt;Words carry within them powerful connotations. Contingency implies that we, as non-tenure track faculty, are incidental or even accidental to the educational mission of the colleges and universities where we work. No employees, regardless of their field, would willingly apply this stigma to themselves. To continue calling ourselves “contingent labor” is to accept the fate that has been chosen for us by administrators who view us as easily disposable freelancers or potential tenure track faculty in a period of transition. &amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Recently, Robert Perkins and Carla Weiss’s “&lt;/span&gt;&lt;a href="http://digitalcommons.providence.edu/cgi/viewcontent.cgi?article=1000&amp;amp;context=sociology_fac"&gt;&lt;span&gt;Part-Time Faculty in Higher Education: A Selected Annotated Bibliography&lt;/span&gt;&lt;/a&gt;&lt;span&gt;” repeated several truisms that many of us off the tenure track have already known. Among them was that “Most law holds that part-time faculty have no claim to their jobs and may be replaced at will.” But the time has come for a shift, and changing the way we describe ourselves is only the beginning. &amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;If we continue to think of ourselves as contingent labor, we also tacitly accept these beliefs about who we are and what we do:&lt;/span&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;span&gt;That we have no meaningful connection to the mission of our respective institutions&lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;That we are not worthy of career advancement &lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;That we are forever ineligible for a stable salary and benefits&lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;That we do not deserve representation within our departments or schools&lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;That we have not earned the right to job security&lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;That we are not worthy of respect. &amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;&lt;strong&gt;WE WILL NO LONGER SILENTLY ACCEPT THESE BELIEFS. &lt;/strong&gt;&lt;span&gt;Although we once were the temporary or freelance employees that the name “contingent labor” implies, today non-tenure track faculty form the backbone of undergraduate education. We are still hired by the course, semester, or academic year, yet we now represent the foundation of most college and university instruction. We are also the face of higher education to our students, who are typically freshman and sophomores, as we are generally assigned to core curriculum courses. Most undergraduates, in fact, do not have the opportunity to take courses with tenured or tenure track faculty until their junior or senior years, a piece of information conveniently left out of most college orientation sessions.&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;OUR STUDENTS DESERVE BETTER CONDITIONS. IF WE, THE BACKBONE OF THE SYSTEM, FAIL TO PROVIDE THEM, WHO WILL? &lt;/strong&gt;&lt;span&gt;Our unions have increasingly become stuck in the struggle to secure health care and retirement benefits for adjunct faculty as well as to create a class assignment strategy based primarily on seniority. They have been hacking at the leaves of the weed without uprooting the deep structures that nourish the problem. This myopic focus on self-centered details at the expense of the larger problem is a symptom of the fact that we are a majority that has — as yet — failed to comprehend its true strength. We need to not only recognize that strength, but also to utilize it on behalf of our students, who are paying more than any other generation before them for an education while receiving less in return.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;In just ten years, for example, tuition at Columbia College Chicago has risen more than 80%. As reported in the November 7 issue of the college newspaper, the &lt;/span&gt;&lt;em&gt;Columbia Chronicle&lt;/em&gt;&lt;span&gt;, today it costs an average Columbia College undergraduate approximately $20,000 in tuition and fees to attend the school, while in 2001 that same cost was $11,000. This does not include the cost of room and board, which causes the amount to skyrocket to nearly $50,000 per year. This inflationary trend is also pervasive in Illinois; as reported in Laura Perna and Joni Finney’s “&lt;/span&gt;&lt;a href="http://www.gse.upenn.edu/pdf/irhe/Performance_Policy_Illinois_Higher_Education.pdf"&gt;&lt;span&gt;A Story of Decline: Performance and Policy in Illinois Higher Education&lt;/span&gt;&lt;/a&gt;&lt;span&gt;,” released this November, tuition increased 100% at public four-year universities from 1999 to 2009.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;What have students obtained with that inflation? Not much, it seems. Classrooms are more crowded than ever, and facilities are in constant need of repair. Also, students are primarily taught by us — adjunct faculty who are marginalized within our departments to such an extent that many choose to teach our courses and leave campus as soon as possible. We realize that this is bad for both ourselves and our students since it prevents the necessary interaction outside of the classroom needed to insure student success, yet we are constantly told that we have no incentive for loyalty to our institutions. It is time for our administrators to enforce the truism that we are a vital part of our schools’ missions.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;&lt;strong&gt;WE STAND IN SOLIDARITY WITH OUR STUDENTS AGAINST THE CORPORATIZATION OF HIGHER EDUCATION&lt;/strong&gt;. &lt;/span&gt;&lt;span&gt;Until now we have labored in solitude — either to improve our own individual work conditions, or, in the hopes of advancement, to promote the administrators’ ideals rather than stand in solidarity with our students. We have witnessed, and, through our complacency, abetted the transformation of higher education into a corporation. We failed to see the depth and breadth of this transformation — believing still in the old narrative that hard work, a college degree, and perseverance would serve our students and ourselves in the end. We have worn the humanitarian mask that hides the universities’ bad faith towards its students and their parents, but we will adopt this facade no longer. We care for our students and refuse to allow administrators to treat undergraduates simply as revenue generators. &amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;&lt;strong&gt;WE WILL NO LONGER LABOR FOR THE ADMINISTRATORS. WE WILL LABOR INSTEAD FOR THE GOOD OF OUR STUDENTS&lt;/strong&gt;.&lt;/span&gt;&lt;span&gt; We stand in solidarity with students who are crushed by the weight of student debt and are terrified at the prospect of not finding career employment that will provide a living wage. We stand in solidarity with all those who have the courage to agitate, speak out, and mobilize on behalf of higher education. We share a common cause — the belief that an educated citizenry and a robust middle class are necessary for the survival of our nation. We stand in solidarity with all who want a better future for themselves, their students, and their society. Moreover, we challenge administrators to join us in this cause by changing their current course of behavior.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;&lt;strong&gt;WE, AS NON-TENURED FACULTY, CALL FOR REFORM FROM WITHIN THE CURRENT SYSTEM. WE DEMAND THAT OUR ADMINISTRATORS ADOPT THESE CHANGES&lt;/strong&gt;:&lt;/span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt; &lt;ul&gt;&lt;li&gt;&lt;span&gt;All hiring and firing of adjunct faculty will be handled by a non-partisan committee composed of tenured and non-tenured faculty in the same discipline, a union representative (if applicable), and a human resources staff member. &lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt; &lt;ul&gt;&lt;li&gt;&lt;span&gt;All adjunct faculty will be hired on a contract that is a minimum of one year and a maximum of five. No longer will adjuncts be hired by the semester or the class.&lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;&lt;span&gt;&lt;/span&gt; &lt;ul&gt;&lt;li&gt;&lt;span&gt;Tenure will be opened to all faculty. The current system treats adjunct status as a stigma and blocks advancement from within. Even in corporations, this does not align with common practice. &lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;&lt;span&gt;&lt;/span&gt; &lt;ul&gt;&lt;li&gt;&lt;span&gt;Evaluation of all faculty for tenure and promotion will be based on three components: a dossier of research and/or educational materials, teaching evaluations, and a classroom visit report from a senior member of the faculty in their discipline. &lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;&lt;span&gt;&lt;/span&gt; &lt;ul&gt;&lt;li&gt;&lt;span&gt;Governing bodies of an institution, such as departmental committees and faculty senates, will be comprised of representatives in a ratio that mirrors that of the faculty. &amp;nbsp;For instance, if adjuncts represent 77% of the total faculty at a college of university, they must account for 77% of the departmental committee appointments and faculty senate membership. &lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;&lt;span&gt;&lt;/span&gt; &lt;ul&gt;&lt;li&gt;&lt;span&gt;Courses will be assigned based on expertise. Many of us hold degrees and experience that allow us to teach courses at the intermediate and advanced level, yet because we are deemed “contingent,” we are only assigned introductory-level classes. Not only is our current system of course assignment arbitrary and unfair, but it shortchanges our institutions. By adopting this practice, our institutions will be supporting greater diversity and innovation of instruction.&lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;&lt;span&gt;&lt;/span&gt; &lt;ul&gt;&lt;li&gt;&lt;span&gt;Salaries will be based on experience in a field of study, evidence of quality teaching practices, adoption of innovation in instruction, job performance, and length of service.&lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;&lt;span&gt;&lt;strong&gt;WE HAVE LABORED TOO LONG WITH THE IMPRESSION THAT WE ARE CONTINGENT. WE HAVE FAILED TO ACT WHILE HIGHER EDUCATION AS A WHOLE HAS AVOIDED ADDRESSING THE PROBLEMS OF ITS CURRENT SYSTEM. WE WILL REMAIN COMPLACENT NO LONGER&lt;/strong&gt;. &lt;/span&gt;&lt;span&gt;In the Port Huron Statement of 1962, Students for a Democratic Society President Tom Hayden articulated our concerns brilliantly, albeit in a way that underscores our current failure to act: “If we appear to seek the unattainable, as it has been said, then let it be known that we do so to avoid the unimaginable.” As educators, we have witnessed the disaster that has unfolded in higher education. We refuse to wait silently for the unimaginable: the day that a college education is only available to our society’s elite. The time has come to address the growing gap between the skyrocketing cost of education and its decreasing quality. We ask all who are concerned, including administrators, to join us as we take action to insure that future generations will have access to education and, with it, the chance of a better life." From &lt;a href="http://adjunctmanifesto.tumblr.com/post/13811970903/we-are-not-contingent-an-adjunct-manifesto"&gt;here&lt;/a&gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-5959169164173918250?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/5959169164173918250/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=5959169164173918250' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/5959169164173918250'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/5959169164173918250'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/12/we-are-not-contingent-adjunct-manifesto.html' title='&quot;WE ARE NOT CONTINGENT: An Adjunct Manifesto&quot;'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-5039680742171268541</id><published>2011-12-18T02:02:00.000-08:00</published><updated>2011-12-18T02:02:21.895-08:00</updated><title type='text'>Fall of the UC System?</title><content type='html'>From Prof. Wendy Brown's article "When The Public University Can No Longer Afford Itself: The Impending Crisis in UC Graduate Programs." From &lt;a href="http://utotherescue.blogspot.com/2011/12/when-public-university-can-no-longer.html"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;"Here are some rough numbers that make the point.  In the 2000-01, when in-state tuition/fees were about $3400 and non-resident tuition/fees were $13,700, and when competitive fellowships were a bit lower than they are now, supporting a grad student who was a California resident cost approximately 21K annually and supporting one from Chile cost about 32K  (This is the combined cost of tuition plus a fellowship, or tuition plus a GSI-ship or GSR-ship.)   Today, with in-state tuition/fees at 15K and out-of-state tuition/fees at 30K, it costs approximately 36K/year to support the Californian and 51K/year to support the Chilean.  If the UCOP-planned tuition increases occur over the next four years, in 2016-17, the cost would be over 42K/year for the California resident and over 55K (possibly as high as 60K) for the non-resident.  &lt;br /&gt;&lt;br /&gt;Thus, in 2000-01, for an entering graduate student cohort of fifteen, the cost of supporting a class of thirteen non-residents and two California residents for a year was approximately 458K. Today, that cohort costs approximately 735K and in 2016-17 it would be approximately 900K, almost twice what it was at the beginning of the century.  On the other side of the ledger, allocations for graduate programs are shrinking, not growing.  Indeed, part of the way that UC is managing budget cuts is by cutting funding to graduate programs.   &lt;br /&gt;&lt;br /&gt;The increase in graduate student cost and decrease in allocations for graduate student funding means that departments are now looking at admitting and enrolling cohorts of less than half the size of a decade ago.  Moreover, they can no longer afford non-U.S. students (who never become eligible for in-state tuition rates) and are eyeing affirmative action for Californians (who cost significantly less in their first year).  The elimination of international students and growing preference for Californians presents the wonderful irony of departments trying to end-run the revenue-generating strategies of their own institution.  (Neoliberal entrepreneurial strategies produce great numbers of such ironies.)  But it also represents another serious blow to UC graduate programs on top of shrinking cohort size.  While UC’s undergraduate mission should be aimed at Californians, strong Ph.D programs must attract and enroll the best students in the world–that is what secures their excellence and renown.   But the opposite is happening in each case:   UC seeks to enrich its coffers by decreasing the proportion of Californians in its undergraduate population while graduate programs aim to cheapen costs by favoring Californians and eliminating foreign students. &lt;br /&gt;&lt;br /&gt;The effects of the crisis for graduate programs resulting from tuition increases are just beginning to be felt but departments are panicking as they take them in.   Smaller and weaker graduate student cohorts will have multiple ramifications:  Faculty will have fewer graduate students to mentor, do less graduate teaching and work with less talented students with lower placement prospects.  This will drive away the best UC faculty and make it difficult to recruit the best new faculty talent.  Together these effects will lead to drops in department rankings which will further dampen interest in UC by superlative faculty and applicants to Ph.D programs.  At this point you can see the whole downward spiral–there goes the quality that UCOP and the UC Senate were trying to preserve.  Undergraduate education too, will be effected by declining quantity and quality of graduate student instruction, which will surely lead some excellent would-be UC undergraduates to go elsewhere for their education.&lt;br /&gt;&lt;br /&gt;Of course, some might argue that the shrinking market for Ph.Ds warrants a compression of graduate programs.  But the demand for Ph.Ds is probably changing more than it is shrinking. Certainly faculty research positions in the letters and science will constrict, but massive numbers of Ph.Ds will be needed to staff the on-line and other factory-style undergraduate courses looming on the horizon.  The soon-to-be lower-ranked UC graduate programs would be just the right source for such workers."&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-5039680742171268541?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/5039680742171268541/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=5039680742171268541' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/5039680742171268541'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/5039680742171268541'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/12/fall-of-uc-system.html' title='Fall of the UC System?'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-970329951334905011</id><published>2011-12-18T01:57:00.001-08:00</published><updated>2011-12-18T01:57:57.817-08:00</updated><title type='text'>No Mo Future</title><content type='html'>Bifo on our shared futures.&lt;br /&gt;&lt;br /&gt;"This is why the future is over. We are living in a space that is beyond the future. If we come to terms with this post-futuristic condition, we can renounce accumulation and growth and be happy sharing the wealth that comes from past industrial labor and present collective intelligence.&lt;br /&gt;&lt;br /&gt;If we cannot do this, we are doomed to live in a century of violence, misery, and war."&lt;br /&gt;&lt;br /&gt;From &lt;a href="http://www.e-flux.com/journal/the-future-after-the-end-of-the-economy/"&gt;here&lt;/a&gt;. &lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-970329951334905011?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/970329951334905011/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=970329951334905011' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/970329951334905011'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/970329951334905011'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/12/no-mo-future.html' title='No Mo Future'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-1772779578292155522</id><published>2011-12-18T01:55:00.000-08:00</published><updated>2011-12-18T01:55:18.572-08:00</updated><title type='text'>Occupy Dead Shopping Malls</title><content type='html'>&lt;iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/awHWColYQ90" width="560"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-1772779578292155522?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/1772779578292155522/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=1772779578292155522' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/1772779578292155522'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/1772779578292155522'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/12/occupy-dead-shopping-malls.html' title='Occupy Dead Shopping Malls'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/awHWColYQ90/default.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-5909687012361379399</id><published>2011-12-18T01:53:00.000-08:00</published><updated>2011-12-18T01:53:18.672-08:00</updated><title type='text'>Occupy UC ---&gt; Deligitimate UC</title><content type='html'>From Prof. Terada's talk at UC Berkeley. From &lt;a href="http://reclaimuc.blogspot.com/2011/12/delegitimate-uc.html"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;"The moment we’re in right now is auspicious, fragile, and surprisingly  well-defined. The thing that strikes me most about the moment is how  much it is a particular moment, with specific characteristics and  borders. It appears as the clearest-looking and most pregnant moment  since students starting taking action in Fall 2009. It’s the moment  we’ve hoped to attain since Fall 2009. And now that it’s here, it won’t  last long.&lt;br /&gt;&lt;br /&gt;In Fall 2009, UC’s upper administration must have assumed that they  could wait out the student movement. This assumption has been proven  false by a relatively small core of student activists who weathered a  very difficult year in 2010-2011. What resources does the administration  have for surviving the student movement, so that it can go ahead with  privatization? (1) The frequent and intimidating use of the UCPD; (2)  the criminalization of protest, including prosecution in criminal  courts; (3) control of the UC bureaucracy; (4) a media strategy of  deflecting attention to the Legislature (a strategy whose logical end  would be the headline “Regents On Same Page with Angry Mob”); (5)  unlimited funds at their disposal to pursue 1-4.&lt;br /&gt;&lt;br /&gt;But we have seen the weaknesses in these strategies.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://reclaimuc.blogspot.com/2011/12/delegitimate-uc.html" name="more"&gt;&lt;/a&gt; Policing and criminalization have not stopped the  protests. In fact, they have got in the way of the UC media strategy, as  public attention has turned from the budget shortfall to outrages that  UC administrators themselves are ordering. This means that two of the  five fronts that UC administration has controlled have shifted, and  their media strategy is damaged. They realize this, and they’re not sure  what to do about it. The cancelled CSU meeting, semi-cancelled Regents  meeting, new rules for protesters issued by UC Riverside, the responses  of the Regents to the interruption of their meeting, the response of UC  San Diego to students breaking into their library on Monday, and the  various appointed commissions are all examples of administrative  reaction to the transformation of the police and criminalization arenas.  One thing that can be gleaned from the assorted reactions is that it’s  likely to be a long time before police do anything incriminating on  camera again. I think activists realize that in future, UCPD is not  likely to offer up such means for galvanizing campus solidarity as the  pepper spray video has been. Of course, I’m not saying that UCPD is  going to be non-violent now, but rather that it’s not likely to be the  kind of violence that you can photograph. We’ll need to find other ways  to photograph privatization, and other ways to continue trying to get  through to the media what privatization is.&lt;br /&gt;&lt;br /&gt;In order to explain why I think getting through to the press matters, I  need to go back to my list of UC administrators’ resources. Of those  categories of resources, their strongholds are their ability to fund  infinitely their usurpation projects and their control of the  bureaucracy. What is a UC administrator? What makes Dean Edley possible?  Where is Dean Edley manufactured? I’ve been a department chair, if of a  small department, and in my experience the existential substance of an  administrator depends on (a) funds and (b) the internal politics of  bureaucracy understood in terms of detachable self-interests, otherwise  known as: what other administrators think. In my time as a chair, the  only way it was possible to get anything to happen was to make or  threaten to make one administrator look bad in the eyes of another. It’s  to this extent that administrators care about the media: when they look  bad in the press, it matters because other administrators are watching. &lt;br /&gt;&lt;br /&gt;The Regents have defined their funding as private funding, and given the  confluence of their interests and the interests of their private  funders—who are often enough one and the same, as in the person of  Richard Blum—they’re never going to run out of it. However, attacks on  the salaries of the administration are worthwhile. They’re worthwhile  not because they solve the budget crisis, as the Regents like to say,  but for every other reason: first of all because they speak to justice  and the broader Occupy movement and the press understands that; secondly  because the funds are real and certainly would be more useful almost  anywhere else; but also because we might take the administration at its  word and consider the possibility that “talented people,” by which they  mean themselves, would flee the UC system if their salaries were lowered  at all. If upper administration cares about its salaries so much—enough  to keep incurring bad publicity, which they also care about—we should  keep attacking their salaries, and most of all, their ability to set  their own salaries.&lt;br /&gt;&lt;br /&gt;But that’s a minor point: the goal is not merely to pick off Regents but to change social relations.&lt;br /&gt;&lt;br /&gt;So now I come to the last resource they have, control of the bureaucracy  through control of the support of other administrators. At this point,  UC bureaucracy has a complex relationship to faculty governance. Upper  administration has avoided and circumvented faculty governance to  advance privatization, for example by operating through appointed task  forces interpolated into the system of standing Academic Senate  committees. Yet they still rely on faculty to staff these task forces  and to deliberate on and implement their conclusions. Thus, it remains  inescapable to consider the role of the faculty and the question of the  relation of representational procedural democracy to the movement to  Reclaim UC. My impression is that so far, most UC faculty have  considered it their role—our role?—their role—to fight privatization  through the given governance and social structures, regardless of what  their political beliefs are off campus. In other words, people who  aren’t proceduralist liberals off campus or in their writing on campus  fight privatization through Senate committees, faculty associations, and  social groups committed to a dialectic of recognition with the  administrators as antagonists. The idea is that even as direct actions  by students are going on, these representational and discursive realms  remain worth intervening in and reflect a kind of division of labor  between students and faculty. (It’s also not a negligible factor that  the Faculty Code of Conduct may be even more repressive than the Student  Code of Conduct.)&lt;br /&gt;&lt;br /&gt;I’d like to suggest that given the significance of bureaucracy as an  administrative stronghold, the arena of bureaucracy is worth intervening  in if and only if the legitimacy of governance by upper administration  is negated by the intervention. A professor who agrees to be on a  committee thinking that from that position she’ll be able to limit  damage and fearing that if she is not on it things will be even worse is  not negating the legitimacy of the administration, so that should not  be done.&lt;br /&gt;&lt;br /&gt;But a resolution introduced in the Academic Senate, or issued by an  individual department, stating that the Regents should not be allowed to  set the salaries of upper administrators would reject their legitimacy  and would be worth doing, not least because it would be news. A  resolution by the Riverside Academic Senate, or individual departments,  rejecting the brutish rules for protest that UCR’s Dean of Students has  just invented would negate their legitimacy and would be worth doing.  One of the remarkable things that happened quietly a couple of weeks ago  which shouldn’t be lost amid the spectacular things that also happened  is that the departments of Asian-American Studies, English, and Physics,  as well as a group of historians, at Davis released statements  expressing no confidence in their chancellor autonomously, without going  through a given bureaucratic structure for resolutions or comment. Nor  did they speak as atomized individuals gathered temporarily on a  petition. Rather, they identified themselves as un-Chancellor-friendly  ongoing spaces and created a new form of relation to Davis  administration. Further, they pulled the Law faculty into responding to  them in kind.&lt;br /&gt;&lt;br /&gt;The faculty response at Davis was the first instance that I know of that  the Administration’s hold on the bureaucracy itself—its structure and  its hegemonic representative capacity for faculty—could be weakening. If  they lose their grip on the bureaucracy, the upper administration will  be exposed to the contempt of their national peers; and being  administrators, they would experience that as an existential threat.&lt;br /&gt;&lt;br /&gt;So I’m brought around to something I never thought I would recommend:   faculty reinforcements—faculty participation of a targeted sort—in the  movement to Reclaim UC, so that we can follow these departments at Davis  into a new area of contestation. Public response to the acts of  Berkeley professors Celeste Langan, Robert Hass and Geoffrey O’Brien,  who were beaten alongside student protesters by Berkeley police on  November 9, show that professorial participation in anything that  delegitimates the Administration is disproportionately effective. The  disproportion is disturbing because a faculty body seems to be worth  more than a student body. That’s a problem. But only their participation  could bring that problem to light where it otherwise would have  remained hidden. In order to keep and increase pressure on the  administration at this moment when the police front may be disappearing  from visibility, one thing we should do—faculty and students (and here I  have just used a version of the first person plural that I thought no  longer existed)—is negate the legitimacy of the police-related  commissions, especially the ones farcically composed by Yudof. Their  egregiousness is legible, even to the uninitiated, even to the press;  and for that reason they are an excellent introduction to privatization  and anti-privatization.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://reclaimuc.blogspot.com/2011/12/live-blog-of-peoples-police-review.html"&gt;The People’s Police Review Board&lt;/a&gt;  deploys a principle we all need to support. If faculty show up at a  stop of Dean Edley’s listening tour among protesters making it clear  that it’s outrageous that the event is happening at all, that will be  disproportionately useful. Boycotting the events, making it clear why  not to show up, would also be useful. Instituting an actual alternative  review board on whatever collective level is possible would be  excellent. Why wait for Yudof to withdraw his appointments? Why  shouldn’t faculty and students form an alternative body and demand that  the witnesses responding to Yudof’s review respond, while they’re at it,  to our own?&lt;br /&gt;&lt;br /&gt;What matters here is form and principle. The outcome would not be merely  the propositional conclusion of the investigation, nor UCPD’s refusal  to comply with one, and the corresponding demands these events would  generate. Rather, what’s important is the capacity of self-respecting  communal forms to dramatize the administration’s illegitimacy using  Yudof’s commission as an illustration. Given that faculty bodies are  worth more to the University and media than student bodies, students are  going to have a much harder time delegitimating the administration  without this particular kind of faculty support: the kind that involves  professors’ asking themselves, What are we doing to legitimate and  delegitimate privatization?, ceasing to do the former and making sure to  do the latter. The grievable faculty body reaps advantage every time  faculty appear in the service of delegitimation, and only then.&lt;br /&gt;&lt;br /&gt;To sum up, then: many areas of the struggle are changing rapidly and  some may be vanishing as we have known them. These sudden shifts in  terrain reflect the pain the movement is inflicting on the  Administration and the unevenness of its reactions. Things are moving so  rapidly that we could easily fail to adjust. If that happened, it could  be difficult to get into a similar place again. So winter quarter is  the time to expand into the very areas into which the Regents have  retreated by undermining the conditions that support administrators as  administrators, and which are their main refuge, and making this effort  literally visible (everything now should be photographed and filmed as  artfully as we can manage it).  Funding they will always have; but with  their contacts, they can just as well have it somewhere else, and I  suspect that thought has flitted through the mind of every UC  administrator. Contesting administrators’ control of bureaucracy matters  because they experience that control as the anchor of their identity,  and this is one of their limitations, a soft spot in their mental and  material organization. My philosophical emphasis is on non-instrumental  and negative thought and non-teleological self-constitution, so it may  seem to go against the grain to have offered reflections that are so  prosaic. But this is a matter of historical and perceptual scale. There  is a degree of magnification, a middle distance, that is always prosaic  even as it is surrounded by an infinite and unsystemizable complexity.  Needless to say, all of this is worth doing regardless of what happens  after."&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-5909687012361379399?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/5909687012361379399/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=5909687012361379399' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/5909687012361379399'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/5909687012361379399'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/12/occupy-uc-deligitimate-uc.html' title='Occupy UC ---&gt; Deligitimate UC'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-2579570481468929874</id><published>2011-11-13T17:28:00.001-08:00</published><updated>2011-12-18T01:46:46.799-08:00</updated><title type='text'>Open Letter Regarding UC Berkeley Violence (Occupy UC)</title><content type='html'>&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="uiHeader uiHeaderBottomBorder mbm" style="border-bottom-color: rgb(170, 170, 170); border-bottom-style: solid; border-bottom-width: 1px; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px; margin-bottom: 10px; padding-bottom: 0.5em;"&gt;&lt;div class="clearfix uiHeaderTop" style="zoom: 1;"&gt;&lt;div&gt;&lt;h2 class="uiHeaderTitle" style="color: #1c2a47; margin: 0px; padding: 0px;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: x-small; font-weight: normal;"&gt;From Facebook.&lt;/span&gt;&lt;/h2&gt;&lt;h2 class="uiHeaderTitle" style="color: #1c2a47; font-size: 16px; font-weight: normal; margin: 0px; padding: 0px;"&gt;&lt;/h2&gt;&lt;h2 class="uiHeaderTitle" style="color: #1c2a47; font-size: 16px; font-weight: normal; margin: 0px; padding: 0px;"&gt;Letter to friends and family regarding the recent police violence at UC Berkeley&lt;/h2&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="clearfix" style="zoom: 1;"&gt;&lt;div class="mbs uiHeaderSubTitle lfloat fsm fwn fcg" style="color: grey; float: left; font-size: 11px; font-weight: normal; margin-bottom: 5px;"&gt;&lt;span class="Apple-style-span" style="color: #333333; font-size: 12px; line-height: 18px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="mbs uiHeaderSubTitle lfloat fsm fwn fcg" style="color: grey; float: left; font-size: 11px; font-weight: normal; margin-bottom: 5px;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-size: 12px; line-height: 18px;"&gt;Dear friends and family,&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="mbl notesBlogText clearfix" style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 12px; line-height: 1.5em; margin-bottom: 20px; word-wrap: break-word; zoom: 1;"&gt;&lt;div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;As I'm sure many of you have heard by now, this past week at UC Berkeley, several thousand students, faculty, and employees of the university came together to protest a proposed 81% tuition hike, increased privatization of the UC system, and the troubling conflicts of interest demonstrated by Board of Regents members' private business interests and their responsibilities to advocate on behalf of the UC community with the State government. While, for example, the governing body of the UC Regents (publicly appointed officials of the State of California) and campus administration have decided that the burden of making up losses in the budget crisis should fall heavily on students through rapidly rising tuition (the current figure is already triple what it was ten years ago) and on members of faculty and staff who've received reductions in pay and increased workloads--or have been laid off entirely, the current Regents have invested at least $1.5 billion of the UC's money in projects in which many of them personally hold significant stakes and, of course, also authorized $3 million in bonuses to top administrators last year alone.&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;These&amp;nbsp;are some of the reasons why so many people (myself included) gathered together on Wednesday to stand in peaceful protest in front of Sproul Hall. In addition to organizing numerous teach-ins, a rally, march, and campus-wide walkout, students also hoped to set up a two-day encampment in the spirit of the other Occupy movements around the country to create a public forum for discussion and education about the current financial situation of the university and the condition of public education in the country today. All day, the crowd was gathered in explicitly&amp;nbsp;&lt;i&gt;peaceful assembly to petition our government for a redress of grievances&lt;/i&gt;. As the university first responded by the early afternoon&amp;nbsp;&lt;i&gt;not&lt;/i&gt;&amp;nbsp;with administrators to enter into dialogue but with hundreds of&amp;nbsp;&lt;i&gt;riot police&lt;/i&gt;, some students even took the time to recite the first amendment to police and protesters alike.&amp;nbsp;&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;Whether or not you agree with the reasons for the protests, however, I would hope that you would all at least share my horror at what followed.&lt;b&gt;&amp;nbsp;&lt;/b&gt;As hundreds of students linked arms to form a human chain around the one tent they had (the few others they had tried to set up were ripped down and confiscated by the police with no warning earlier in the day), riot police began beating them mercilessly without warning or provocation. Some of you may have seen the following clips already:&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;Here, you can see the police suddenly start to attack the protesters without cause. The young man in the front that they keep beating even after he's unable to get up is a first-year graduate student in my department named Josh Anderson. He was the first of a number of students that had to be taken to the hospital that day. As you can see from the video, neither he, nor any of the other students being beaten with batons strike back at the police with violence. Instead, you can see him, barely able to stand, gingerly raise a peace sign after being repeatedly struck on the head, neck, ribs, and legs.&amp;nbsp;http://www.youtube.com/watch?v=buovLQ9qyWQ&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;In the following video, the first woman (in pink) that the police drag out of the crowd by her hair is Professor Celeste Langan, a beloved professor of British Romanticism and media studies in my department and director of the UC Townsend Center for the Humanities. As she places herself in front of students, the police approach her with batons. She repeatedly told the police not to beat her but arrest her instead. You can see here that they responded by dragging her out by force and throwing her to the ground.&amp;nbsp;https://www.youtube.com/watch?v=kNHXuf6qJas&amp;amp;feature=player_embedded&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;When the police violence occurred again later that night, they broke the ribs of another English professor, poet Geoffrey O'Brien. When the police wouldn't stop beating him even after he too had fallen to the ground, a good friend and fellow graduate student, Ben Cullen, rushed in and demanded that they stop. The police, in turn, rained multiple blows on him, bruising his ribs as well. And just in case it's not clear yet that the violence was not just against 'some kids looking to make a fuss,' the police also thought it necessary to jab 70-year-old former Poet Laureate and Pulitzer Prize winner Robert Hass several times in the stomach with a baton as well.&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;I could go on with more horrifying accounts and recorded footage of the brutality the UCPD and Alameda County Sheriffs inflicted upon my friends, professors, and students, but I will stop here to say that for all the mainstream media coverage after the day's events alternatively insisted upon UC protesters "violently clashing with police" or the fact that police were forced into "nudging" students with batons--&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;1) I've never been more proud to be a UC Berkeley student seeing the firmness with which&amp;nbsp;&lt;i&gt;every protester&amp;nbsp;&lt;/i&gt;held to his or her commitment of nonviolent resistance. More beautifully and successfully perhaps than its Occupy counterpart in Oakland, the Cal protesters responded instead throughout the evening with chants of "Peaceful protest!" and even briefly, "Bubbles not batons!" (Yes, a few of the gathered students started some impromptu bubble-blowing in the crowd around midnight. Got to love them hippy kids, right? But, seriously. I do.) The idea of protesters&amp;nbsp;&lt;i&gt;clashing&lt;/i&gt;&amp;nbsp;with police implies violence on both sides. That was absolutely (and to be perfectly honest, given the police's behavior, quite surprisingly) not the case.&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;2) As for the AP's account of police "nudging" students with batons-- well, Steven Colbert does a nice job of lampooning what is already patently ridiculous about that here:&amp;nbsp;http://www.colbertnation.com/the-colbert-report-videos/402024/november-10-2011/occupy-u-c--berkeley?xrs=share_fb&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;Hundreds of faculty and graduate student instructors, myself included, have signed the following open letter to UC Chancellor Robert Birgeneau who is responsible for the police response: http://www.ipetitions.com/petition/uc_berkeley_teachers_condemn_violence/&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;In addition to making a statement of no confidence in the UC Regents and administration, many of us are also demanding the resignation of Birgeneau and the UCPD Chief of Police, Mitchell Celaya. The ACLU and National Lawyers' Guild have demanded records of the events from the UCPD and Alameda County Sheriff's offices.&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;Please consider helping by contacting either Chancellor Birgeneau's or Chief of Police Celaya's office to voice your concern, demands, outrage-- whatever. More concretely, you can ask for their removal from office, for their compliance with the ACLU and National Lawyers' Guild's requests, for Chancellor Birgeneau to make the investigation of excessive violence open to&amp;nbsp;&lt;i&gt;external&amp;nbsp;&lt;/i&gt;review (it's currently being delegated to an in-house board), or, y'know, for the university to stop terrorizing members of the community that both comprise it and whom the UCPD are supposedly there to&amp;nbsp;&lt;i&gt;protect.&amp;nbsp;&lt;/i&gt;Parents and loved ones of Cal students-- or at least this one!-- feel free to call and simply say, "Hey, I'd like you not to beat my child/friend/loved one who is a student at Cal and/or to think it would be okay to do so, please. Thanks."&amp;nbsp; Anything you could do to help would be much appreciated. This violence is not only of a physical nature against the students, faculty, and employees of Cal, but also against the very idea and purpose of higher education itself. It cannot be allowed to continue.&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;Their information is below.&amp;nbsp;&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;Office of the Chancellor&lt;/b&gt;&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;Email:&amp;nbsp;chancellor@berkeley.edu&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;Phone: (510) 642-7464&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;Fax: (510) 643-5499&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;Location &amp;amp; mailing address:&lt;/b&gt;&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;200 California Hall, MC#1500&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;University of California&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;Berkeley, CA 94720-1500&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;Chief of Police&lt;/b&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;Email:&amp;nbsp;mjc@berkeley.edu&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;Phone:&amp;nbsp;(510) 642-1133&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;Much thanks and love,&lt;/div&gt;&lt;div style="font-size: 12px; line-height: 1.5em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;Irene&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-2579570481468929874?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/2579570481468929874/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=2579570481468929874' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/2579570481468929874'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/2579570481468929874'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/11/open-letter-regarding-uc-berkeley.html' title='Open Letter Regarding UC Berkeley Violence (Occupy UC)'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-2332787432117464874</id><published>2011-11-11T23:25:00.001-08:00</published><updated>2011-11-11T23:28:47.821-08:00</updated><title type='text'>Occupy UC (Univ. of California)</title><content type='html'>This deserves to be posted in full. From &lt;a href="http://utotherescue.blogspot.com/2011/11/another-reality-remarks-at-uc-irvine.html"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;h3 class="post-title entry-title" style="font: normal normal normal 16px/normal Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 15px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0.75em; position: relative;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif; font-size: small;"&gt;Another Reality (Remarks at UC Irvine Protest, 11/9/11)&lt;/span&gt;&lt;/h3&gt;&lt;div class="post-header" style="line-height: 1.6; margin-bottom: 1.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div class="post-header-line-1"&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="post-body entry-content" style="line-height: 1.4; position: relative; width: 518px;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif;"&gt;&lt;i&gt;By Rei Terada&amp;nbsp;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;In March 2010, about a thousand people at UC Irvine marched here and on the street, on University Avenue. I was amused that a couple of commentators wrote afterward that UCI students were “protesting reality.” Someone headlined a blog for The Atlantic,&amp;nbsp;&lt;a href="http://www.theatlantic.com/business/archive/2010/03/students-protest-university-cutbacks-reality/37061/" style="color: #5d0a42; text-decoration: none;"&gt;“Students Protest University Cutbacks, Reality”&lt;/a&gt;. This remark assumes that once reality has been determined, you have no right to say anything further. That assumption can be refuted in a number of ways, even if—and that’s an “if”—we don’t dispute the amount of the state budget shortfall since the recession of 2008. First of all, anyone who cares about reality should always ask, what makes the reality the way it is? What are the conditions on which reality depends? That is the question known as “critique,” and critique is the mainstay of the Enlightenment education that Universities historically support.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.blogger.com/blogger.g?blogID=5853454098911399626" name="more"&gt;&lt;/a&gt;&lt;br /&gt;The condition of the reality that UCI students protested in 2010 is that the state has been defunding public education since before the global financial crisis. The UC Regents claim that this in turn is another inalterable and involuntary reality that they can do nothing about, but that’s not true. A few years ago it would have cost the median California taxpayer $32 to return UC funding to 2000 levels. Since then the economy’s grown even worse, and now it would cost $49. The UC Regents’ point of view is that the California taxpayer is ignorant or selfish, and should just cough up the $50—that the Legislature should impose a tax. But by doubling tuition since 2000, long before the global financial crisis--last week proposing to raise it again, 16% a year for the next four years--and giving almost a third of the places (31% at Berkeley now, for example) to out of state students paying $36,000 a year, the UC Regents give California taxpayers no reason to fund an education that they’re being told is no longer for them. Middle-class Californians can’t afford the tuition increases; they can’t bear to take on any more debt; and they have no reason to contribute when qualified students are no longer guaranteed a UC education.&lt;br /&gt;&lt;br /&gt;The leadership of the university bears the responsibility for these community-destroying policies. The more they turn from public to private money, the less incentive the legislature has to raise revenues on the university’s behalf; and the more they privatize the university, the more middle-class tazpayers are right to feel that this whole project is no longer theirs. These arguments have been made in financial detail by Robert Meister of UCSC and Christopher Newfield of UCSB. UC Administration is turning the wheel in the wrong direction; and they have hired a president, Mark Yudof, who came in with a template for privatizing the university before the global financial crisis had even happened. President Yudof stated in print in 2007 that he intended to raise tuition by 32%--exactly the amount that the Regents did raise it in a first so-called “response” to the crisis: a response that predated the supposedly inevitable problem. The condition that supports our current reality of massive tuition increases and cuts is a program of privatization that actively weakens the foundations of citizen support and then blames the citizens for not being supportive.&lt;br /&gt;&lt;br /&gt;Our reality would have been different if instead of making students pay—-and pay-—and pay—-and pay again, the leadership of the university had said something like the following:&lt;br /&gt;&lt;br /&gt;“The state has been decreasing funding for decades, and we can’t go on any more. Now we’re in crisis. And in crisis the education of students and the well-being of our community comes first. The educational part of the budget will be the last to be cut. We will not be asking more from our lowest-paid and most vulnerable workers than we ask from our highest-paid workers. We will not be laying off janitors and food service workers while giving expensive raises to ourselves. We’ll be cutting from management. We’re asking for salary reductions from everyone making over $100,000 a year. We’re trying to renegotiate our contracts so that private money donated to us for non-educational purposes, such as construction, can be turned toward education and student support. And the cuts that we do have to implement will be shared equally, because every part of the university is equally valuable. To do otherwise would be crazy: it would pit groups of people against one another at the time when they’re most stressed. If everyone shares the cuts equally, everyone will realize that this concerns them personally. And we’ll restore the resources if and when our situation gets better. Nothing that currently exists is to be closed down permanently, even if we can’t run it right now. By staying together, we can affirm our community, whatever the practical hardships might be.”&lt;br /&gt;&lt;br /&gt;That’s what I would have liked to hear in another reality, and that’s why this reality is well worth protesting.&lt;br /&gt;&lt;br /&gt;You might think that even if reality is worth protesting, protesting doesn’t work to change it. My impression, for what it’s worth, is that student protests have slowed down the process of privatization, and in fact are the only thing that has had any impact on the process. It’s also clear that student protests globally have, along with Tunisia and Egypt, created the conditions for the current Occupation movement--California student protesters especially. Protesting reality today is no longer a joke in the way commentators thought it was in 2009-2010.&lt;br /&gt;&lt;br /&gt;All of that said, however, it also makes sense to think of what the community wants to do in a way that goes beyond what it wants someone else to do, whether that’s the State or the UC Regents or local administration. It’s good, in the manner of Occupy, also to ask what the community wants to do regardless of what others think. It’s not just a matter of being in a terrible situation, but of how you want to live it. Just as there are things that money can’t buy, there are things that cuts can’t take away if you don’t let them. You can cancel a philosophy class, but you can’t defund critique--not against informed resistance. In the future it might become the case that you have to organize more of your own education; if classes you want to take no longer exist, you may need to connect with other people who want to learn it and teach it, and with their help take initiative to make it happen. While UC is pushing toward online classes for pay, we could make our own courses and post them online for free. Professors could allow in their classrooms UC students who are no longer enrolled because they couldn’t afford to pay or because they couldn’t make it academically because they were working so many hours. Students could donate their used textbooks to an exchange where you could leave an expensive textbook that you no longer needed and pick one up for free that you did need, instead of selling books back to the bookstore.&lt;br /&gt;&lt;br /&gt;The fact is that UCI students already do a lot of things like this. There are already&amp;nbsp;&lt;a href="http://acrobaticseveryday.com/" style="color: #5d0a42; text-decoration: none;"&gt;entirely student-run concerts&lt;/a&gt;&amp;nbsp;and&amp;nbsp;&lt;a href="http://www.newuniversity.org/2010/03/news/dispersal-of-knowledge-pushes-protests-forward/" style="color: #5d0a42; text-decoration: none;"&gt;student-run lecture series and panels&lt;/a&gt;&amp;nbsp;and&amp;nbsp;&lt;a href="http://www.ucrebelradio.com/" style="color: #5d0a42; text-decoration: none;"&gt;radio stations&lt;/a&gt;&amp;nbsp;and&amp;nbsp;&lt;a href="http://clubs.uci.edu/uncultivatedrabbits/index.htm/" style="color: #5d0a42; text-decoration: none;"&gt;poetry societies&lt;/a&gt;&amp;nbsp;and&lt;a href="http://queerunderallconditions.tumblr.com/" style="color: #5d0a42; text-decoration: none;"&gt;&amp;nbsp;magazines&lt;/a&gt;&amp;nbsp;to which the official culture of the university pays no attention, but this unofficial culture is thriving nonetheless. There is hardship involved in this--that is, doing these kinds of things is a lot of work and time, and it’s never for pay. But they make this time and place something that the plans of administrators are incapable of recognizing. What I’m describing now is not so much protesting reality as modifying it while continuing to protest it. The possibility of doing more of that, on the horizon now maybe by necessity, is the hidden potential of our lamentable situation: the possibility that students might transform the university at the moment when it’s being abandoned by its managers.&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-2332787432117464874?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/2332787432117464874/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=2332787432117464874' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/2332787432117464874'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/2332787432117464874'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/11/occupy-uc-univ-of-california.html' title='Occupy UC (Univ. of California)'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-7365338517028970600</id><published>2011-11-11T23:14:00.001-08:00</published><updated>2011-11-11T23:23:36.449-08:00</updated><title type='text'>Which Way, LATimes?</title><content type='html'>An entertaining review of James O'Shea's &lt;i&gt;The Deal From Hell: How Moguls and Wall Street Plundered Great American Newspapers&lt;/i&gt; by Laurie Winer. From &lt;a href="http://lareviewofbooks.org/post/12555828808/zell-to-l-a-times-drop-dead"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #222222; font-family: Baskerville, Georgia, 'Times New Roman', Times, 'Droid Serif', serif; font-size: 16px; line-height: 20px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: #222222; font-size: 16px; line-height: 20px;"&gt;"Zell addressed the staff of the&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #222222; font-size: 16px; line-height: 20px;"&gt;&lt;i style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 16px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Orlando Sentinel&lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #222222; font-size: 16px; line-height: 20px;"&gt;, one of the Tribune newspapers, on January 31, 2008, which was the first time most of the journalists in the Tribune family got to see the man himself. As part of a whistle-stop tour of his new properties, Zell took visible delight in showing off his iconoclastic style to a new industry that, before now, had not had the pleasure. He was primed and ready for his close-up. He took the stage and stood at a lectern, a leprechaun-sized, wizened, bald man with a white goatee and gravelly voice.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #222222; font-family: Georgia, 'Times New Roman', serif; font-size: 16px; line-height: 20px;"&gt;&lt;br /&gt;According to Zell, 'the eleventh commandment is Thou shalt not take oneself seriously.' His public posture was combative but laced with impish mischief; the gleam in his eye suggested he enjoyed being challenged. This may have misled&amp;nbsp;&lt;i style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 16px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;Orlando Sentinel&lt;/i&gt;&amp;nbsp;photographer Sara Fajardo, or perhaps she had seen the new employee handbook rewritten on orders of Zell. One of its entries read: 'Question authority and push back if you do not like the answer. You will earn respect, and not get into trouble for asking tough questions.'&lt;br /&gt;&lt;br /&gt;In any event, there Zell is in Orlando, telling his staff about the necessity of making money, how that would be our top priority going forward. Fajardo did what none of us attempted with Mark Willes; she stood up and asked her new boss about his view on 'the role journalism plays in the community, because we’re not the Pennysaver, we’re a newspaper.' Zell placed both hands on the podium and bent his elbows, as if he wanted to push it forward. 'I want to make enough money so that I can afford you,' he said, his irritation mounting. 'It’s really that simple. You need to in effect help me by being a journalist that focuses on what our readers want and that therefore generates more revenue.' Fajardo immediately broke in, 'But what readers want are puppy dogs,' she said, as the courage drains from her voice. 'We also need to inform the community.' Zell cut her off, his right hand gesticulating forcefully. 'I’m sorry but you’re giving me the classic, what I would call, journalistic arrogance, by deciding that puppies don’t count. … What I’m interested in is how can we generate additional interest in our products and additional revenue so we can make our product better and better and hopefully we get to the point where our revenue is so significant that we can do puppies and Iraq. Okay?'&lt;br /&gt;&lt;br /&gt;The audience, some of whom applauded, might have been momentarily perplexed by Zell’s concept: That, like a kid who must endure being grounded before he can go to parties again, a newspaper would have to sell its very soul so that, at some undetermined point in the future, it might be allowed to go back to being a newspaper again. If anyone was busy contemplating the conundrum of Zell’s argument, he might have missed the day’s dramatic high point, which occurred when Fajardo turned around to sit back down. Zell had two more words for her. They were: 'Fuck you.'&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.youtube.com/watch?v=LDy7vn7-LX4" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #222222; font-size: 16px; font-weight: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;" target="_blank"&gt;Fortunately, it lives on YouTube.&lt;/a&gt;"&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/LDy7vn7-LX4" width="420"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-7365338517028970600?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/7365338517028970600/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=7365338517028970600' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7365338517028970600'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7365338517028970600'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/11/which-way-latimes.html' title='Which Way, LATimes?'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/LDy7vn7-LX4/default.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-608562930585886010</id><published>2011-11-11T22:59:00.001-08:00</published><updated>2011-11-11T23:05:21.518-08:00</updated><title type='text'>it can't be november already!</title><content type='html'>&lt;i&gt;Diaristic.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;It's so odd to look at this blog and to realize how much I have moved on. Even the last entry, still dripping with anxiety, seems far more distant than it actually is. This week I froze, literally from the cold, and also I slept a lot, too much in fact. Am I trying to slow down time? This has been by m.o. in times of stress, but it never works nor is it a satisfactory course of action. And yet there is a part of me that values this non-linear conception of life. It has no 'use' value, which is precisely I fall into it instinctively. Or I might just be lazy. But honestly, it's amazing how rapidly things are moving along, based upon my standards, that I need to stop and think about things and write about them which is why I'm still keeping the blog.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-608562930585886010?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/608562930585886010/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=608562930585886010' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/608562930585886010'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/608562930585886010'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/11/diaristic.html' title='it can&apos;t be november already!'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-7913623326587543781</id><published>2011-10-14T19:44:00.000-07:00</published><updated>2011-10-17T14:15:55.568-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Refugee'/><category scheme='http://www.blogger.com/atom/ns#' term='The Law'/><category scheme='http://www.blogger.com/atom/ns#' term='graduate school'/><category scheme='http://www.blogger.com/atom/ns#' term='language'/><title type='text'>choking back</title><content type='html'>&lt;i&gt;Diaristic&lt;/i&gt;.&lt;br /&gt;&lt;br /&gt;&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-S8R0hYPZ1rU/Tpj3Rox7N_I/AAAAAAAAAr8/cSfAeh9YyBc/s1600/sancho.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="241" src="http://4.bp.blogspot.com/-S8R0hYPZ1rU/Tpj3Rox7N_I/AAAAAAAAAr8/cSfAeh9YyBc/s320/sancho.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Only half-hidden.&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;There's a hidden story behind this blog. It's not possible to share at the moment. But slowly, it has seeped out to friends and acquaintances. It is a time for asserting the self. And yet curiously that self is the person of the immediate past. What happened to much older past, the period in which the only significant memory I prize is my much slimmer waistline? Sure what is going on now is very much connected, but a whole lot is missing. Is this what it means to tell one's story? Is this what it means to be "well"? Huge chunks of experiences that are not integral to the said story disappear. We are many stories and some of them are invisible even to ourselves.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Yesterday, I gave a terrible presentation in a grad seminar. I've never been good at giving one because of my lack of preparation, and, more importantly, my lack of self-confidence. I would pause and suddenly get a panic attack repeating what I just said or suddenly jumping to the conclusion in order to justify my argument and presence. It would appear that my nervousness comes out from my disbelief at my presence before an audience. I, who has nurtured an outsider status for two decades, the one who could speak but had no public avenues to express himself, suddenly finds himself at an official site of enunciation. It's hard to get used to this--to have a voice and opinions and ideas and a stake in something material. Part of the sentimentality of this blog was that it was my only space to express my frustration and perceived exceptionality as a result of my marginalization. In other words, I was worth listening to because I was looking at things, social and academic, from alien eyes. It is an egotism that I failed to accept because that would have meant I was a somebody when social conditions indicated otherwise. Going back to my presentation or any of the recent class discussions, there is this weird accent that materializes. It's not a Filipino accent por syur. The mind almost doesn't recognize how the tongue creates these sounds, which may account for my pauses wondering what is going on. Who, at this point, is in possession of me? This accent acts as a &amp;nbsp;marker of non-assimiliation. &amp;nbsp;What is somewhat amusing is the recurrence of the word "like" in my speech even in the grad seminar format. They look at me as if I have an improper tattoo. But what they fail to realize is that this is a reflection of the casualness of speech in the Southern California setting. Dude, I'm speaking in sunshine! Usually, after a disastrous assertion of the self, I fall into further doubts. However, I'm beginning to wonder if I shouldn't apologize for the way I think and express myself. Sure, I need to work on some things, but I shouldn't question the content and approach to yesterday's presentation. Because I was realizing while speaking that this is not what most of them expected in terms of the approach to the materials. I can't offer nice conclusions. I find those a bore. What if the connection being made with the ideas in a text do not add up but cleaves the text. And I feel that if this is the case the presentation itself should possess that form of irreconcilability. Besides, the object of presentation is to open the material for discussion. By giving definitive ideas and formulations, I think that this somewhat alters what can be discussed. One begins to react to the interpretation rather than going back to the text itself. (Is that convincing? Probably not, like whatever.) In addition, I have become a great believer in close reading (or that's what I call it). Just look at the passage itself (after selecting it as somewhat representative or relevant or most unusual) and see what is going on there. (I learned to do this at Irvine.) Of course, all this is an act of justification on my part--to ease the pain of the disaster. And why this disorganization and lack of voice? Am I less qualified than my cohorts. Um, yes! There's a level of confidence, erudition, and nuance when they speak that I lack and envy and desire so much. But where have I been the past few years? This I don't seem to have considered. This chaotic mind is a result of close to two decades of insecurity. Accumulation of knowledge and ideas has been in the margins with feelings of inferiority mixed in. The way I think and look at texts has been shaped largely outside of the academy with my face pressed on the cold glass looking in and trying to hear what's going on inside. And by some strange twists of fate (and recommendation letters), here I am in the academy. I am without doubt the unlikeliest person to be here. So this tortured speech and roundabout logic and inferiority complex galore is part of that--part of the process of knowledge accumulation in makeshift circumstances. It would be difficult to pull them apart at the moment. Perhaps in a few years, after I get used to what it means to be a legal person with an official place in a institution, I can speak in paragraphs like my classmates. Perhaps this mouth, the actual physical speaking organ, can adjust or not since I really do like my "like"s for they make me relatable to a wider circle of people, I feel. So in conclusion (ha!), I can't really apologize for my muddled presentation because that would deny the actual circumstances of my life. And now that I see this and realize this, it is then time to speak up more and do so more clearly. I need to have confidence of a different kind. I need to be muddled and confusing on another level, a much higher level.&lt;br /&gt;&lt;br /&gt;If I claim to have a secret, I gave it away, obviously. One never knows what happens when one writes.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-7913623326587543781?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/7913623326587543781/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=7913623326587543781' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7913623326587543781'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7913623326587543781'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/10/hey-you-its-me-you.html' title='choking back'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-S8R0hYPZ1rU/Tpj3Rox7N_I/AAAAAAAAAr8/cSfAeh9YyBc/s72-c/sancho.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-5062890452410950583</id><published>2011-09-22T21:56:00.000-07:00</published><updated>2011-10-05T21:35:15.121-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Refugee'/><category scheme='http://www.blogger.com/atom/ns#' term='The Law'/><category scheme='http://www.blogger.com/atom/ns#' term='literature'/><category scheme='http://www.blogger.com/atom/ns#' term='language'/><category scheme='http://www.blogger.com/atom/ns#' term='Exile'/><title type='text'>It Speaks</title><content type='html'>It seems appropriate to reactivate this blog with this passage when blogger is situated anew and yet not entirely free from the conditions of the past. I don't know if it's hope that I'm feeling, but certainly there's a bit of defiance in his consciousness because of a new-found security, however temporary. &lt;br /&gt;&lt;br /&gt;"How many people today live in a language that is not their own? Or no longer, or not yet, even know their own and know poorly the major language that they are forced to serve? This is the problem of immigrants, and especially their children, the problem of minorities, the problem of minor literature, but also a problem for all of us: how to tear a minor literature away from its own language, allowing it to challenge the language and making it follow a sober revolutionary path? How to become a nomad and an immigrant and a gypsy in relation to one's own language? Kafka answers: steal the baby from its crib, walk the tightrope."&lt;br /&gt;&lt;br /&gt;From "What is Minor Literature?" in Gilles Deleuze and Felix Guattari's &lt;i&gt;Kafka: Toward a Minor Literature&lt;/i&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-5062890452410950583?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/5062890452410950583/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=5062890452410950583' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/5062890452410950583'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/5062890452410950583'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/09/it-speaks.html' title='It Speaks'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-5339679359556072308</id><published>2011-08-16T18:55:00.000-07:00</published><updated>2011-08-22T15:11:46.234-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='personal notes'/><title type='text'>address change</title><content type='html'>There is no exact address yet, however, this blogger will be addressing dear readers from a different place, far from Los Angeles. This blog will no longer be the same.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-5339679359556072308?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/5339679359556072308/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=5339679359556072308' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/5339679359556072308'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/5339679359556072308'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/08/address-change.html' title='address change'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-4633226726352592735</id><published>2011-07-12T15:14:00.000-07:00</published><updated>2011-07-12T15:14:04.321-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Los Angeles'/><title type='text'>Freeways and Sidestreets of Los Angeles</title><content type='html'>Excerpt from Norman M. Klein's essay in the &lt;i&gt;Helter Seklter: L.A. Art in the 1990s&lt;/i&gt; (MOCA, 1992) catalogue. Bit dated, but still works.&lt;br /&gt;&lt;br /&gt;"THE INVISIBLE CITY: FREEWAYS&lt;br /&gt;&lt;br /&gt;The freeway network in L.A. was essentially finished by the mid-sixties, and ran at high efficiency for about ten years. Architecturally speaking, it completed a process whereby the point where one entered public spaces was narrowed considerably, and the private spaces one has within the auto were enhanced. This process also fits into a broader, longstanding tradition which began in the twenties. After years of adding parks and public plazas, there came a trend toward much more privatization of landscape and public areas: instead of new parks, there were more backyards, and more boulevards shopping districts along the Miracle Mile or on Sunset Boulevard; it was the invasion of the private fantasy into a public consumer phantasmagoria set inside the shopping mall, or the theme park, not to mention being explicitly rendered in the fantasy architecture so notorious of L.A.&lt;br /&gt;&lt;br /&gt;Other factors also contributed to this growing denial of public space on behalf of private consumer fantasy. They all related eventually to the freeway, but come historically from other sources. Well into the twenties, an extraordinary isolation existed between the three original urban circuits of the city--downtown, the West Side, and the San Fernando Valley. Each had developed very separately from the other for generations, and this left clear boundaries, despite the myth of L.A.'s sprawl and endless uniformity. If anything, white flight and real estate booms have made these distinctions even stronger, reinforced by the expanded orbit downtowns in each area. If you live on the West Side, you may never travel east of La Brea Avenue, except occasionally to go to MOCA, LACE, or the symphony. The habit is well fixed, like a freeway interchange. One literally passes through to arrive, but rarely stops.&lt;br /&gt;&lt;br /&gt;The tourist planning of hotels and theme parks also shows this sense of removal, and quest for homogeneity. For convenience and 'safety,' they are built directly off freeways, away from mixed population centers. Even the Bonaventure Hotel, made famous as critical theory by Frederic Jameson, was built specifically in a depopulated zone where nearby residents were almost impossible to find. The entrance, in fact, was so inaccessible to anyone other than guests, that an extra entrance had to be added on the eastern side in the late eighties, simply to allow the business inside to find &lt;i&gt;some&lt;/i&gt; street traffic (though there is virtually none except for business lunches). That is consumer-built isolation indeed. Self-alienation might be more like it.&lt;br /&gt;&lt;br /&gt;City agencies still permit the destruction of key sites, as they have for generations. On behalf of the continuing strategy to locate historical memories where whites live, historic buildings in the 'forgotten' (non-white) side of town are still being quietly dismantled, like the site of the original Mack Sennett Studios along Glendale Boulevard in Echo Park (where Charlie Chaplin and Gloria Swanson got their start and the Keystone comedies were filmed in the teens and twenties), destroyed in 1990, observed but never noticed by the 40,000 cars that passed by its erasure.&lt;br /&gt;&lt;br /&gt;What then is the final effect of this architectural evasion, this introversion of public spaces evident by the late sixties? In the novel &lt;u&gt;Invisible Cities&lt;/u&gt; (1972), Italo Calvino finds Los Angeles unapproachable by freeway, as so many visiting writers do. He cites L.A. in his discussion of the endless catalogue of forms that cities may take, saying 'When the forms of cities exhaust their variety, and come apart, the end of cities begins. In the last pages of the atlas there is an outpouring of networks without beginning or end, cities in the shape of Los Angeles...without shape.' Calvino is suggesting a city incapable of holding a memory or a shape, rather like a bad batter unable to hold a charge, a city after the death of cities.&lt;br /&gt;&lt;br /&gt;While this critique, very frequently made, has the charm of a ghost tale, it still tends to obscure vital historical evidence, much as the earlier noir literature often exoticized the chaos. L.A. has never been simply a sprawl. As mad as some of the results may look, more than fifty years of planning went into the freeway basin we see today. L.A. is not without boundary; its boundaries are clearly defined by its transportation outreach and segregated real-estate planning. L.A. is not suddenly looking like a 'real city.' There was always massive poverty here, a large pool of cheap labor, usually shut off from the tourist route, and made invisible, until occasional bursts of violence suddenly made the public notice, like a summer fire--similar to the &lt;u&gt;Locust&lt;/u&gt; fire, but more remote. In L.A., one can easily live a lifetime as a tourist, see mostly what the smoke sends by way of promotion, never visit what is left out, except by way of crime movies. That is why L.A. begins to resemble a netherworld." (28 - 29)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Sidestreets&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;iframe frameborder="0" height="300" src="http://player.vimeo.com/video/26002464?title=0&amp;amp;byline=0&amp;amp;portrait=0" width="400"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;a href="http://vimeo.com/26002464"&gt;4th of July in East L.A.&lt;/a&gt; from &lt;a href="http://vimeo.com/courtofappeal"&gt;Court of Appeal&lt;/a&gt; on &lt;a href="http://vimeo.com/"&gt;Vimeo&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-4633226726352592735?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/4633226726352592735/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=4633226726352592735' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/4633226726352592735'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/4633226726352592735'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/07/freeways-and-sidestreets-of-los-angeles.html' title='Freeways and Sidestreets of Los Angeles'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-2521756877142844723</id><published>2011-06-29T09:18:00.000-07:00</published><updated>2011-07-01T07:47:17.330-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='film-essay'/><title type='text'>a film-essay: Revolution-Restoration 1814 -</title><content type='html'>Read the introduction to work &lt;a href="http://workwithoutdread.blogspot.com/2011/06/revolution-restoration-1814.html"&gt;here&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;&lt;iframe frameborder="0" height="300" src="http://player.vimeo.com/video/25335771?title=0&amp;amp;byline=0&amp;amp;portrait=0" width="400"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;a href="http://vimeo.com/25335771"&gt;Revolution-Restoration, 1814--&lt;/a&gt; from &lt;a href="http://vimeo.com/courtofappeal"&gt;Court of Appeal&lt;/a&gt; on &lt;a href="http://vimeo.com/"&gt;Vimeo&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-2521756877142844723?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/2521756877142844723/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=2521756877142844723' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/2521756877142844723'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/2521756877142844723'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/06/film-essay-revolution-restoration-1814.html' title='a film-essay: Revolution-Restoration 1814 -'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-2292218150200572290</id><published>2011-06-18T03:56:00.000-07:00</published><updated>2011-06-18T03:56:15.865-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Walker'/><category scheme='http://www.blogger.com/atom/ns#' term='Gaza'/><title type='text'>Riding With Alice Walker</title><content type='html'>"I’m thoughtful. Because we’re told it could be a quite dangerous  journey. And so I am steeping myself in the wisdom and the images and  words of people who in my culture have sustained us through dangerous  journeys. Langston Hughes, Malcolm X, Martin Luther King and Ella Baker,  Fanny Lou Hamer, Black Elk, Geronimo, Crazy Horse, Ida B. Wells,  Sojourner Truth, Bob Marley. It’s good for me to feel that I am  surrounded at all times by the presence of all these people who have  understood American empire and who have stood against&amp;nbsp;it."&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"And that is why I am steeping myself in the words of the people before  me who have been in the same position and who have decided: 'Well I love  this world. &lt;em&gt;I love it.&lt;/em&gt; I love these little children. They  don’t deserve this. They don’t deserve to be abused; they don’t deserve  to be frightened. I’m an adult. I’m an elder. So, how can I let this  happen to them without some kind of&amp;nbsp;resistance?'”&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"On the upside, I loved being with what I considered my tribe. Anywhere  in the world your tribe is, well for me, it’s poets and writers and  musicians and dancers and people who, you know, want to enjoy this  planet. The planet is about enjoying it. It’s not about bombing it and  beating it and forcing it to do what you&amp;nbsp;want."&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"That wall is such an insult to the soul of humanity. It’s so  enormous. It’s so threatening. And they are building it right in the  faces of people and stealing their land in the process; so not only are  they walling in the people but they are taking their land and then  shooting at them when they try to work their land so they can have  something to&amp;nbsp;eat.&lt;br /&gt;&lt;br /&gt;This is such a crime against the soul of humanity. We can’t stand  this. Who are we as human beings if we can even bear this? We cannot  bear it. And we must not. So that was one of the amazing impressions,  just the enormity of the wall, how much of it there&amp;nbsp;is.&lt;br /&gt;&lt;br /&gt;And then the other thing was the settlements.  The settlements are huge. They are unlike anything I had expected. And  they are everywhere, everywhere! And so I realized that this whole long  drama, the charade called the peace process, was simply a diversion, a  shadow play, so that people wouldn’t realize that there was never going  to be any&amp;nbsp;peace.&lt;br /&gt;&lt;br /&gt;It was always about taking the land. Religion had nothing to do with  it; or it was used as an excuse. On some level I knew that, but seeing  it made it really clear to me that 'Aha! This is what this has been  about from the very&amp;nbsp;beginning.'”&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"The election that’s coming up, I think is obscene if it requires a  billion dollars just on the Democratic side, to re-elect the president.  If I were President Obama I would speak to the nation and say: You know what? I don’t have time  to raise money for re-election. If you want me back, it’s up to you to  bring me back. I’m too busy working on America’s many problems. Housing,  wars, economic disasters, climate change, tornadoes, etc. That’s what I  would do. I wouldn’t spend one day or one cent trying to re-elect  myself. This stance would force Americans to take responsibility for  ourselves and I think we’re capable of doing&amp;nbsp;that." From &lt;a href="http://electronicintifada.net/content/interview-alice-walker-gaza-freedom-flotilla-and-struggle-justice/10090"&gt;here&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-2292218150200572290?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/2292218150200572290/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=2292218150200572290' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/2292218150200572290'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/2292218150200572290'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/06/riding-with-alice-walker.html' title='Riding With Alice Walker'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-2694669953700927502</id><published>2011-06-18T03:44:00.000-07:00</published><updated>2011-06-19T20:18:12.311-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='links'/><title type='text'>Weekly Ten Links</title><content type='html'>&lt;ol&gt;&lt;li&gt;After a hiatus, &lt;i&gt;Clap Your Hands Say Yeah&lt;/i&gt; are back. New album out on September 12. Preview a song called "Same Mistake" &lt;a href="http://stereogum.com/730691/clap-your-hands-say-yeah-same-mistake/mp3s/"&gt;here&lt;/a&gt;.&lt;/li&gt;&lt;li&gt;Terrence Malick is &lt;a href="http://blogs.indiewire.com/theplaylist/archives/too_much_of_a_good_thing_terrence_malick_preparing_6_hour_cut_of_the_tree/"&gt;reportedly&lt;/a&gt; fiddling around with a six hour cut of &lt;i&gt;The Tree of Life&lt;/i&gt;.&lt;/li&gt;&lt;li&gt;With recent mass protests in Greece, riot dog Loukanikos is &lt;a href="http://www.bbc.co.uk/news/world-europe-13802940"&gt;back&lt;/a&gt;.&lt;/li&gt;&lt;li&gt;New English &lt;a href="http://www.guardian.co.uk/books/2011/jun/15/first-direct-translation-solaris"&gt;translation&lt;/a&gt; of Lem's &lt;i&gt;Solaris&lt;/i&gt; is on its way, though not in paper format.&lt;/li&gt;&lt;li&gt;Hacker LulzSec has a &lt;a href="http://www.deathandtaxesmag.com/105679/lulzsec-manifesto-they-keep-their-best-hacks-secret/"&gt;manifesto&lt;/a&gt;.&lt;/li&gt;&lt;li&gt;Rachel Maddow is &lt;a href="http://www.huffingtonpost.com/2011/06/17/rachel-maddow-anthony-wei_n_878974.html"&gt;pissed&lt;/a&gt; at Democrats for giving up on Anthony Weiner.&lt;/li&gt;&lt;li&gt;LACMA has &lt;a href="http://latimesblogs.latimes.com/movies/2011/06/lacma-film-independent-series-elvis-mitchell.html"&gt;hired&lt;/a&gt; a media celebrity to head its film program. Seriously, LACMA? Better folks are out there. &lt;/li&gt;&lt;li&gt;&lt;a href="http://www.guardian.co.uk/film/2011/jun/14/david-lynch-club-silencio-paris"&gt;Club Silencio&lt;/a&gt;, from the movie&lt;i&gt; Mulholland Drive&lt;/i&gt;, is set to open in Paris. Wrong city, dude.&lt;/li&gt;&lt;li&gt;&lt;a href="http://blogs.laweekly.com/informer/2011/06/werner_herzog_takes_pity_on_co.php"&gt;Q &amp;amp; A&lt;/a&gt; with Werner Herzog at the Hollywood Forever Cemetery.&lt;/li&gt;&lt;li&gt;Fassbinder's &lt;i&gt;Despair&lt;/i&gt; is getting an official US DVD &lt;a href="http://www.latimes.com/entertainment/news/la-ca-second-look-20110612,0,6162722.story"&gt;release&lt;/a&gt;.&lt;br /&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:1}"&gt;&lt;span class="messageBody" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/h6&gt;&lt;/li&gt;&lt;/ol&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-2694669953700927502?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/2694669953700927502/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=2694669953700927502' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/2694669953700927502'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/2694669953700927502'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/06/weekly-ten-links.html' title='Weekly Ten Links'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-7164408091763679196</id><published>2011-06-12T21:51:00.000-07:00</published><updated>2011-06-12T21:52:52.025-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='University of California'/><title type='text'>"Letter from Tom Lutz, Chair of Creative Writing at UC Riverside"</title><content type='html'>"Dear colleagues and students,&lt;br /&gt;&lt;br /&gt;After a year and a half as Chair of the department, I am stepping   down.&amp;nbsp; Professor Andrew Winer will be taking my place, for which we   should all be grateful.&lt;br /&gt;&lt;br /&gt;As my last act as Chair, I would like to share with you my sense of  the  gravity of the situation we face. &amp;nbsp;I spent most of my academic  career  doing what most of us do—teaching, writing, reading graduate   applications and theses, having office hours, reading in my field, doing   research.&amp;nbsp; I didn’t pay much attention to the University and its   administration.&amp;nbsp; None of us have that luxury anymore.&amp;nbsp; Budget cuts after   budget cuts after budget cuts have left us all painfully aware of how   the sausage is made, or not made.&amp;nbsp; &lt;br /&gt;&lt;br /&gt;Having served in administrative posts for most of the last five  years, I  have come to know the budget issues very well.&amp;nbsp; We are now past  the  tipping point.&amp;nbsp; We are on a rapid downhill slide that will have   profound effects for our state, our families, our country, and our   world.&lt;br /&gt;&lt;br /&gt;In the space of less than a single lifetime, the University of   California, Riverside went from being a small agricultural experiment   station to being one of the top 100 universities in the world.&amp;nbsp; An   incredibly dense and elaborate web of specialists across all fields of   scholarship, science, and the arts was developed, and it took enormous   efforts by thousands of people over those years to make it happen.&amp;nbsp; In   less than the four years it used to take to graduate, it is being   destroyed.&lt;br /&gt;&lt;br /&gt;Our department is a great example of the breadth of vision and dogged   effort that has made Riverside the exceptional place it has been.&amp;nbsp;   There are other creative writing programs in the country, but not a   single one anywhere with the range across genres and fields, with the   breadth of knowledge in world literatures, with the diversity of voices,   methods, and styles that we have.&amp;nbsp; And there is not another creative   writing program anywhere—and certainly none with our caliber of   professors—that is more truly dedicated to its pedagogical mission at   every level. &amp;nbsp;The faculty at Princeton is perhaps a bit more famous, but   undergraduates there never meet them, much less have access to them  in,  before, and after class.&amp;nbsp; I have now taught at every kind of   school—fancy elite universities, small colleges, Big 10 universities,   art schools, and universities abroad.&amp;nbsp; I have never been part of a   faculty this student-centered, this concerned about the educational   experience and future prospects of its undergraduate and graduate   students.&lt;br /&gt;&lt;br /&gt;Three years ago I was offered a job at USC, which is much closer to  my  house, more prestigious as an academic address, and was offering me   more money.&amp;nbsp; UCR worked hard and did the best it could to match the   salary and I stayed.&amp;nbsp; I stayed because I wanted to be part of this   project, I wanted to teach a student body that is over 85%   first-generation college students, that comes not from the richest   families in California but some of the poorest, a group of students that   have a much greater likelihood than not of coming from immigrant   families and from families that speak more than English.&amp;nbsp; I wanted to   remain part of one of the greatest democratic experiments in history,   and certainly one of the few greatest experiments in public education in   the history of the human race, the University of California.&lt;br /&gt;&lt;br /&gt;If I got that offer today, though, I’m not sure I could turn it down,   and in fact, many people are not turning down outside offers these   days.&amp;nbsp; There are people who have taught here for more than twenty years   considering going somewhere else, somewhere the future is a bit more   certain.&amp;nbsp; These are people who are the best in their field—you don’t get   such offers unless someone thinks you are among the best in your   field—and UCR, and the educational experience at UCR, is diminished each   time this happens, each time one of the best of our best leaves for a   better job.&amp;nbsp; We can’t blame them—they have kids of their own to put   through college, they have research projects that require funding, they   know that to teach the most complex subjects effectively, they need to   run seminars with 15 students sitting around the table, not 150.&lt;br /&gt;&lt;br /&gt;The budget cuts of recent years and the ones we know for certain are   coming next year mean a gross deterioration of our school.&amp;nbsp; Those   faculty who leave for better jobs are not being replaced.&amp;nbsp; Many of you   know Yvonne Howard, who has been the chief administrator for our   department since it was founded.&amp;nbsp; This year her job was unceremoniously   terminated.&amp;nbsp; &lt;b&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: orange;"&gt;Staff people and faculty who retire are not being   replaced.&amp;nbsp; Next year students at UCR will have trouble getting the   classes they need, and many of the classes they get will be crowded   beyond responsible limits.&amp;nbsp; Departments are being forced to abandon   optimal class-size limits for classes two, three, and five times that   size. &amp;nbsp;&amp;nbsp;The library has virtually stopped buying books.&amp;nbsp; We are on a   race to become a mediocre university at best, and if the $500 million of   proposed cuts to UC turn into a billion dollars, as they are now   discussing in Sacramento, we will be over.&amp;nbsp; The billion dollar cut   translates into thousands of classes across the system.&amp;nbsp; It means   creative writing workshops with 50 students.&amp;nbsp; It means we will cease to   be a real university, and will simply become another   community-college-level institution. Then, maybe, after a few years,   with tuition at $25,000 or $30,000 a year, we can begin the slow build   back into a real university.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="color: orange;"&gt;Why is this happening?&amp;nbsp; Political demagoguery and corruption.&amp;nbsp; Thirty   years ago UC received 9% of the state budget and prisons 3%.&amp;nbsp; Now UC   gets 3% and the prison-industrial complex gets 9%.&amp;nbsp; The legislature is   taking the money that should be used to educate the best of its citizens   and using it enrich the people who make a profit from the imprisoning   the poorest.&amp;nbsp; The percentage of the cost of higher education provided  by  the state has been cut in half, cut in half again, and is on the  verge  of getting cut in half a third time.&amp;nbsp; The people in the  legislature  understand the value of public higher education—the vast  majority of  them have degrees from our state system, and many of them  have multiple  degrees—all made possible by the legislators who preceded  them and had  more courage.&amp;nbsp; They do not protect the University for a  very simple  reason:&amp;nbsp; because they risk a flow of conservative attacks  and Tea Party  racism if they stick up for anything that is directly  devoted to the  commonweal.&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;br style="color: orange;" /&gt;&lt;span style="color: orange;"&gt; In my darkest moments, I think the monied interests working against   reasonable taxation are doing so because they consciously, actively seek   to make sure we do not have an informed, educated citizenry, the  better  to extract our collective labor and wealth unimpeded.&amp;nbsp; But such   intentionality isn’t necessary.&amp;nbsp; Simple, short-sighted, grab-it-now,   bottom-line greed explains their destruction of our culture, without   recourse to any dystopian conspiracies.&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;The only thing that has a chance of turning this devastation around  is  student activism.&amp;nbsp; We in higher education cannot spend millions of   dollars on campaign contributions the way the prison profiteers or the   medical and insurance and aerospace industries do, so we need to find   other ways to provide a political counterweight.&amp;nbsp; We need to make our   voices heard.&amp;nbsp; For you students, your own self-interest should be the   catalyst, as you will, no matter what happens this year, have trouble   finding the classes you need, much less than the ones you want, and the   chance you will graduate in a reasonable amount of time is already  gone.  But you should also think of what this means for your families,  your  neighbors, your friends, your own kids when they come of age.&amp;nbsp; And  think  what it means if California reduces its higher education budget  to the  levels of Missouri or West Virginia—we will become like those  places.&amp;nbsp;  Because of its education system, a system that, until just a  few years  ago, has always been considered the best in the country,  California has  been among the most innovative and significant literary  and cultural  centers in the country, and because of this education  system, too,  California has been the economic powerhouse it has  been—1000 research  and development companies a year are formed out of  the UC system, for  instance, and four UC inventions a week are  presented to the patent  office. &lt;br /&gt;&lt;br /&gt;We had the best educational system because we were willing to  pay for  it, and our expenditures were among the highest in the nation,  too. In a  few short years we have dropped into the middle in state  spending, and  we are fast falling even farther.&amp;nbsp; Only a political  movement strong  enough to buck the corporate money determining our tax  policy can  change this downward spiral.&amp;nbsp; Only you can make that happen.&lt;br /&gt;&lt;br /&gt;We have been told, from the top, not to expect a return to ‘the glory   days.’&amp;nbsp; This year was not the glory days.&amp;nbsp; This year we already have   discussion sections that are not discussions, fewer classes, an exploded   faculty:student ratio; we are very far from the glory days.&amp;nbsp; Now that   either 500 million or 1 billion more dollars are getting yanked out of   the system, your favorite lecturer will be gone. &lt;br /&gt;&lt;br /&gt;The class you wanted  won’t exist anymore.&amp;nbsp; Your student advisor will  have 800 or 1000  students to advise instead of the 300 we all agreed  was an absolute  maximum two short years ago.&amp;nbsp; This is the end of  quality.&amp;nbsp; And why?&amp;nbsp;  Because a few very wealthy people are protecting  their wealth from  taxes, taxes considered reasonable not only  everywhere else in the  developed world, but considered reasonable in  America until the last 20  years. I hope you get angry.&amp;nbsp; I hope you get  active. Call and write your  legislators, get out in the streets, take  back your university, don’t  let yourselves be the last people to have  even this chance.&lt;br /&gt;&lt;br /&gt;Tom Lutz&lt;br /&gt;Professor and Chair, Department of Creative Writing"&lt;br /&gt;&lt;br /&gt;From &lt;a href="http://ucrebelradio.blogspot.com/2011/06/letter-from-tom-lutz-chair-of-creative.html"&gt;here&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-7164408091763679196?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/7164408091763679196/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=7164408091763679196' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7164408091763679196'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7164408091763679196'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/06/letter-from-tom-lutz-chair-of-creative.html' title='&quot;Letter from Tom Lutz, Chair of Creative Writing at UC Riverside&quot;'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-4461405470461655673</id><published>2011-06-12T21:42:00.000-07:00</published><updated>2011-06-12T21:42:40.303-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Benjamin'/><category scheme='http://www.blogger.com/atom/ns#' term='city'/><title type='text'>convolutes</title><content type='html'>This sounds interesting.&amp;nbsp; If I end up staying here in Los Angeles and not too despondent enough perhaps I'll be able to undertake a Los Angeles equivalent to this project. And definitely more biased, with an underdog's point of view of the city.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-LwTDfbpbiVA/TfWVHbwQUWI/AAAAAAAAArY/bNtr9a-USys/s1600/lower-manhattan-map-1847-460x522.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-LwTDfbpbiVA/TfWVHbwQUWI/AAAAAAAAArY/bNtr9a-USys/s320/lower-manhattan-map-1847-460x522.jpg" width="281" /&gt;&lt;/a&gt;&lt;/div&gt;"For the past five years, I [Kenneth Goldsmith] have been working on a rewriting of Walter Benjamin’s &lt;em&gt;The Arcades Project&lt;/em&gt; set in New York City in the twentieth century called &lt;em&gt;Capital&lt;/em&gt;.  As of this writing, the book is about 500 pages long, approximately  half way to the 1000+ pages that constitutes Benjamin’s book. The idea  is to use Benjamin’s identical methodology in order to write a poetic  history of New York City in the twentieth century, just as Benjamin did  with Paris in the nineteenth. Thus, I have taken each of his original  chapter headings (&lt;em&gt;convolutes&lt;/em&gt;) and, reading through the entire  corpus of literature written about NYC in the twentieth century, I have  taken notes and selected what I consider to be the most relevant and  interesting parts, sorting them into sheaves identical to Benjamin’s."&lt;br /&gt;&lt;br /&gt;"This is an exercise that is as much about reading as it is about  writing. In fact, it’s a book that proposes reading as writing. While  many other authors could have written Benjamin’s book, why is it that  his is so successful, so endlessly fascinating? It’s about what he  chooses. In lesser hands, such a work would’ve been dreary, dull,  tedious, pedantic and loquacious. Instead, we have a book that is  arguably one the most readable works ever written, yet very few words  were actually written by Benjamin himself; it’s an act of conceptual  writing where what one chooses — one’s taste — either makes or breaks  the book." From &lt;a href="http://www.poetryfoundation.org/harriet/2011/04/rewriting-walter-benjamins-the-arcades-project/"&gt;here&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-4461405470461655673?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/4461405470461655673/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=4461405470461655673' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/4461405470461655673'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/4461405470461655673'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/06/convolutes.html' title='convolutes'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-LwTDfbpbiVA/TfWVHbwQUWI/AAAAAAAAArY/bNtr9a-USys/s72-c/lower-manhattan-map-1847-460x522.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-7762831352279652885</id><published>2011-05-23T09:08:00.000-07:00</published><updated>2011-05-27T23:22:33.865-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='education'/><category scheme='http://www.blogger.com/atom/ns#' term='Davis'/><category scheme='http://www.blogger.com/atom/ns#' term='prison'/><title type='text'>Ain't That The Truth, Angela Davis</title><content type='html'>"When you look at the corporate model of diversity, they are seeking  people and women of colour who will not rock the boat. Now that is why  this model entails a difference that does not make a difference. For  example, if one looks at university campuses and their admission  policies, often times they will admit middle class students of colour so  that the campus looks diverse, but they expect that the middle-class  students will have the same attitudes and perspectives as the white  students."&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;"It is the impact of neoliberal ideology that focusses so exclusively on  the individual that it becomes impossible to imagine collective subjects  and community subjects."&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;"Let me give you the example of the State of California. I live in  California, which has historically had the best educational system in  the country. If you are a resident of California, you can basically get a  free education to the post-doctoral level. California used to be number  one in the country; now I think it is 40-something in terms of the  funds from the general budget that are accorded to education. So  education is not funded; but what is funded is this vast prison  industrial complex. There has been a major crisis in the University of  California. All employees, including professors, have been forced to go  on furlough. Salaries have been cut, programmes have been  dis-established. Especially programmes that were the most recent ones to  be created, such as Women and Gender Studies and Ethnic Studies, are  the first ones to be dismantled. I was thinking that had we had the  foresight and the capacity to develop a campaign that linked the  situation of education to the situation of prisons – had educators and  students protested that the prison system was growing by leaps and  bounds – we are talking about the period of the 1980s and the 1990s, the  rise of global capital – had we been able to do that, we would have  been able to avoid the total collapse of the high educational  structures." From &lt;a href="http://www.hinduonnet.com/thehindu/thscrip/print.pl?file=20110506280908700.htm&amp;amp;date=fl2809/&amp;amp;prd=fline&amp;amp;"&gt;here&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-7762831352279652885?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/7762831352279652885/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=7762831352279652885' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7762831352279652885'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7762831352279652885'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/05/aint-that-truth-angela-davis.html' title='Ain&apos;t That The Truth, Angela Davis'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-8587115708638323340</id><published>2011-05-19T04:09:00.000-07:00</published><updated>2011-06-02T19:45:10.184-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='personal notes'/><title type='text'>oh dear! (2.0)</title><content type='html'>&lt;i&gt;Diaristic. &lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-9QNcOzBlNmo/TdT5JMxlbtI/AAAAAAAAArI/AD_NJz3-_k8/s1600/230931_2061431697734_1302941687_32510487_5635572_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://3.bp.blogspot.com/-9QNcOzBlNmo/TdT5JMxlbtI/AAAAAAAAArI/AD_NJz3-_k8/s320/230931_2061431697734_1302941687_32510487_5635572_n.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;Page 1. "Next moon cycle, I'm outta here!" Well, maybe not. The  month of May has been unforgiving and unforgettable. Every week, it  would seem, had its own mini-crisis. Each week necessitated a change in plans and schemes like a bandit on the run. There was a small accident which resulted in a series of quasi-meditation at an ER with deplorable services. (The staff, having been accustomed to the sight and howls of pain on a daily basis, made the most of their day with inside jokes and YouTube videos.) There even was a drastic proposal of moving to a strange, new place with little to no prospects of further banditry, and a heart wrenching proposal to leave behind a library. (In anticipation of the move, a few hundred books and videos were given away. Those were grim days.) The scheme, hostage to a decision that wasn't mine, has been extinguished--for now. I almost lost my marbles. (Image by Jack Pierson, &lt;i&gt;Last Chance Lost&lt;/i&gt;, 2007.)&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-iW7DoQ4Lodk/TdT5T2jg4xI/AAAAAAAAArM/3PornhYkfNY/s1600/230101_2061431177721_1302941687_32510484_5168512_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://3.bp.blogspot.com/-iW7DoQ4Lodk/TdT5T2jg4xI/AAAAAAAAArM/3PornhYkfNY/s320/230101_2061431177721_1302941687_32510484_5168512_n.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;Page 2. "Follow your instincts." Yet what if one's capacity to intuit has been shredded by nights of longing and anxiety? After months of careful, excruciating planning, it turns out that the initial plan (the simplest one) is the most viable option. Why then did I doubt my own heart? But it may not have been the heart alone; it was the mind at work, more like. In spite for the mind's tendency for distraction, it was and is the mind that kept on rolling, scheming, and braiding. In this sense, why fall into despair at all times when there is something still at work in this human unit. (The body, alas, has fallen into disrepair. It lays there, drawn to immobility. "Recently, I have given up on bipedality.")&amp;nbsp; Intellectual interests must be pursued in whatever state and place that I may be in. (Image by Glenn Ligon, &lt;i&gt;Rückenfigur&lt;/i&gt;, 2009.)&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-KmnZFHpmAI8/TdT7B94grLI/AAAAAAAAArQ/VLR8mTojlnc/s1600/65460_1769692004424_1302941687_32022934_841623_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="316" src="http://2.bp.blogspot.com/-KmnZFHpmAI8/TdT7B94grLI/AAAAAAAAArQ/VLR8mTojlnc/s320/65460_1769692004424_1302941687_32022934_841623_n.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;Page 3. This heart has never been practical. These desires have not been mine in part. Sitting by a window on the second or third floor of a building, while cars whiz by below and other people's lives (they look so secure!) pass me by, I was addressed with a series of questions that made me realize my strangeness once again. Is it my situation (a code, for sure) that makes me different? Or is difference something more innate, like this tendency to dream even in the present moment? They're both, of course, welded together like metal vines out of years in the wilderness. It has been this insistence on transcendence (a holdover of Catholic upbringing?) that got me into this--got me into this room where the practical met my dreamy ways. "How old are you?" "And you haven't met anyone yet?" "Do you go out?" "Are you depressed?" "Are you taking pills?" Do people talk this way these days? She wasn't even a spiritual advisor nor a psychologist. So whose desires are we talking about, mine or society's? The last few months, most especially the month of May, has laid bare my blind ways. Dreaming is never enough if one wishes to survive. But is survival the point of it all??? (Image by Shomei Tomatsu.) &lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-8587115708638323340?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/8587115708638323340/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=8587115708638323340' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/8587115708638323340'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/8587115708638323340'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/05/next-moon-cycle-outta-here.html' title='oh dear! (2.0)'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-9QNcOzBlNmo/TdT5JMxlbtI/AAAAAAAAArI/AD_NJz3-_k8/s72-c/230931_2061431697734_1302941687_32510487_5635572_n.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-2243918443931594910</id><published>2011-05-17T02:52:00.000-07:00</published><updated>2011-05-19T04:01:05.166-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Asco'/><category scheme='http://www.blogger.com/atom/ns#' term='Los Angeles'/><category scheme='http://www.blogger.com/atom/ns#' term='PST'/><title type='text'>El Lay Art</title><content type='html'>&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/u2ieIoWvz3c" width="480"&gt;&lt;/iframe&gt;&lt;br /&gt;Video from &lt;a href="http://www.eastofborneo.org/archives/265"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"In the late 1960s, four young Chicano artists in East Los Angeles began  collaborating in various combinations, eventually forming an art  collective and taking the name Asco — as in ‘&lt;i&gt;me da asco&lt;/i&gt;’ or ‘it  (your art) disgusts me’. One evening in 1972, three of its members —  Harry Gamboa Jr, Gronk (aka Guglio Nicandro) and Willie Herrón III —  signed their names to the entrance of the Los Angeles County Museum of  Art (LACMA), claiming the public institution as their own private  creation and thus making the world’s largest work of Chicano art in the  affluent and white mid-Wilshire area of the city. &lt;i&gt;Spray Paint LACMA&lt;/i&gt; (1972), sometimes later referred to as &lt;i&gt;Project Pie in De/Face&lt;/i&gt;,  was conceived in response to a LACMA curator’s dismissive statement  that Chicanos made graffiti not art, hence their absence from the  gallery walls. In other words, ‘Chicano art’ was a categorical  impossibility."&lt;br /&gt;&lt;br /&gt;"The members of Asco first came together formally through the invitation  of Gamboa, who asked them to work with him on the second volume of &lt;i&gt;Regeneración&lt;/i&gt;,  a political and literary journal published by veteran activist  Francisca Flores and modelled on the radical journal of the same name  published in the early 1900s by Mexican revolutionary Ricardo Flores  Magón. Flores recruited Gamboa amidst the Chicano Moratorium Against the  Vietnam War on 29 August 1970, when a police riot left several people  dead, including &lt;i&gt;Los Angeles Times&lt;/i&gt; reporter Ruben Salazar. As art historian Mario Ontiveros notes, ‘&lt;i&gt;Regeneración&lt;/i&gt;  provided the group an opportunity to examine publicly and critically  “certain dogmatisms” at work in the political and art movement, as well  as the dominant culture’. In this regard, the future Asco members helped shift the editorial  direction toward what Ontiveros calls ‘an intra-movement, self-reflexive  analysis’ while they learned to work together in this critical mode  through image and text aimed at multiple audiences. The four artists quickly developed a unique visual style and conceptual  approach that contrasted, and even ridiculed, the Mexican-inspired  political iconography of the Chicano civil-rights movement (1965—75),  while at the same time they were deeply engaged in that movement.&lt;br /&gt;&lt;br /&gt;From 1971 to 1975, Asco’s guerilla-style street performances, often  involving Humberto Sandoval as an erstwhile fifth member, intervened in a  situation overdetermined by police violence, political surveillance,  military recruitment and biased news media that structured and regulated  social space in the Chicano community. At the same time they challenged the Chicano movement’s nationalist  political rhetoric, arguing that it promoted an orthodoxy and  corresponding identity that failed to take into account the profound  contradictions that actually shaped the lived experience of Chicanos — a  group marked by cultural but not structural assimilation and, as a  consequence, a group that was quite ‘American’ and yet excluded from or  discriminated against by social institutions. Asco staged performances  that both commented on and contributed to the mural movement (&lt;i&gt;Walking Mural&lt;/i&gt;, 1972; &lt;i&gt;Instant Mural&lt;/i&gt;, 1974; &lt;i&gt;Asshole Mural&lt;/i&gt;, 1975) and the reclamation of Mexican-based cultural traditions (&lt;i&gt;Día de los Muertos&lt;/i&gt;,  1974). During this time, Gronk and Herrón also painted murals that  marked innovations in the use of expressive styles and conceptual  frameworks, including their &lt;i&gt;Black and White Mural&lt;/i&gt; (1973), which depicts the death of Ruben Salazar in relationship to Marcel Carné’s film &lt;i&gt;Les Enfants du paradis (Children of Paradise&lt;/i&gt;,  1945) made during the Nazi occupation, as well as to Gronk’s  performance persona Pontius Pilate (aka Popcorn), modelled in part after  the film’s central character, a mime. What one notices most about this body of work (including subsequent  staged performances and conceptual video) is the unrelenting expression  of violence outside melodramatic and moral discourses — as a cultural  logic, an administrative tactic, a familial ritual and a fact of  everyday life." From &lt;a href="http://www.eastofborneo.org/articles/17"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;The Los Angeles County Museum of Art (LACMA) is staging an Asco retrospective later this year as part of the city-wide celebration of Los Angeles-based art called Pacific Standard Time. Here is the &lt;a href="http://www.lacma.org/art/ExhibASCO.aspx"&gt;link&lt;/a&gt; for more information on the LACMA show. PST festival information &lt;a href="http://pacificstandardtime.org/"&gt;here&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-2243918443931594910?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/2243918443931594910/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=2243918443931594910' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/2243918443931594910'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/2243918443931594910'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/05/el-lay-art.html' title='El Lay Art'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/u2ieIoWvz3c/default.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-7299708353241589201</id><published>2011-04-27T22:27:00.000-07:00</published><updated>2011-04-27T22:28:02.952-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='immigration'/><category scheme='http://www.blogger.com/atom/ns#' term='Balibar'/><title type='text'>foreigner, stranger, &amp; alien: an interview with etienne balibar</title><content type='html'>Translation of entire interview &lt;a href="http://translate.google.com/translate?hl=en&amp;amp;sl=fr&amp;amp;u=http://www.telerama.fr/idees/etienne-balibar-la-condition-d-etranger-se-definit-moins-par-le-passeport-que-par-le-statut-precaire,67997.php&amp;amp;ei=D3a4TbK4B5KqsAOb06ipAQ&amp;amp;sa=X&amp;amp;oi=translate&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CCcQ7gEwAA&amp;amp;prev=/search%3Fq%3DEtienne%2BBalibar%2B:%2B%25E2%2580%259CLa%2Bcondition%2Bd%25E2%2580%2599%25C3%25A9tranger%2Bse%2Bd%25C3%25A9finit%2Bmoins%2Bpar%2Ble%2Bpasseport%2Bque%2Bpar%2Ble%2Bstatut%2Bpr%25C3%25A9caire%25E2%2580%259D%26hl%3Den%26safe%3Doff%26client%3Dfirefox-a%26hs%3D6nB%26rls%3Dorg.mozilla:en-US:official%26prmd%3Divnso"&gt;here&lt;/a&gt; (using Google translate).&lt;br /&gt;&lt;br /&gt;"La langue française se singularise en ne disposant, pour désigner l'«  étranger », que d'un nom, là où l'allemand et l'anglais en ont au moins  deux. Ce qui rend certaines distinctions plus difficiles. Par exemple  entre celui que l'anglais appelle&lt;i&gt; « foreigner »&lt;/i&gt; (qui a une autre nationalité) et le &lt;i&gt;« stranger »&lt;/i&gt; (qui est « autre »). On pourrait ajouter &lt;i&gt;« alien »&lt;/i&gt;  (le radicalement autre, monstrueux souvent), terme qui revêt une  certaine importance dans la conjoncture actuelle, où l'étranger est  souvent présenté comme un ennemi. Quand Bauman dit que toute société  fabrique ses propres étrangers, il pense au &lt;i&gt;« stranger »&lt;/i&gt;,  c'est-à-dire celui qui n'est pas immédiatement perçu comme membre de la  communauté. Cela pose d'emblée toutes les questions difficiles :  qu'est-ce qu'une communauté ? De quel point de vue y a-t-il plus de  différences avec ceux qui sont à l'extérieur qu'avec ceux qui sont à  l'intérieur ? Quelle est la nature de la frontière qui les sépare ?"&lt;br /&gt;&lt;br /&gt;"Pour autant que l'humanité s'organise en communautés, la représentation  que les hommes se font de leurs similitudes et de leurs différences  s'incarne dans une figure d'étrangeté ou d'« étrangèreté ». Elle change  sans cesse de contenu mais demeure une constante anthropologique. Pour  qu'il y ait un « nous », il faut bien apparemment qu'il y ait des «  autres ». L'étranger est une figure ambivalente qui cristallise des  affects d'attraction et de répulsion, voire de fascination et de  détestation."&lt;br /&gt;&lt;br /&gt;"Je ne crois pas à l'utilité de slogans tels que &lt;i&gt;« Abolissons les frontières ! » et « Liberté de circulation totale ! ». &lt;/i&gt;La  frontière est, comme l'armée ou la police, une institution non  démocratique qui accompagne paradoxalement la souveraineté du peuple.  Dès lors, la question cruciale est celle de la nature des contrôles et  de qui les exerce. En ce qui concerne la régulation des flux  migratoires, il revient à l'Etat ou à des communautés d'Etats de fixer  les modalités de franchissement des frontières, mais il faudrait que les  intéressés, de part et d'autre de la ligne de démarcation, aient voix  au chapitre. Or les autorités de pays comme la France qui ne pourraient  pas vivre sans main-d’œuvre immigrée refusent absolument de discuter  avec les Etats africains ou les associations de migrants des modalités  d'obtention des visas ou des politiques d'immigration. Il serait  pourtant souhaitable d'organiser avec eux un statut du migrant dans le  monde de demain. D'autant qu'en fait, les économistes le savent,  l'avantage est réciproque, même si l'ajustement des besoins n'est pas  automatique. Cela suppose que tous les Etats du monde et leurs opinions  publiques prennent conscience de l'intérêt qu'il y aurait à cette  coopération, plutôt que d'aller dans le mur des situations d'exception.  Voilà ce que j'appelle démocratisation : d'abord la fin de  l'unilatéralisme." From &lt;a href="http://www.telerama.fr/idees/etienne-balibar-la-condition-d-etranger-se-definit-moins-par-le-passeport-que-par-le-statut-precaire,67997.php"&gt;here&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-7299708353241589201?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/7299708353241589201/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=7299708353241589201' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7299708353241589201'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7299708353241589201'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/04/foreigner-stranger-alien-interview-with.html' title='foreigner, stranger, &amp; alien: an interview with etienne balibar'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-7478928722648253666</id><published>2011-04-26T17:17:00.000-07:00</published><updated>2011-04-27T22:16:56.648-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='personal notes'/><title type='text'>creative juice</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-1Uw1X2yNZqQ/TbdgRQeIfwI/AAAAAAAAArE/ignPpYRjxv4/s1600/tumblr_lk9uc6Zo3d1qz6f9yo1_500.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="640" src="http://2.bp.blogspot.com/-1Uw1X2yNZqQ/TbdgRQeIfwI/AAAAAAAAArE/ignPpYRjxv4/s640/tumblr_lk9uc6Zo3d1qz6f9yo1_500.jpg" width="456" /&gt;&amp;nbsp;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;From here.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-7478928722648253666?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/7478928722648253666/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=7478928722648253666' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7478928722648253666'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7478928722648253666'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/04/creativity-101.html' title='creative juice'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-1Uw1X2yNZqQ/TbdgRQeIfwI/AAAAAAAAArE/ignPpYRjxv4/s72-c/tumblr_lk9uc6Zo3d1qz6f9yo1_500.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-5703435096757070065</id><published>2011-04-25T14:28:00.000-07:00</published><updated>2011-04-25T14:28:14.596-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='music'/><title type='text'>stream latest fleet foxes</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-gvcSsP2N7nc/TbXnMAMicII/AAAAAAAAArA/9W828__POO8/s1600/artworks-000004505455-u23ggy-crop.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/-gvcSsP2N7nc/TbXnMAMicII/AAAAAAAAArA/9W828__POO8/s320/artworks-000004505455-u23ggy-crop.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;Here's the &lt;a href="http://www.npr.org/2011/04/25/135550848/first-listen-fleet-foxes-helplessness-blues"&gt;link&lt;/a&gt;. (Album comes out 5/3.)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-5703435096757070065?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/5703435096757070065/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=5703435096757070065' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/5703435096757070065'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/5703435096757070065'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/04/stream-latest-fleet-foxes.html' title='stream latest fleet foxes'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-gvcSsP2N7nc/TbXnMAMicII/AAAAAAAAArA/9W828__POO8/s72-c/artworks-000004505455-u23ggy-crop.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-4286154158171543050</id><published>2011-04-21T15:02:00.000-07:00</published><updated>2011-04-24T19:24:24.722-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Adorno'/><category scheme='http://www.blogger.com/atom/ns#' term='Exile'/><title type='text'>adorno lol</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-VuYa2qgpSUA/TbTbOS0SgbI/AAAAAAAAAq8/9iUXj4G30UE/s1600/flood_2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-VuYa2qgpSUA/TbTbOS0SgbI/AAAAAAAAAq8/9iUXj4G30UE/s320/flood_2.jpg" width="225" /&gt;&lt;/a&gt;&lt;/div&gt;"4&lt;br /&gt;&lt;i&gt;Final serenity&lt;/i&gt;. - A newspaper obituary for a businessman once contained the words: 'The breadth of his conscience vied with the kindness of his heart.' The blunder committed by the bereaved in the elevated language reserved for such purposes, the inadvertent admission that the kind-hearted deceased had lacked a conscience expedites the funeral procession by the shortest route to the land of truth. If a man of advanced years is praised for his exceptional serenity, his life can be assumed to comprise a succession of infamies He has rid himself of the habit of getting excited. Breadth of conscience is passed off as magnanimity, all-forgiving because all-too-understanding. The &lt;i&gt;quid pro quo&lt;/i&gt; between one's onw guilt and that of others, is resolved in favour of whoever has come off best. After so long a life one quite loses the capacity to distinguish who has done what harm to whom. In the abstract conception of universal wrong, all concrete responsibility vanishes. The blackguard presents himself as a victim of injustice: if only you knew, young man, what life is like. But those conspicuous midway through life by an exceptional kindness are usually drawing advances on such serenity. He who is not malign does not live serenely but with a peculiarly chaste hardness and intolerance. Lacking appropriate objects, his love can scarcely express itself except by hatred for the inappropriate, in which admittedly he comes to resemble what he hates. The bourgeois, however, is tolerant. His love of people as they are stems from his hatred of what they might be." (24-25)&lt;br /&gt;&lt;br /&gt;From Theodor Adorno's &lt;i&gt;Minima Moralia&lt;/i&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-4286154158171543050?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/4286154158171543050/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=4286154158171543050' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/4286154158171543050'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/4286154158171543050'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/04/adorno-lol.html' title='adorno lol'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-VuYa2qgpSUA/TbTbOS0SgbI/AAAAAAAAAq8/9iUXj4G30UE/s72-c/flood_2.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-1274373882985472822</id><published>2011-04-18T01:47:00.000-07:00</published><updated>2011-05-03T00:27:20.023-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Marx'/><title type='text'>Eagleton on Marx</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-xfq5sUNnNlQ/Tav6WBrhvOI/AAAAAAAAAq4/FHTMhAqkxjY/s1600/9780300169430.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-xfq5sUNnNlQ/Tav6WBrhvOI/AAAAAAAAAq4/FHTMhAqkxjY/s320/9780300169430.jpg" width="213" /&gt;&lt;/a&gt;&lt;/div&gt;"There is a sense in which the whole of Marx's writing boils down to  several embarrassing questions: Why is it that the capitalist West has  accumulated more resources than human history has ever witnessed, yet  appears powerless to overcome poverty, starvation, exploitation, and  inequality? What are the mechanisms by which affluence for a minority  seems to breed hardship and indignity for the many? Why does private  wealth seem to go hand in hand with public squalor? Is it, as the  good-hearted liberal reformist suggests, that we have simply not got  around to mopping up these pockets of human misery, but shall do so in  the fullness of time? Or is it more plausible to maintain that there is  something in the nature of capitalism itself which generates deprivation  and inequality, as surely as Charlie Sheen generates gossip?&lt;br /&gt;&lt;br /&gt;Marx was the first thinker to talk in those terms. This down-at-heel  émigré Jew, a man who once remarked that nobody else had written so much  about money and had so little, bequeathed us the language in which the  system under which we live could be grasped as a whole. Its  contradictions were analyzed, its inner dynamics laid bare, its  historical origins examined, and its potential demise foreshadowed. This  is not to suggest for a moment that Marx considered capitalism as  simply a Bad Thing, like admiring Sarah Palin or blowing tobacco smoke  in your children's faces. On the contrary, he was extravagant in his  praise for the class that created it, a fact that both his critics and  his disciples have conveniently suppressed. No other social system in  history, he wrote, had proved so revolutionary. In a mere handful of  centuries, the capitalist middle classes had erased almost every trace  of their feudal foes from the face of the earth. They had piled up  cultural and material treasures, invented human rights, emancipated  slaves, toppled autocrats, dismantled empires, fought and died for human  freedom, and laid the basis for a truly global civilization. No  document lavishes such florid compliments on this mighty historical  achievement as &lt;i&gt;The Communist Manifesto&lt;/i&gt;, not even &lt;i&gt;The Wall Street Journal&lt;/i&gt;.&lt;br /&gt;&lt;br /&gt;That, however, was only part of the story. There are those who see  modern history as an enthralling tale of progress, and those who view it  as one long nightmare. Marx, with his usual perversity, thought it was  both. Every advance in civilization had brought with it new  possibilities of barbarism. The great slogans of the middle-class  revolution—'Liberty, Equality, Fraternity'—were his watchwords, too. He  simply inquired why those ideas could never be put into practice without  violence, poverty, and exploitation. Capitalism had developed human  powers and capacities beyond all previous measure. Yet it had not used  those capacities to set men and women free of fruitless toil. On the  contrary, it had forced them to labor harder than ever. The richest  civilizations on earth sweated every bit as hard as their Neolithic  ancestors.&lt;br /&gt;&lt;br /&gt;This, Marx considered, was not because of natural scarcity. It was  because of the peculiarly contradictory way in which the capitalist  system generated its fabulous wealth. Equality for some meant inequality  for others, and freedom for some brought oppression and unhappiness for  many. The system's voracious pursuit of power and profit had turned  foreign nations into enslaved colonies, and human beings into the  playthings of economic forces beyond their control. It had blighted the  planet with pollution and mass starvation, and scarred it with atrocious  wars. Some critics of Marx point with proper outrage to the mass  murders in Communist Russia and China. They do not usually recall with  equal indignation the genocidal crimes of capitalism: the  late-19th-century famines in Asia and Africa in which untold millions  perished; the carnage of the First World War, in which imperialist  nations massacred one another's working men in the struggle for global  resources; and the horrors of fascism, a regime to which capitalism  tends to resort when its back is to the wall. Without the self-sacrifice  of the Soviet Union, among other nations, the Nazi regime might still  be in place."&lt;br /&gt;&lt;br /&gt;"Marx was a profoundly moral thinker. He speaks in &lt;i&gt;The Communist Manifesto&lt;/i&gt;  of a world in which 'the free self-development of each would be the  condition of the free self-development of all.' This is an ideal to  guide us, not a condition we could ever entirely achieve. But its  language is nonetheless significant. As a good Romantic humanist, Marx  believed in the uniqueness of the individual. The idea permeates his  writings from end to end. He had a passion for the sensuously specific  and a marked aversion to abstract ideas, however occasionally necessary  he thought they might be. His so-called materialism is at root about the  human body. Again and again, he speaks of the just society as one in  which men and women will be able to realize their distinctive powers and  capacities in their own distinctive ways. His moral goal is pleasurable  self-fulfillment. In this he is at one with his great mentor Aristotle,  who understood that morality is about how to flourish most richly and  enjoyably, not in the first place (as the modern age disastrously  imagines) about laws, duties, obligations, and responsibilities." From &lt;a href="http://chronicle.com/article/In-Praise-of-Marx/127027/"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Publisher's book info: &lt;br /&gt;"In this combative, controversial book, Terry Eagleton takes issue with  the prejudice that Marxism is dead and done with. Taking ten of the most  common objections to Marxism—that it leads to political tyranny, that  it reduces everything to the economic, that it is a form of historical  determinism, and so on—he demonstrates in each case what a woeful  travesty of Marx's own thought these assumptions are. In a world in  which capitalism has been shaken to its roots by some major crises, &lt;i&gt;Why Marx Was Right&lt;/i&gt;  is as urgent and timely as it is brave and candid. Written with  Eagleton's familiar wit, humor, and clarity, it will attract an audience  far beyond the confines of academia."From &lt;a href="http://yalepress.yale.edu/book.asp?isbn=9780300169430"&gt;here&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-1274373882985472822?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/1274373882985472822/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=1274373882985472822' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/1274373882985472822'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/1274373882985472822'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/04/eagleton-on-marx.html' title='Eagleton on Marx'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-xfq5sUNnNlQ/Tav6WBrhvOI/AAAAAAAAAq4/FHTMhAqkxjY/s72-c/9780300169430.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-1494276191373324648</id><published>2011-04-18T01:28:00.000-07:00</published><updated>2011-04-18T01:29:32.633-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='public spaces'/><title type='text'>guerilla knitters of tokyo</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-IsSPJ_xzZmM/Tav2A9yNqPI/AAAAAAAAAq0/7uj5M6qgIVI/s1600/kint-wits-i1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="213" src="http://3.bp.blogspot.com/-IsSPJ_xzZmM/Tav2A9yNqPI/AAAAAAAAAq0/7uj5M6qgIVI/s320/kint-wits-i1.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;"Guerilla knitting in Japan is a spin off from knit graffiti which first unraveled in the United States in 2005. The united knitters of America decorated lamp posts and street signs with woolen wraps and crochets.&lt;br /&gt;&lt;br /&gt;The Japanese online social knitwork first came about as 203gow from Gifu prefecture, Takoyama from Niigata prefecture and Miquraffreshia from Tochigi prefecture contacted each other online around four years ago to exchange ideas and information on their hobby.&lt;br /&gt;&lt;br /&gt;All three self-taught knitters share an uncanny passion for knitting octopuses and beards, hence their group name 'Que D’accord,' which is a pun on 'ke da ko,' or 'woolen octopus' in Japanese." From &lt;a href="http://www.cnngo.com/tokyo/life/attack-knit-wits-tokyo-353744"&gt;here&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-1494276191373324648?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/1494276191373324648/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=1494276191373324648' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/1494276191373324648'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/1494276191373324648'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/04/guerilla-knitters-of-tokyo.html' title='guerilla knitters of tokyo'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-IsSPJ_xzZmM/Tav2A9yNqPI/AAAAAAAAAq0/7uj5M6qgIVI/s72-c/kint-wits-i1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-5265420374836256285</id><published>2011-04-18T01:18:00.000-07:00</published><updated>2011-04-18T01:18:18.724-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Bolano'/><category scheme='http://www.blogger.com/atom/ns#' term='Exile'/><title type='text'>Bolano, Exile &amp; Book Thief</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-QKtR6lMsefQ/TavzspfCAPI/AAAAAAAAAqw/olzyYukpaII/s1600/BolanoBetween_s.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-QKtR6lMsefQ/TavzspfCAPI/AAAAAAAAAqw/olzyYukpaII/s1600/BolanoBetween_s.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;Newly translated Bolano essays out end of May. Yes. &lt;br /&gt;&lt;br /&gt;"To be exiled is not to disappear but to shrink, to slowly or quickly  get smaller and smaller until we reach our real height, the true height  of the self. Swift, master of exile, knew this. For him &lt;em&gt;exile&lt;/em&gt; was the secret word for &lt;em&gt;journey&lt;/em&gt;. Many of the exiled, freighted with more suffering than reasons to leave, would reject this statement.&lt;br /&gt;&lt;br /&gt;All literature carries exile within it, whether the writer has had to  pick up and go at the age of twenty or has never left home.&lt;br /&gt;&lt;br /&gt;Probably the first exiles on record were Adam and Eve. This is  indisputable and it raises a few questions: can it be that we’re all  exiles? Is it possible that all of us are wandering strange lands? &lt;br /&gt;The concept of 'strange lands' (like that of 'home ground') has some  holes in it, presents new questions. Are 'strange lands' an objective  geographic reality, or a mental construct in constant flux?"&lt;br /&gt;&lt;br /&gt;"Exile is courage. True exile is the true measure of each writer.&lt;br /&gt;&lt;br /&gt;At this point I should say that at least where literature is  concerned, I don’t believe in exile. Exile is a question of tastes,  personalities, likes, dislikes. For some writers exile means leaving the  family home; for others, leaving the childhood town or city; for  others, more radically, growing up. There are exiles that last a  lifetime and others that last a weekend. Bartleby, who prefers not to,  is an absolute exile, an alien on planet Earth. Melville, who was always  leaving, didn’t experience—or wasn’t adversely affected by—the  chilliness of the word &lt;em&gt;exile&lt;/em&gt;. Philip K. Dick knew better than  anyone how to recognize the disturbances of exile. William Burroughs was  the incarnation of every one of those disturbances.&lt;br /&gt;&lt;br /&gt;Probably all of us, writers and readers alike, set out into exile, or  at least a certain kind of exile, when we leave childhood behind. Which  would lead to the conclusion that the exiled person or the category of  exile doesn’t exist, especially in regards to literature. The immigrant,  the nomad, the traveler, the sleepwalker all exist, but not the exile,  since every writer becomes an exile simply by venturing into literature,  and every reader becomes an exile simply by opening a book." From &lt;a href="http://www.nybooks.com/blogs/nyrblog/2011/apr/13/exiles/"&gt;here&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"The books that I remember best are the ones I stole in Mexico City,  between the ages of sixteen and nineteen, and the ones I bought in Chile  when I was twenty, during the first few months of the coup. In Mexico  there was an incredible bookstore. It was called the Glass Bookstore and  it was on the Alameda. Its walls, even the ceiling, were glass. Glass  and iron beams. From the outside, it seemed an impossible place to steal  from. And yet prudence was overcome by the temptation to try and after a  while I made the attempt."&lt;br /&gt;&lt;br /&gt;"After that, after I stole that book and read it, I went from being a  prudent reader to being a voracious reader and from being a book thief  to being a book hijacker. I wanted to read everything, which in my  innocence was the same as wanting to uncover or trying to uncover the  hidden workings of chance that had induced Camus’s character to accept  his hideous fate. Despite what might have been predicted, my career as a  book hijacker was long and fruitful, but one day I was caught. Luckily,  it wasn’t at the Glass Bookstore but at the Cellar Bookstore, which  is—or was—across from the Alameda, on Avenida Juárez, and which, as its  name indicates, was a big cellar where the latest books from Buenos  Aires and Barcelona sat piled in gleaming stacks. My arrest was  ignominious. It was as if the bookstore samurais had put a price on my  head. They threatened to have me thrown out of the country, to give me a  beating in the cellar of the Cellar Bookstore, which to me sounded like  a discussion among neo-philosophers about the destruction of  destruction, and in the end, after lengthy deliberations, they let me  go, though not before confiscating all the books I had on me, among them  &lt;em&gt;The Fall&lt;/em&gt;, none of which I’d stolen there." From &lt;a href="http://www.nybooks.com/blogs/nyrblog/2011/mar/22/who-would-dare/"&gt;here&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-5265420374836256285?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/5265420374836256285/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=5265420374836256285' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/5265420374836256285'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/5265420374836256285'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/04/bolano-exile-book-thief.html' title='Bolano, Exile &amp; Book Thief'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-QKtR6lMsefQ/TavzspfCAPI/AAAAAAAAAqw/olzyYukpaII/s72-c/BolanoBetween_s.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-1247102137246380668</id><published>2011-04-05T20:06:00.000-07:00</published><updated>2011-04-05T20:06:45.536-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='class struggle'/><title type='text'>"A Primer on Class Struggle" (by Michael Schwalbe)</title><content type='html'>Clear, well-written wake-up call to all workers.&amp;nbsp; &lt;br /&gt;&lt;br /&gt;"Capitalists want laws that weaken and cheapen labor. This means laws  that make it harder for workers to organize unions; laws that make it  easier to export production to other countries; laws that make it easier  to import workers from other countries; laws and fiscal policies that  keep unemployment high, so that workers will feel lucky just to have  jobs, even with low pay and poor benefits.&lt;br /&gt;&lt;br /&gt;Capitalists want tax codes that allow them to pay as little tax as  possible; laws that allow them to externalize the costs of production  (e.g., the health damage caused by pollution); laws that allow them to  swallow competitors and grow huge and more powerful; and laws that allow  them to use their wealth to dominate the political process. Workers,  when guided by their economic interests, generally want the opposite."&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"There are many other things capitalists want from government. They  want public subsidy of the infrastructure on which profitability  depends; they want wealth transferred to them via military spending;  they want militarily-enforced access to foreign markets, raw materials,  and labor; and they want suppression of dissent when it becomes  economically disruptive. So we can include popular resistance to  corporate welfare, military spending, imperialist wars, and government  authoritarianism as further instances of class struggle.&lt;br /&gt;&lt;br /&gt;Class struggle goes on in other realms. In goes on in K-12 education,  for example, when business tries to influence what students are taught  about everything from nutrition to the virtues of free enterprise; when  U.S. labor history is excluded from the required curriculum; and when  teachers’ unions are blamed for problems of student achievement that are  in fact consequences of the maldistribution of income and wealth in  U.S. society.&lt;br /&gt;&lt;br /&gt;It goes on in higher education when corporations lavish funds on  commercially viable research; when capitalist-backed pundits attack  professors for teaching students to think critically about capitalism;  and when they give money in exchange for putting their names on  buildings and schools. Class struggle also goes on in higher education  when pro-capitalist business schools are exempted from criticism for  being ideological and free-market economists are lauded as objective  scientists."&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"Class struggle goes on in the cultural realm when books, films, and  songs vaunt the myth that economic inequality is a result of natural  differences in talent and motivation. It goes on when books, films, and  songs celebrate militarism and violence. It also goes on when writers,  filmmakers, songwriters, and other artists challenge these myths and  celebrations.&lt;br /&gt;&lt;br /&gt;It goes on, too, in the realm of religion. When economic exploitation  is justified as divinely ordained, when the oppressed are appeased by  promises of justice in an afterlife, and when human capacities for  rational thought are stunted by superstition, capitalism is reinforced.  Class struggle is also evident when religious teachings are used,  antithetically to capitalism, to affirm values of equality, compassion,  and cooperation." From &lt;a href="http://www.commondreams.org/view/2011/03/31-4"&gt;here&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-1247102137246380668?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/1247102137246380668/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=1247102137246380668' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/1247102137246380668'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/1247102137246380668'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/04/primer-on-class-struggle-by-michael.html' title='&quot;A Primer on Class Struggle&quot; (by Michael Schwalbe)'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-7142992991883104486</id><published>2011-04-05T19:54:00.000-07:00</published><updated>2011-04-05T19:59:29.168-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='cinema'/><category scheme='http://www.blogger.com/atom/ns#' term='Hoberman'/><title type='text'>J. Hoberman Interview</title><content type='html'>On Hoberman's latest book, &lt;i&gt;An Army of Phantoms: American Movies and the Making of the Cold War&lt;/i&gt; (New Press, 2011).&lt;br /&gt;&lt;br /&gt;From publisher's &lt;a href="http://www.thenewpress.com/index.php?option=com_title&amp;amp;task=view_title&amp;amp;metaproductid=1486"&gt;website&lt;/a&gt;: &lt;br /&gt;"The years between 1946 and 1956 brought U.S. dominance over Europe and a new war in Asia, as well as the birth of the civil rights movement and the stirrings of a new youth culture. The period saw the movie industry purged of its political left while the rise of ideological action hero John Wayne came to dominate theaters. Analyzing movies and media events, Hoberman has organized a pageant of cavalry Westerns, apocalyptic sci-fi flicks, and biblical spectaculars wherein Cecil B. DeMille rubs shoulders with Douglas MacArthur, atomic tests are shown on live TV, God talks on the radio, and Joe McCarthy is bracketed with Marilyn Monroe.&lt;br /&gt;&lt;br /&gt;Essential reading for film and history buffs, &lt;i&gt;An Army of Phantoms&lt;/i&gt; is a history of film that is also, to paraphrase Jean-Luc Godard, about the film of history." &lt;br /&gt;&lt;br /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" height="345" src="http://blip.tv/play/gdElgq6dNQI" type="application/x-shockwave-flash" width="480"&gt;&lt;/embed&gt;&lt;a href="http://grittv.org/"&gt;More GRITtv&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-7142992991883104486?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/7142992991883104486/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=7142992991883104486' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7142992991883104486'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7142992991883104486'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/04/j-hoberman-interview.html' title='J. Hoberman Interview'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-6753193234419678366</id><published>2011-04-05T19:51:00.000-07:00</published><updated>2011-04-05T19:51:00.570-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Japan 2011'/><title type='text'>Japan: Catastrophe &amp; Capital</title><content type='html'>From a recent article by Karatani Kojin. &lt;br /&gt;&lt;br /&gt;"Once more, the disaster evoked the burnt-out ruins after the war.&amp;nbsp; In  addition, the crisis at the Fukushima nuclear power plant cannot help  but call forth memories of Hiroshima and Nagasaki.&amp;nbsp; Postwar Japanese  have had a strong aversion to nuclear weapons and to nuclear power in  general.&amp;nbsp; Needless to say, there was strong opposition to the building  of nuclear power plants in Japan.&amp;nbsp; Nonetheless, following the oil shocks  of the 1970s, the state affirmed and encouraged the development of  nuclear power plants.&amp;nbsp; Early campaigns proclaimed the necessity of  nuclear power for economic growth, while in recent years it was claimed  that nuclear power could help reduce carbon emissions and therefore  benefit the environment.&amp;nbsp; That such claims were a form of criminal  deception on the part of industry and government has been made all too  clear by recent events."&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"In truth, it is not the Japanese economy alone that is failing.&amp;nbsp; In the  early 1970s, global capitalism entered a period of serious recession,  and since then it has been unable to overcome the decline in the general  rate of profit.&amp;nbsp; Capital has sought a way out of this decline through  global financial investment and by extending industrial investment into  what had formerly been 'third world' regions.&amp;nbsp; The collapse of the  former strategy has been exposed by the so-called Lehman shock.&amp;nbsp;  Meanwhile, the accelerated development of countries such as China,  India, and Brazil, continues.&amp;nbsp; Yet such accelerated growth cannot last  long.&amp;nbsp; It is inevitable that wages will rise and a limit on consumption  be reached. &lt;br /&gt;&lt;br /&gt;For this reason, global capitalism will no doubt become unsustainable in  20 or 30 years.&amp;nbsp; The end of capitalism, however, is not the end of  human life.&amp;nbsp; Even without capitalist economic development or  competition, people are able to live.&amp;nbsp; Or rather, it is only then that  people will, for the first time, truly be able to live.&amp;nbsp; Of course, the  capitalist economy will not simply come to an end.&amp;nbsp; Resisting such an  outcome, the great powers will no doubt continue to fight over natural  resources and markets." From &lt;a href="http://www.counterpunch.org/karatani03242011.html"&gt;here&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-6753193234419678366?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/6753193234419678366/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=6753193234419678366' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/6753193234419678366'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/6753193234419678366'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/04/japan-catastrophe-capital.html' title='Japan: Catastrophe &amp; Capital'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-7326360885037192044</id><published>2011-04-02T23:24:00.000-07:00</published><updated>2011-04-02T23:28:39.978-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='cinephilia'/><category scheme='http://www.blogger.com/atom/ns#' term='Chinese cinema'/><category scheme='http://www.blogger.com/atom/ns#' term='Wu'/><title type='text'>Fuck Cinephilia</title><content type='html'>&lt;iframe allowfullscreen="" frameborder="0" height="290" src="http://www.youtube.com/embed/8fp9Nq2yBAc" title="YouTube video player" width="380"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;Fuck Cinema (d. Wu Wenguang) (2005)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"This documentary shows how different young people try to realize their dreams or become famous through the film industry. One of the main characters of this documentary is named Wang, a young man from the countryside, aged at 28. He comes to Beijing out of a love for the cinema; however all he can do every day is line up outside the gate of a film studio in hopes of landing a job as an extra, getting 30RMB for one day! During his stay in Beijing he writes a film script based on his own experience in Beijing as an extra. He thinks his play presents the darkness and desperation of survival in China. Then he wants to find an investor or a director who can produce his play as an 'underground film', because in his opinion many Chinese directors are successful on the international stage by this way. In the process of searching he meets some directors and producers (including some underground film people), some famous some not, and also some businessmen, people from the film censorship authority as well as some students from the cinema institute. In fact in Beijing his life is very hard, no money, no a stable place to sleep. In the summer he has to sleep on the roof of a school dormitory. Finally Wang fails to realize his dream, never will he see his film made..&lt;br /&gt;&lt;br /&gt;Another character is also a young man from the countryside. His name is Xiao Wu, 19 years old. His love of cinema is shown in his chosen occupation of selling pirated DVDs, some of which are quite famous foreign films, for example some award winners from the Berlin, Venice, and Cannes Film Festivals. Every day he puts all his DVDs into a bag and goes out on his bike to find his frequent customers, young people or students who are film buffs or involved with filmmaking.&lt;br /&gt;&lt;br /&gt;Apart from these two, this documentary also features young girls who dream of becoming movie stars. We learn of their love of film and their ideas about life as they audition for a role.&lt;br /&gt;&lt;br /&gt;Throughout this process not only I am the maker of this documentary but also a person who is puzzled about why we make films. Of course I also appear in this documentary, and never hide my bewilderment, or the conflicts between my characters and me. For example, Wang assails me that I use his miserable story for my own reputation." Synopsis from &lt;a href="http://www.cidfa.com/modules/watch.php?vid=5"&gt;here&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-7326360885037192044?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/7326360885037192044/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=7326360885037192044' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7326360885037192044'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7326360885037192044'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/04/fuck-cinema.html' title='Fuck Cinephilia'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/8fp9Nq2yBAc/default.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-4922043199870759809</id><published>2011-03-16T17:48:00.000-07:00</published><updated>2011-03-16T17:54:57.824-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='eiting'/><category scheme='http://www.blogger.com/atom/ns#' term='dreams'/><category scheme='http://www.blogger.com/atom/ns#' term='cinema'/><title type='text'>scary sights</title><content type='html'>"(Along those lines, it is revealing that the words a parent uses to comfort a child frightened by a nightmare -- 'Don't worry, darling, it's only a dream' -- are almost the same words used to comfort a child frightened by a film -- 'Don't worry, darling, it's only a movie.' Frightening dreams and films have a similar power to overwhelm the defenses that are otherwise effective against equally frightening books, paintings, music. For instance, it is hard to imagine this phrase: 'Don't worry, darling, it's only a painting.')" (58-59)&lt;br /&gt;&lt;br /&gt;From Walter Murch's &lt;i&gt;In The Blink of An Eye: A Perspective on Film Editing&lt;/i&gt; (Silman-James, 1995)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-4922043199870759809?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/4922043199870759809/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=4922043199870759809' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/4922043199870759809'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/4922043199870759809'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/03/scary-sights.html' title='scary sights'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-7635505832492201102</id><published>2011-03-16T17:11:00.000-07:00</published><updated>2011-03-30T23:05:41.518-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='cinema'/><category scheme='http://www.blogger.com/atom/ns#' term='Rodowick'/><title type='text'>Helas pour le cinema</title><content type='html'>"So, cinema studies can stake no permanent claims on its disciplinary territories; its borders are in fact continually shifting. Stating the matter in its most specific terms: there is no medium-based ontology that grounds film as an aesthetic medium and serves as an anchor for its claims to exist as a humanistic discipline." (23)&lt;br /&gt;&lt;br /&gt;"However, the impermanence and mutability of cinema studies as a field should be seen as one of its great strengths: the self-consciousness of film theory about the uncertain ontological status of the medium and the conflictual nature of the debates that have defined the genealogy of film study mark it still as one of the most intellectually daring areas of intellectual inquiry of the last century. And this, I believe, is one of the persistent attractions of film for intellectuals." (24)&lt;br /&gt;&lt;br /&gt;From D.N. Rodowick's &lt;i&gt;The Virtual Life of Film&lt;/i&gt; (Harvard UP, 2007).&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-7635505832492201102?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/7635505832492201102/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=7635505832492201102' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7635505832492201102'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7635505832492201102'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/03/helas-pour-cinema.html' title='Helas pour le cinema'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-3339329797952784522</id><published>2011-03-15T16:27:00.000-07:00</published><updated>2011-03-15T16:29:29.562-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Queer'/><category scheme='http://www.blogger.com/atom/ns#' term='citizen'/><category scheme='http://www.blogger.com/atom/ns#' term='nationalism'/><category scheme='http://www.blogger.com/atom/ns#' term='sexuality'/><title type='text'>"To be gay and racist is no anomaly"</title><content type='html'>"That gay and lesbian rights discourses can risk slipping into  Islamophobic and racist discourses that in many ways propagate or  support racist agendas is not really news. Nor is it without historical  precedent. Liberal feminism has long been accused of needing the  oppression of the native woman in order to achieve its own libratory  trajectory. 'How well do you treat your women?' became a key measure of  the ability of a colonised or developing country to self-govern. While 'the Woman Question' has hardly disappeared, we can now find its  amendment in 'the Homosexual Question', or 'How well do you treat your  homosexuals?', as a current paradigm through which nations, populations  and cultures are evaluated in terms of their ability to conform to a  universalised notion of civilisation. Rescue fantasies and projections  about endangered homosexuality 'elsewhere' are aspects of liberal gay  rights frames, functioning in order to support the predominance of gay  and lesbian proper subjects 'here'.&lt;br /&gt;&lt;br /&gt;What is gaining acute force is  the anti-Muslim form that such missionary politics are currently  taking. From the liberation of burqa-wearing women as a partial  rationale for invasion of the Middle East, to gay marriage as a  barometer of civilisational aptitude, to Sex and the City's  trading in banal, unsophisticated orientalist fantasies, propagating  anti-Muslim attitudes is becoming the most expeditious passage to  national belonging. This form of national empowerment can also work for  (predominantly white, middle-class) gays and lesbians." From &lt;a href="http://www.guardian.co.uk/commentisfree/2010/jun/02/gay-lesbian-islamophobia"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Piece above is by Jasbir Puar, who is also the &lt;i&gt;Terrorist Assemblages: Mononationalism in Queer Times&lt;/i&gt; (Duke UP, 2007). Description of the book from publisher:&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://lh6.googleusercontent.com/-got1oer6Zko/TX_2P4ozBFI/AAAAAAAAAqs/-_mqmsHXN4E/s1600/978-0-8223-4114-7_pr.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" src="https://lh6.googleusercontent.com/-got1oer6Zko/TX_2P4ozBFI/AAAAAAAAAqs/-_mqmsHXN4E/s1600/978-0-8223-4114-7_pr.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;"In this pathbreaking work, Jasbir K. Puar argues that configurations of  sexuality, race, gender, nation, class, and ethnicity are realigning in  relation to contemporary forces of securitization, counterterrorism, and  nationalism. She examines how liberal politics incorporate certain  queer subjects into the fold of the nation-state, through developments  including the legal recognition inherent in the overturning of  anti-sodomy laws and the proliferation of more mainstream  representation. These incorporations have shifted many queers from their  construction as figures of death (via the AIDS epidemic) to subjects  tied to ideas of life and productivity (gay marriage and reproductive  kinship). Puar contends, however, that this tenuous inclusion of some  queer subjects depends on the production of populations of Orientalized  terrorist bodies. Heteronormative ideologies that the U.S. nation-state  has long relied on are now accompanied by homonormative ideologies that  replicate narrow racial, class, gender, and national ideals. These 'homonationalisms' are deployed to distinguish upright 'properly  hetero,' and now 'properly homo,' U.S. patriots from perversely  sexualized and racialized terrorist look-a-likes—especially Sikhs,  Muslims, and Arabs—who are cordoned off for detention and deportation."&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-3339329797952784522?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/3339329797952784522/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=3339329797952784522' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/3339329797952784522'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/3339329797952784522'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/03/to-be-gay-and-racist-is-no-anomaly.html' title='&quot;To be gay and racist is no anomaly&quot;'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='https://lh6.googleusercontent.com/-got1oer6Zko/TX_2P4ozBFI/AAAAAAAAAqs/-_mqmsHXN4E/s72-c/978-0-8223-4114-7_pr.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-6143041565035668627</id><published>2011-03-15T09:11:00.000-07:00</published><updated>2011-03-16T08:19:18.673-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='racism'/><title type='text'>white girl in the library</title><content type='html'>She's a UCLA student if you can believe it.&lt;br /&gt;&lt;br /&gt;&lt;iframe allowfullscreen="" frameborder="0" height="290" src="http://www.youtube.com/embed/DoLLEZlpUxk" title="YouTube video player" width="380"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.youtube.com/watch?v=DoLLEZlpUxk"&gt;Link&lt;/a&gt; to video. &lt;br /&gt;&lt;br /&gt;Coverage from UCLA school paper &lt;a href="http://www.dailybruin.com/index.php/article/2011/03/ucla_student039s_youtube_video_039asians_in_the_library039_prompts_death_threats_violent_responses_c"&gt;here&lt;/a&gt;. Too sympathetic towards the girl in my view.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-6143041565035668627?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/6143041565035668627/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=6143041565035668627' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/6143041565035668627'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/6143041565035668627'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/03/white-girl.html' title='white girl in the library'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/DoLLEZlpUxk/default.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-6508374746719365942</id><published>2011-03-15T09:06:00.000-07:00</published><updated>2011-03-15T09:06:08.619-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Japan 2011'/><title type='text'>sendai</title><content type='html'>"I mourn for the whole country but for Sendai specifically---Sendai with  its unique dialect I found incomprehensible, Sendai with its  exceptionally beautiful women, Sendai with its rich history. The Date  samurai elite were for a time friendly to Roman Catholic missions,  protecting them even when the central power persecuted Christians. In  the 1610s Date Masamune sent emissaries to the Vatican to establish  ties; they traveled across the Pacific to Mexico and on across the  Atlantic. (In 1617 seven of the samurai mission members decided not to  return home but settled in a town near Seville where hundreds of people  today hold the surname Japon.)" From &lt;a href="http://www.counterpunch.org/leupp03142011.html"&gt;here&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-6508374746719365942?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/6508374746719365942/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=6508374746719365942' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/6508374746719365942'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/6508374746719365942'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/03/sendai.html' title='sendai'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-5038589096840596424</id><published>2011-03-14T15:25:00.000-07:00</published><updated>2011-03-15T09:08:00.969-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='genre'/><title type='text'>genre &amp; fears</title><content type='html'>Great insight on genres by director Kim Ji-woon (&lt;i&gt;I Saw The Devil&lt;/i&gt;). &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"LMD:&amp;nbsp; I've heard &lt;i&gt;I Saw the Devil&lt;/i&gt; described by different people as a  crime film, or a horror movie, or an exploitation film.&amp;nbsp; How would you  describe it?&lt;br /&gt;&lt;br /&gt;KJ-w:&amp;nbsp; I think I'm in the process of looking  for that myself.&amp;nbsp; Interestingly enough, I think people's fear is what is  at the center of a lot of genres of film.&amp;nbsp; I could say that the fear of  the unseen is what a horror film is.&amp;nbsp; Fear of the future, of what's to  be could often be considered a science-fiction film.&amp;nbsp; Fear of violence  or desperate actions could be turned into a thriller.&amp;nbsp; Fear of extreme  situations might be turned into a noir film.&amp;nbsp; I'm very interested in the  genres of films that one can take and I'm always looking for new things  to try in those areas.&amp;nbsp; And as far as genres that I might be interested  in that I haven't done yet, I'm definitely interested in a sci-fi kind  of noir or a sci-fi thriller."&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-5038589096840596424?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/5038589096840596424/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=5038589096840596424' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/5038589096840596424'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/5038589096840596424'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/03/genre-fears.html' title='genre &amp; fears'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-1402509060131882988</id><published>2011-03-14T15:18:00.000-07:00</published><updated>2011-03-14T15:18:36.855-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='torture'/><category scheme='http://www.blogger.com/atom/ns#' term='Manning'/><title type='text'>Bradley Manning</title><content type='html'>From Manning's 11-page letter. Full text &lt;a href="https://docs.google.com/viewer?a=v&amp;amp;pid=explorer&amp;amp;chrome=true&amp;amp;srcid=0B_zC44SBaZPoMzMyNWExZmUtZjEzMS00ZjM2LWE3OWMtM2I4NzY5NDNkMmFh&amp;amp;hl=en&amp;amp;authkey=CMKgiogG&amp;amp;pli=1"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"(6) After being returned to my cell, I started to read a book.&lt;br /&gt;About 30 minutes later, the PCF Commander, CWO4 James Averhart, came to&lt;br /&gt;my cell. He asked me what had happened during my recreation call. As&lt;br /&gt;I tried to explain to him what had occurred, CWO4 Averhart stopped me&lt;br /&gt;and said 'I am the commander' and that 'no one could tell him what to&lt;br /&gt;do.' He also said that he was, for all practical purposes, 'God.' I&lt;br /&gt;responded by saying 'you still have to follow Brig procedures.' I also&lt;br /&gt;said “everyone has a boss that they have to answer to.” As soon as I&lt;br /&gt;said this, CWO4 Averhart ordered that I be placed in Suicide Risk&lt;br /&gt;Status.&lt;br /&gt;&lt;br /&gt;(7) Admittedly, once I heard that I would be placed under&lt;br /&gt;Suicide Risk, I became upset. Out of frustration, I placed my hands to&lt;br /&gt;my head and clenched my hair with my fingers. I did yell 'why are you&lt;br /&gt;doing this to me?' I also yelled 'why am I being punished?' and 'I&lt;br /&gt;have done nothing wrong.' I then asked CWO4 Averhart 'what have I&lt;br /&gt;done to deserve this type of treatment?'&lt;br /&gt;&lt;br /&gt;(8) CWO4 Averhart did not answer any of my questions. He&lt;br /&gt;instructed the guards to enter my cell and take all my clothing. At&lt;br /&gt;first I tried to reason with CWO4 Averhart by telling him that I had&lt;br /&gt;been a model detainee and by asking him to just tell me what he wanted&lt;br /&gt;me to do and that I would do it. However, I gave up trying to reason&lt;br /&gt;with him once the guards entered my cell and ordered me to strip.&lt;br /&gt;Instead, I lowered my head and starting taking off my clothes.&lt;br /&gt;&lt;br /&gt;(9) CWO4 Averhart placed me on Suicide Risk, over the&lt;br /&gt;recommendation of Capt. Hocter and the defense forensic psychiatrist,&lt;br /&gt;Capt. Moore. His decision was also in violation of Secretary of Navy&lt;br /&gt;&lt;br /&gt;Instruction ('SECNAVINST') 1649.9C Paragraph 4205.5d. As a result of&lt;br /&gt;being placed on Suicide Risk, I was confined to my cell for 24 hours a&lt;br /&gt;day. I was also stripped of all clothing with the exception of my&lt;br /&gt;underwear. Additionally, my prescription eyeglasses were taken away&lt;br /&gt;from me. Due to not having my glasses, I was forced to sit in&lt;br /&gt;essential blindness during the day. I remained on Suicide Risk until&lt;br /&gt;21 January 2010. The determination to place me on Suicide Risk was&lt;br /&gt;without justification and therefore constitutes unlawful pretrial&lt;br /&gt;punishment." (7 - 8)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-1402509060131882988?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/1402509060131882988/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=1402509060131882988' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/1402509060131882988'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/1402509060131882988'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/03/bradley-manning.html' title='Bradley Manning'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-181736949640390071</id><published>2011-03-14T15:08:00.000-07:00</published><updated>2011-03-16T17:06:15.436-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Bishop'/><title type='text'>Elizabeth Bishop, Painter</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://lh6.googleusercontent.com/-4hQrgyAX4xw/TX6Rtq-xGxI/AAAAAAAAAqo/uNx0zLzfdD4/s1600/bishop4_jpg_470x443_q85.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="227" src="https://lh6.googleusercontent.com/-4hQrgyAX4xw/TX6Rtq-xGxI/AAAAAAAAAqo/uNx0zLzfdD4/s320/bishop4_jpg_470x443_q85.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;"Throughout her life, she collected art and wrote about it in poems,  letters, and stories. Many of her friends were artists. She owned a  Calder mobile and bought a collage by Kurt Schwitters for Lota, her  Brazilian partner. She made 'boxes' in homage to the sculptor Joseph  Cornell, and the title of her painting &lt;i&gt;E. Bishop’s Patented Slot Machine&lt;/i&gt; is a reference to his work. The original editions of &lt;i&gt;The Complete Poems&lt;/i&gt;, &lt;i&gt;The Collected Prose&lt;/i&gt;, and &lt;i&gt;One Art&lt;/i&gt;  (her collected letters) all have covers taken from her pictures. With  characteristic self-effacement, Bishop scarcely acknowledged herself as  an artist—and yet her work, mostly watercolor and gouache, reveals a  keen and original sensibility."&lt;br /&gt;&lt;br /&gt;"Only about forty of Bishop’s paintings have survived. Her influences  were diverse. She liked Édouard Vuillard, Jules Bissiers, Oskar  Kokoshka. Paul Klee, who worked small, in an ersatz primitive style, was  a major influence. She once wrote to James Merrill about flying over  the Andes: 'You’ll see how exactly like some of Klee’s paintings they  look.' Her picture &lt;i&gt;Brazilian Landscape&lt;/i&gt;, a view from the back  porch of Samambaia, the house in Petropolis where she and Lota lived  from 1951 to 1967, was sent to a friend with the comment, '…it’s big  enough so that if you like any section of it you can cut that part out.'  This is an example of her famous modesty—but also perhaps a subtle  allusion to her use of Klee’s compositional grids, built up out of  discrete sections." &lt;br /&gt;&lt;br /&gt;"Bishop enjoyed being innovative and invisible at the same time. As a  painter, she discovered in the limited range of her skills an intrinsic  value. To see it made it so. Meyer Shapiro, the distinguished art  critic, said she 'writes poems with a painter’s eye.' From 'The  Man-Moth' to 'The Moose,' the deceptive conventionality of Bishop’s  poetry is part of what makes it so original, and even subversive. She  was the fascinating outsider at the masked ball in a company of  congenial, if often over-bred, bores. She opened and admired their  jeweled music boxes and, with the real daring of upward mobility, let  herself be mistaken for one of them—by &lt;i&gt;herself&lt;/i&gt; even. Hence that half-modest, half-elitist lilt when she protests that her paintings are, '…Not Art—&lt;span class="caps"&gt;NOT&lt;/span&gt; &lt;span class="caps"&gt;AT&lt;/span&gt; &lt;span class="caps"&gt;ALL&lt;/span&gt;.'”&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;From &lt;a href="http://www.nybooks.com/blogs/nyrblog/2011/mar/09/elizabeth-bishop-other-art/"&gt;here&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-181736949640390071?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/181736949640390071/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=181736949640390071' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/181736949640390071'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/181736949640390071'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/03/with-painters-eye.html' title='Elizabeth Bishop, Painter'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='https://lh6.googleusercontent.com/-4hQrgyAX4xw/TX6Rtq-xGxI/AAAAAAAAAqo/uNx0zLzfdD4/s72-c/bishop4_jpg_470x443_q85.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-4390499428434420754</id><published>2011-03-14T13:40:00.000-07:00</published><updated>2011-03-14T13:40:10.300-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Queer'/><category scheme='http://www.blogger.com/atom/ns#' term='Butler'/><title type='text'>judith butler interview</title><content type='html'>Slammin' interview. &lt;br /&gt;&lt;br /&gt;"The idea of queer has never really easily lined up with lesbian and gay  legal rights. Although we’re glad to have legal protections, the  question is whether legal protections are the aim of political movement.  My sense is that 'queer' had a more critical relationship to those  issues, much more fearful of normalization by the state."&lt;br /&gt;&lt;br /&gt;"I think, in the US at least, the right-to-marriage movement has focused  on property and wanting acceptance as normalized bourgeois people and  monogamy, and the idea of couplehood. So we think about the complex ways  in which sexual and intimate relationships take place; they don’t  always conform to that. And I think there are other forms of kinship  that are not based on the family. I’ve made that clear in my work. But I  also think there are modes of sexuality that aren’t centred on  marriage-like arrangements, and that that’s been part of a radical  sexual movement for a really long time, calling into question how we  arrange sexuality, and what arrangements are best, and what works and  what doesn’t, and what are the norms or ideals around which we organize  our sexual lives. It seems really important to keep those questions  open."&lt;br /&gt;&lt;br /&gt;"So my work shifted, I think, from sexuality and gender to the politics  of war, but they’re really linked by the question of whose lives count.  And when we think about targeted populations and civilians who lose  their lives in America’s wars, I think that queer people should have  solidarity with those populations whose lives are not considered  liveable. That’s a kind of alliance that I would understand as a queer  alliance."&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;From &lt;a href="http://www.xtra.ca/public/National/Whose_lives_matter_An_interview_with_Judith_Butler-9866.aspx"&gt;here&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-4390499428434420754?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/4390499428434420754/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=4390499428434420754' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/4390499428434420754'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/4390499428434420754'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/03/judith-butler-interview.html' title='judith butler interview'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-140591274894945179</id><published>2011-03-14T12:58:00.000-07:00</published><updated>2011-03-15T00:21:18.719-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='personal notes'/><title type='text'>oh dear!</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://lh5.googleusercontent.com/-PoPmj2SzjFM/TX5z7Jbyd4I/AAAAAAAAAqk/EVXRO0TEayY/s1600/mg20928031.500-1_300.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="https://lh5.googleusercontent.com/-PoPmj2SzjFM/TX5z7Jbyd4I/AAAAAAAAAqk/EVXRO0TEayY/s1600/mg20928031.500-1_300.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;The good news did not last long. They never do. And like a dream, poof, whee, it's gone. How can it be? It would have been better to be left out at sea. It was a great thing, but nothing, with bowed head and wilted ribbons, true sticks in this life. Can one be so cursed? Hermit-like, crab-like, if only to escape from the gaze of others. This will crush me.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-140591274894945179?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/140591274894945179/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=140591274894945179' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/140591274894945179'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/140591274894945179'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/03/bummer.html' title='oh dear!'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='https://lh5.googleusercontent.com/-PoPmj2SzjFM/TX5z7Jbyd4I/AAAAAAAAAqk/EVXRO0TEayY/s72-c/mg20928031.500-1_300.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-754876606806534133</id><published>2011-03-06T11:49:00.000-08:00</published><updated>2011-03-14T15:10:50.145-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Bifo'/><category scheme='http://www.blogger.com/atom/ns#' term='protest'/><title type='text'>"From Brera a call to teach in European banks" By Bifo</title><content type='html'>"The Italian government, in perfect agreement with the European  central Bank is destroying the school, particularly the Brera Academy  where I am precariously teaching media sociology.&lt;br /&gt;&lt;br /&gt;&lt;span id="more-767"&gt;&lt;/span&gt;&lt;br /&gt;The following lines are my contribution to the discussion among the teacher of this school.&lt;br /&gt;&lt;br /&gt;As I’m expected to start my course in Brera on March 14th, I want to  understand if I should prepare my lectures. My answer is:&amp;nbsp; no. I’ll go  to the Brera Academy, on March 14th at 11.30, but I’ll not talk about  cybercultures, as scheduled. I’ll talk about a different subject: how to  organize a insurrection, because this is the only intersting subject at  the moment.&lt;br /&gt;&lt;br /&gt;The 'riforma Gelmini' is cutting 8 billions euros in the Italian  school system. The effect is easy to see, and in the next years the  definancing of the school is going to produce misery ignorance and  violence.&lt;br /&gt;It’s not an Italian problem: in the UK thousands and thousands of  students are leaving their schools as the taxes have become impossible  to pay, while five hundred thousand public workers are waiting to be  fired, and the british society is falling in a nightmare of devastation.&lt;br /&gt;&lt;br /&gt;Therefore we should forget that the Milano Academy of Brera can be  saved through some negotiations. The only way now is to fight against  the financial dictatorship that is oppressing&amp;nbsp; European society as  Gheddafi and Mubarak have been oppressing Arab people.&lt;br /&gt;&lt;br /&gt;Is this a task too difficult for the teachers of Brera? Yes, it is,  but we are not alone. Millions of worker, all over Europe, – in the  school, in the factories, in the hospitals and inn the social services –  are facing a choice between misery and revolt, between radical struggle  and depression. This is the moment to prepare insurrection. It’s better  to be frank on this point: our future is over, as the future of our  students, unless we forget fear and dare to fight for the right to  teaching, and the right to studying, and the right to a decent salary,  and for our dignity.&lt;br /&gt;&lt;br /&gt;Discussing with the bureaucrats of the Brera school is useless, as  they are only the tool of a devastating projects they cannot change at  all. Useful is to occupy a square, a station, a parliament, and stay  there as long as the government of mafia will be chased away, as long as  the&amp;nbsp; Trichet-Sarkozy-Merkel directorate will have been defeated. Is  this prospect too much?&lt;br /&gt;&lt;br /&gt;May be, but we have to be radical, as the situation has become extreme.&lt;br /&gt;&lt;br /&gt;The Knowledge liberation front gathered in Paris Saint Denis on  February 12th and called to a day of teach in in the banks of many  European cities on March 25th. In London they are already doing this:  groups of students and researchers go into the bank, and they occupy the  place and read poems, and discuss molecular biology, and talk about  their problems, and eat something, and sleep.&lt;br /&gt;&lt;br /&gt;Occupying banks has to&amp;nbsp; become a daily practice. Is it&amp;nbsp; dangerous? It  is, but it is more dangerous to wait for somebody to come and help us  to have jobs and money and schools and house, when financial capitalism  is destroying our lives. Financial capitalism has declared war against  society.&lt;br /&gt;We cannot avoid this war, but we can win.&lt;br /&gt;&lt;br /&gt;I beg your pardon if my language may seem emphatically tragic. Unfortunately the tragedy is not an effect of my imagination." From &lt;a href="http://www.edu-factory.org/wp/from-brera-a-call-to-teach-in-in-european-banks/"&gt;here&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-754876606806534133?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/754876606806534133/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=754876606806534133' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/754876606806534133'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/754876606806534133'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/03/from-brera-call-to-teach-in-european.html' title='&quot;From Brera a call to teach in European banks&quot; By Bifo'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-4355172718213914193</id><published>2011-03-04T01:49:00.000-08:00</published><updated>2011-03-06T11:45:42.256-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='short cuts'/><title type='text'>how to get out of jury duty...</title><content type='html'>...and support LGBT rights, then make the following statement: &lt;br /&gt;&lt;br /&gt;"Since I can't get married or adopt a child in the state of (insert state where you live in), I  can't possibly be an impartial judge of a citizen when I am considered a  second class citizen in the eyes of the justice system." &lt;br /&gt;&lt;br /&gt;From &lt;a href="http://blogs.villagevoice.com/dailymusto/2011/03/use_your_gaynes.php"&gt;here&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-4355172718213914193?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/4355172718213914193/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=4355172718213914193' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/4355172718213914193'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/4355172718213914193'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/03/how-to-get-out-of-jury-duty.html' title='how to get out of jury duty...'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-7228344715913539187</id><published>2011-03-01T00:00:00.001-08:00</published><updated>2011-08-23T10:01:47.076-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='personal notes'/><title type='text'>{personal}</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/--HYHAE4nqjA/TePCYynomMI/AAAAAAAAArU/-6SNuU9Sgng/s1600/anatomy-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/--HYHAE4nqjA/TePCYynomMI/AAAAAAAAArU/-6SNuU9Sgng/s320/anatomy-1.jpg" width="213" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;Is this possible??? University of Toronto's PhD &lt;a href="http://complit.utoronto.ca/"&gt;program&lt;/a&gt; in Comparative Literature. Wow. In a state of disbelief!!!&lt;br /&gt;&lt;br /&gt;Update (5/30): This isn't happening. Sigh.&lt;br /&gt;&lt;br /&gt;Update (8/23): It may be happening. &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-7228344715913539187?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/7228344715913539187/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=7228344715913539187' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7228344715913539187'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7228344715913539187'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/03/personal.html' title='{personal}'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/--HYHAE4nqjA/TePCYynomMI/AAAAAAAAArU/-6SNuU9Sgng/s72-c/anatomy-1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-5012006173261644009</id><published>2011-02-27T09:05:00.000-08:00</published><updated>2011-02-27T09:05:02.305-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Tunisia'/><category scheme='http://www.blogger.com/atom/ns#' term='Egypt'/><category scheme='http://www.blogger.com/atom/ns#' term='Badiou'/><title type='text'>Badiou Theorizes Egypt &amp; Tunisia</title><content type='html'>A romanticized reading of the recent uprisings that is also too clinical and ends up being Eurocentric.&lt;br /&gt;&lt;br /&gt;"The Eastern wind is getting the better of the Western one. How much longer will the poor and dark West, the 'international community' of those who still think of themselves as masters of the world, continue to give lessons of good management and behaviour to the whole planet? Isn't it laughable to see certain intellectuals on duty, disconcerted soldiers of the capital-parliamentarism that stands as a shabby paradise for us, offering themselves to the magnificent Tunisian and Egyptian peoples in order to teach these savage populations the basics of 'democracy'? What a distressing persistence of colonial arrogance! Given the miserable political situation that we are experiencing, isn't it obvious that it is us who have everything to learn from the current popular uprisings? Shouldn't we, in all urgency, closely study what has made possible the overthrow through collective action of governments that are oligarchic, corrupt and—possibly, above all—humiliatingly the vassals of Western states?&lt;br /&gt;&lt;br /&gt;Yes, we should be the pupils of such movements, and not their stupid teachers. That is because, through the genius of their own inventions, they give life to some political principles that some have been trying for so long to convince us that they are outdated. And especially the principle that Marat never stopped reminding us of: when it comes to freedom, equality, emancipation, we owe everything to popular uprisings.&lt;br /&gt;&lt;br /&gt;We are right to be revolted. Just as with politics, our states and those who take advantage of it (political parties, unions and servile intellectuals) prefer management to revolt, they prefer claims, and 'orderly transition' to any kind of rupture. What the Egyptian and Tunisian peoples remind us is that the only kind of action that equals a shared feeling about scandalous occupation by state power is mass uprising. And that, in such a case, the only watchword that can federate the disparate groups of the masses is: 'you out there, go away'. The extraordinary importance of the revolt in this case, its critical power, is that repeating the watchword by millions of people will show the worth of what will undoubtedly and irreversibly be the first victory: the man thus designated will flee. And no matter what happens afterwards, this triumph of the popular action, illegal by nature, will be forever victorious. That a revolt against state power can be absolutely victorious is a lesson universally available. This victory always indicates the horizon where all collective action, subtracted from the authority of the law, stands out, the horizon that Marx called 'the failing of the state'.&lt;br /&gt;&lt;br /&gt;That is, one day, freely associated in the spreading of their own creative power, peoples could do without the gloomy coercion of the state. And it is for this reason, for this ultimate idea, that a revolt overthrowing an established authority can determine unlimited enthusiasm throughout the world.&lt;br /&gt;&lt;br /&gt;A spark can set a field on fire. It all starts with the suicide through burning of a man who has been made redundant, whose miserable commerce that allows him to survive is threatened to be banned, and with a woman-officer slapping him to make him understand what is real in this world. This gesture expands within days, weeks, until millions of people cry their joy in a far-away square and the powerful rulers flee. Where does this fabulous expansion come from? The propagation of an epidemic of freedom? No. As Jean-Marie Gleize poetically puts it: 'a revolutionary movement does not expand by contamination. But by resonance. Something emerging here resonates with the shock wave emitted by something emerging out there'. This resonance, let's name it 'event'. The event is the sudden creation, not of a new reality, but of a myriad of new possibilities.&lt;br /&gt;&lt;br /&gt;Neither of them is the reiteration of something we already know. This is why it is to say 'this movement is demanding democracy' (implying the one we enjoy in the West), or 'this movement is demanding social improvements' (implying the median prosperity of the small-bourgeois in our countries). Born from almost nothing, resonating everywhere, the popular uprising creates unknown possibilities for the whole world. The word 'democracy' is practically never mentioned in Egypt. There's talk of a 'new Egypt', of 'the real Egyptian people', of constituent assembly, of an absolute change of existence, of unprecedented possibilities. This is about the new field that will be there where the previous one, set on fire by the spark of uprising, will no longer be. It stands, this new field to come, between the declaration of overthrowing forces and the one of assuming new tasks. Between what a young Tunisian has said: 'We, the sons of workers and farmers, are stronger than the criminals'; and what a young Egyptian has said: “Starting today, 25th January, I take charge of the affairs of my country”.&lt;br /&gt;&lt;br /&gt;The people, and only the people, are the creators of universal history. It is very surprising that, in our West, governments and the media consider that the revolts in a square in Cairo are 'the Egyptian people'. How come? Isn't it that, for these men, the people, the only reasonable and legal people, is usually reduced to either the majority in a poll or in an election? How is it possible that all of a sudden hundreds of thousands of revolted people have become representative of a population of eighty million? It's a lesson to remember, and we will remember it.&lt;br /&gt;&lt;br /&gt;Once a certain threshold of determination, obstinacy and courage has been passed, a people can indeed concentrate its existence in one square, one avenue, a few factories, a university ... The whole world will be witness to this courage, and especially to the amazing creations that accompany it. These creations will stand as proof that a people is represented there. As one Egyptian protester has put it, 'before, I used to watch television, now it's the television who is watching me'.&lt;br /&gt;&lt;br /&gt;In the midst of an event, the people is made up of those who know how to solve the problems that the event imposes on them. It goes the same for the occupation of a square: food, sleeping arrangements, protection, banderols, prayers, defence fight, all so that the place where everything is happening, the place that has become a symbol, may stay with its people at all costs. These problems, at a scale of hundreds of thousands of people who have come from all over the place, may seem impossible to solve, especially since the state has disappeared in that square. Solving unsolvable problems without the help of the state, that is the destiny of an event. And it is what determines a people, all of a sudden and for an indeterminate period, to exist, there where it has decided to gather.&lt;br /&gt;&lt;br /&gt;There can be no communism without communist movements. The popular uprising we are talking about is manifestly without a party, without any hegemonic organisation, without a recognised leader. It should always be determined whether this characteristic is a strength or a weakness. It is in any case what makes it have, in a pure form, without a doubt the purest since the Commune of Paris, all the necessary traits for us to talk about a communism as movement. 'Communism' here means: common creation of a collective destiny. This “common” has two distinctive traits. First, it is generic, representing in one place humanity in its entirety. In this place there are people of all the kinds a population is usually made up of, all words are heard, all propositions examined, all difficulty taken for what it is. Second, it overcomes the great contradictions that the state pretends to be the only one capable of surmounting: between intellectuals and manual workers, between men and women, between rich and poor, between Muslims and Copts, between people living in the province and those living in the capital ...&lt;br /&gt;&lt;br /&gt;Millions of new possibilities for these contradictions spring with every moment, possibilities that the state—any state—is completely blind to. We see young female doctors, who have come from the province to treat the wounded, sleep in the middle of a circle of fierce young men, and they are more at ease than they've ever been, knowing that no one will touch a hair on their heads. We can equally see an organisation of young engineers addressing youngsters from the suburbs to ask them to hold on, to protect the movement with their energy for combat. We also see a row of Christians standing in order to keep watch over the Muslims bent in prayer. We see vendors feeding the unemployed and the poor. We see each person talking to their unknown neighbour. We can read thousands of banners where each and everyone's life is mingled to the grand History of all. All these situations, inventions, constitute the communism as movement. It's been two centuries since the unique problem is the following: how can we establish in the long run the inventions of the communism as movement? And the unique reactionary statement is: 'that would be impossible, even detrimental. Let's put our trust in the state'. Glorious be the Tunisian and Egyptian peoples who remind us the true and unique political duty: faced with the state, the organised fidelity to the communism as movement.&lt;br /&gt;&lt;br /&gt;We do not want war, but we are not afraid of it. The pacifist calm of gigantic movements has been talked about everywhere, and it has been linked to the ideal of elective democracy that we bestowed upon the movement. We should, however, note that there have been hundreds of dead, and their number increases each day. In many instances, these dead have been combatants and martyrs of the initiative, then of the protection of the movement itself. The political and symbolical places of uprising had to be kept by paying the price of fierce combat against the militia and the police of the threatened regimes. And who has paid with their own lives if not the youth from the poorest classes? The 'middle classes', of whom our inspired Michèle Alliot-Marie has said that the democratic outcome of the movement depended on, and on them alone, should always remember that during the crucial moment, the duration of the movement has only been guaranteed by the unrestricted commitment of the people's militia. Defensive violence is inevitable. It still goes on, in difficult conditions, in Tunisia, after the young provincial activists have been sent to their destitution.&lt;br /&gt;&lt;br /&gt;Can we seriously think that all these innumerable initiatives and cruel sacrifices' fundamental goal is to make the people 'choose' between Souleiman and El Baradei, just as we here resign to arbitrate between Mr. Sarkozy and Mr. Strauss-Kahn? Will that be the only lesson of this splendid episode?&lt;br /&gt;&lt;br /&gt;No, a thousand times no! The Egyptian and Tunisian peoples tell us this: to rebel, to construct the public space of the communism as movement, defending it by all means and making up its successive steps of action, that is the reality of the popular politics of emancipation. It is not just the Arab states that are anti-popular, of course, and, fundamentally, with or without elections, illegitimate. Whatever their future, the Tunisian and Egyptian uprisings have a universal significance. They prescribe new possibilities whose value is international." From &lt;a href="http://www.versobooks.com/blogs/394-alain-badiou-tunisie,-egypte-quand-un-vent-d%27est-balaie-l%27arrogance-de-l%27occident"&gt;here&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-5012006173261644009?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/5012006173261644009/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=5012006173261644009' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/5012006173261644009'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/5012006173261644009'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/02/badiou-theorizes-egypt-tunisia.html' title='Badiou Theorizes Egypt &amp; Tunisia'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-4070158535611659144</id><published>2011-02-27T08:44:00.000-08:00</published><updated>2011-02-27T08:51:26.543-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='satire'/><category scheme='http://www.blogger.com/atom/ns#' term='Libya'/><category scheme='http://www.blogger.com/atom/ns#' term='Ali'/><title type='text'>Gaddafi's Umbrella</title><content type='html'>Tariq Ali channels the Libyan dictator and Twitter is involved.&lt;br /&gt;&lt;br /&gt;“It’s raining outside which is why I cannot address you. Sorry. It   seems to be raining inside my tent as well. Can this be rain? No. It’s   dogs polluting the uniforms of my bodyguards. No respect for women.   Benghazi. I hate that city. Once I accidentally addressed my friend   Berlusconi as Benghazi. Drunkards, pimps and religious extremists. I   will bomb them again before I leave. I wish we had bought some drones so   I could press button myself. My relations with the people are  informal,  based on friendship and fear. Why have they become so noisy  and  combative? I have many children. The British Foreign Office adopted  one  of them, my dear Saif, and wanted to put him on the throne, but  that  would have no effect on the intellectual landscape of the  Jamahiriya.&lt;br /&gt;&lt;br /&gt;I just received a tweet from Venezuela: ‘Have you read &lt;i&gt;The Autumn of  the Patriarch&lt;/i&gt;  by G.G. Marquez?’ Why should I read this shit? Has G.G.  Marquez read  my science-fiction short stories ‘Escape from Hell’ that  are even  better than my little Green Book which is very nutty? They are  set in  an imaginary country with an imaginary ruler who kills his people  and  they rise and get rid of him. It’s very funny story. It is popular  in  Arab lands. I met them, these jokers and stray dogs of Europe. Blair,   Berlusconi, they are my friends, but now they ask me to go. Why? Did   they not go? It’s always raining in London. And that Roman pimp is   always raining on his people. I will go when my time comes. When Allah   summons me to discuss the political conjuncture. I like pizzas. Once   there was a good pizza place in Tripoli. Much better pizzas than in   Benghazi, but now all these shops are burning. Is it still raining? No?   OK. Then I will go. Bury me in a colored shroud, not white. Bill   Clinton. His penis should have been chopped off and fed to swine for   letting Monica play with him when he was talking to heads of state. Men   will be men, but that still upsets me. I never did that. Nor did Blair   or Berlusconi.&lt;br /&gt;&lt;br /&gt;&lt;span id="more-31227"&gt;&lt;/span&gt;I ruled this place for 42 years. And now  it’s raining. I’m sorry not  to rule for 50 years. Mubarak was a stray  dog, Ben Ali a pimp. Why they  compare those rascals to me. I struggled  against my own military  dictatorship. I am not a rootless pot of  excrement. What do you think? I  will ask the people, but I need an  umbrella. Who is raining? Am I  raining on my own people? Just one last  point, I need to address to my  people. Remember this: States are  counter-Being. Similarly, being is  counter-state. Being is the activity  of being alive, free, agile and  uncontained. Being, when pursued  rigorously, state(s) would wither away  like Clinton’s penis. States  exist by ‘neutralising’ being. “State of  being” is a moronic condition.  However, ’normally’ we exist in the  moronic conditions. I am proud to  be the Chief Moron in a moronic state.  I will neutralise you all.” From &lt;a href="http://pulsemedia.org/2011/02/27/muammar-gaddafi%E2%80%99s-planned-resignation-speech/?utm_source=feedburner&amp;amp;utm_medium=feed&amp;amp;utm_campaign=Feed%3A+pulsemedia+%28P+U+L+S+E%29"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;iframe title="YouTube video player" width="380" height="290" src="http://www.youtube.com/embed/EVa8buPrysQ" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-4070158535611659144?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/4070158535611659144/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=4070158535611659144' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/4070158535611659144'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/4070158535611659144'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/02/gaddafis-umbrella.html' title='Gaddafi&apos;s Umbrella'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/EVa8buPrysQ/default.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-7841925399021510754</id><published>2011-02-27T08:38:00.000-08:00</published><updated>2011-02-27T08:38:20.855-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Palestine'/><category scheme='http://www.blogger.com/atom/ns#' term='Queer'/><category scheme='http://www.blogger.com/atom/ns#' term='Butler'/><title type='text'>"Judith Butler's Statement on the Queer Palestinian Activists Tour"</title><content type='html'>&lt;div class="mbl notesBlogText clearfix"&gt;&lt;div&gt;"Judith Butler's statement on the Queer Palestinian Tour. Please circulate.&lt;br /&gt;&lt;br /&gt;Dear Haneen, Sami, and Ghadir,&lt;br /&gt;&lt;br /&gt;I wanted personally to thank you for your recent visit to the  United States. I have heard from many parts of the country that your  presentations were extraordinary and opened up new ways of thinking for  many activists on the queer left. I believe that your visit marks the  possibility of change in the discourse here about queer activism,  Palestine, and BDS*, and I wanted just to say that your arguments and  modes of presentation were compelling, complex, important, and  persuasive (also, ironic and sometimes hilarious!).  As you doubtless  know, many people in the LGBTQ community in the United States remain  relatively ignorant about the conditions of Occupation.  &lt;span style="color: orange;"&gt;Your joint  presentations made clear what the daily confrontation with Israeli  military power is like, how difficult mobility is, and how important it  is that any queer activism commit itself to the struggle against the  Occupation - an insupportable subjugation of the Palestinian people that  clearly abrogates international law and the basic precepts of equality  and justice.  Indeed, you made perfectly clear why allying with groups  that are not clearly and actively opposed to the Occupation is  impossible. At the same time, you showed us how absolutely important it  is to struggle for greater freedoms for sexual minorities in Palestine  at every level of society, including the movements that are resisting  the Occupation and calling for Boycott, Sanctions, and Divestment.  &lt;b&gt;In  this time when Israel is actively engaged in "pinkwashing", that is,  advertising its ostensible tolerance for gays and lesbians as a way of  deflecting from the illegal and unconscionable subjugation of over two  million Palestinians.  It is quite monstrous that they seek to use us -  gay, lesbian, queer, trans - in order to cast themselves as the beacon  of democracy in that region, if democracy implies the equal treatment of  the inhabitants of the land, regardless of nationality, origin,  religion, race, and ethnicity!&lt;/b&gt;&lt;/span&gt;  Indeed, the radical democratic movements  we are seeing now in Arab countries are clearly immeasurably more  democratic in their composition and aims than anything we have ever seen  emerge from the State of Israel.  So where precisely is the beacon of  democracy now?  In the streets of Cairo, Tripoli, Tunis?  We can only  hope that these movements will undermine the support that the states  surrounding Israel have given to the occupation.  I see you as  struggling for real democratic alliance in which the rights of one group  will not be traded off against the rights of another, especially by  those who belong to them both.&lt;br /&gt;&lt;br /&gt;You also made clear why  queer activists are, and should be, supportive of  BDS.  It is the  largest non-violent resistance movement in Palestine, and  all three  strategies have been established as bonafide ways to compel a state to  comply with international law.  Israel should be no exception. &lt;b&gt;&lt;span style="color: orange;"&gt; What I  appreciated most was how you made clear that you were unwilling to  compromise with those who asked you either (a) to put your  anti-Occupation politics second or (b) put your queer politics second.   How brave, and how right you are to insist on both, and to ask that  others do the same. &lt;/span&gt;&lt;/b&gt; I also appreciated how you laid out the complexity  of "coming out" - a practice that is often regarded as the  presupposition or even the goal of GLBTQ politics in the U.S.  You  relayed how the struggle with visibility is a complex one, especially  where families are concerned, and you asked that we understand that  activism cannot be equated with full, unprotected, visibility. That was a  nuanced discussion, and one that activists here very much need to hear.&lt;br /&gt;&lt;br /&gt;I am sorry to say, though also glad to say, that  there were  many in that room in New York who were starting to gain an understanding  of the situation in Palestine for the first time. I hope they will take  this opportunity to learn more, to join solidarity visits, and to find  ways of making alliance with queer activists throughout the region.  By  the way, I love your irony and intelligence - and appreciate the way  that you work with your differences from one another.  I hope that we  will be able to meet in Jerusalem or Ramallah in the Fall.  It would be a  great honor and pleasure for me, as it was last evening to listen to  you all. I would like to know more what I can do to support you as well.&lt;br /&gt;&lt;br /&gt;in solidarity,&lt;br /&gt;&lt;br /&gt;Judith"&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;From&amp;nbsp; &lt;a href="http://www.facebook.com/?ref=hp#%21/notes/terrorist-assemblages/judith-butlers-e-mail-to-the-ny-lgbt-center-totally-rocks/181760651866798"&gt;Terrorist Assemblages&lt;/a&gt;' Facebook page. &lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-7841925399021510754?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/7841925399021510754/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=7841925399021510754' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7841925399021510754'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7841925399021510754'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/02/judith-butlers-statement-on-queer.html' title='&quot;Judith Butler&apos;s Statement on the Queer Palestinian Activists Tour&quot;'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-939354190001419600</id><published>2011-02-27T08:23:00.000-08:00</published><updated>2011-02-27T08:39:13.583-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Palestine'/><category scheme='http://www.blogger.com/atom/ns#' term='Queer'/><category scheme='http://www.blogger.com/atom/ns#' term='Butler'/><title type='text'>"Judith Butler's E-Mail to the NY LGBT Center"</title><content type='html'>&lt;div class="entry"&gt;"Date: Fri, 25 Feb 2011&lt;br /&gt;To: Glennda@gaycenter.org&lt;br /&gt;From: Judith Butler&lt;br /&gt;Subject: censorship at the NY LGBT Center&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Dear Glennda Testone,&lt;br /&gt;&lt;br /&gt;I am writing to communicate my outrage and sorrow that our movement  has come to this point where it refuses to house an organization that is  fighting for social justice. I was appalled to see the very ignorant  and hateful messages that supported your center’s decision to ban  Siegebusters from holding an event on the topic of the Boycott,  Divestment, and Sanctions movement. The colleagues at Jewish Voice for  Peace and other progressive Jewish organizations with whom I have spoken  are in strong disagreement with your action. It is simply wrong to  assume that housing an event that discusses the BDS movement is  anti-Semitic in content or implication. There are increasing numbers of  Jewish intellectuals and cultural workers (including Adrienne Rich and  myself) who support the BDS movement, including a vocal group from  Israel that calls upon the rest of us to put international pressure on  their country (including Anat Matar, Rachel Giora, Dalit Baum – one of  the founding queer activists there, and Neve Gordon). There are also  queer anarchist and human rights groups in Israel- including 'Who  Profits?' – who support BDS and who are struggling against illegal land  confiscations in Jerusalem and the building of the wall or who, at  least, would support an open forum to discuss the pros and cons of this  strategy, non-violent, to compel the State of Israel. But there is,  perhaps most importantly as well a network of Palestinian Queers for BDS  that have an important and complex analysis of the situation, calling  for BDS as a sustained non-violent practice to oppose the systematic  disenfranchisement of Palestinians under the Occupation. It is surely  part of our global responsibility to understand this position and to  make alliances across regional divisions rather than stay within the  parochial assumptions of our own neighborhoods.&lt;br /&gt;&lt;br /&gt;&lt;span style="color: orange;"&gt;The idea that BDS is somehow anti-Semitic misunderstands the point and  is simply false. It is a movement that is in favor of putting pressure  on states that fail to comply with international law and, in this case,  that keep more than 1.5 million Palestinians in the West Bank under the  military control of Israel, which also maintains political control over  their survival, mobility, employment, health, and elections – and this  has been amply demonstrated. This is a human rights and social justice  issue about which we all have to learn.&lt;/span&gt; &lt;b&gt;&lt;span style="color: orange;"&gt;And it seems to me that just as  the very notion of freedom must include sexual freedom, and the very  notion of equality must include sexual and gender equality, so must we  form alliances that show that our concern with social justice is one  that will include opposition to all forms of state subjugation and  disenfranchisement. We now have many organizations that affirm the  interlinking networks of subjugation and alliance: queers against  racism, queers for economic justice. &lt;/span&gt;&lt;/b&gt;We must oppose all forms of  anti-Semitism to be sure (as a Jewish queer who lost part of maternal  line in the Nazi genocide against the Jews, I can and will take no other  stand). &lt;b&gt;&lt;span style="color: orange;"&gt;But we must extend our critique of racism to all minorities  whose citizenship is unfulfilled, suspended, lost, or compromised, which  would include the Palestinian people in the last several decades.&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;The Siegebuster event is one that would simply seek to inform the LGBTQ  community of a set of political viewpoints. No one who goes to the event  has to agree with the viewpoint put forward there, and neither does the  center. By hosting this event, your center would simply be  acknowledging that this is an important global issue in which LGBTQ  people are invested and are now currently debating. The Center thus  would agree that we all need to hear this viewpoint in order to make  more informed decisions about the situation. I fear that to refuse to  host the event is to submit to the tactics of intimidation and ignorance  and to give up on the important public function of this center. I urge  you to reconsider your view. These are important matters, they concern  us all, and we look to you now to show that the LGBTQ movement remains  committed to discussing social justice issues and will not be  intimidated by those who seek to expand the powers of censorship  precisely when so much of the rest of the world is trying to bring them  down. There is still time for you to act with courage and wisdom.&lt;br /&gt;&lt;br /&gt;Sincerely,&lt;br /&gt;&lt;br /&gt;Judith Butler&lt;br /&gt;University of California, Berkeley&lt;br /&gt;Visiting Professor, New School for Social Research (Spring, 2011)"&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;From &lt;a href="http://occupyeverything.com/reports/judith-butler-boycott-divestment-and-sanctions-movement/"&gt;here&lt;/a&gt;. &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-939354190001419600?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/939354190001419600/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=939354190001419600' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/939354190001419600'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/939354190001419600'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/02/pinkwashing-judith-butlers-e-mail-to-ny.html' title='&quot;Judith Butler&apos;s E-Mail to the NY LGBT Center&quot;'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-2545146290727900418</id><published>2011-02-12T18:15:00.000-08:00</published><updated>2011-02-27T02:52:33.093-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Zizek'/><title type='text'>Yo, It's Mr. Z</title><content type='html'>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Zizek can be maddening at times, especially when he recycles his latest routine to different media outlets. However in this interview, he has some new materials. Note for instance his analysis of &lt;i&gt;Avatar&lt;/i&gt; in the second part of the interview.&amp;nbsp;&lt;/div&gt;&lt;br /&gt;&lt;iframe allowfullscreen="" frameborder="0" height="290" src="http://www.youtube.com/embed/tXnSbmF9rYg" title="YouTube video player" width="380"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;iframe allowfullscreen="" frameborder="0" height="290" src="http://www.youtube.com/embed/lmvoSuGdYSs" title="YouTube video player" width="380"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-2545146290727900418?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/2545146290727900418/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=2545146290727900418' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/2545146290727900418'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/2545146290727900418'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/02/yo-its-mr-z.html' title='Yo, It&apos;s Mr. Z'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/tXnSbmF9rYg/default.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-4474268438042665501</id><published>2011-02-11T20:57:00.000-08:00</published><updated>2011-02-27T02:59:06.436-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='personal notes'/><title type='text'>purrr</title><content type='html'>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Below is a book trailer for an unpublished childrens book. An acquaintance is trying to get this published. The video is aimed to generate interest in the book. If you like it as much as I do, feel free to relink this blog entry or the video itself. Pass it on to folks who might have kids or anyone who enjoys childrens books.&lt;/div&gt;&lt;br /&gt;&lt;iframe allowfullscreen="" frameborder="0" height="290" src="http://www.youtube.com/embed/jUP9N90hUDw" title="YouTube video player" width="380"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-4474268438042665501?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/4474268438042665501/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=4474268438042665501' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/4474268438042665501'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/4474268438042665501'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/02/purrr.html' title='purrr'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/jUP9N90hUDw/default.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-4010239196559227192</id><published>2011-02-10T08:19:00.001-08:00</published><updated>2011-02-27T03:00:23.113-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='music'/><title type='text'>james hearts joni</title><content type='html'>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;James Blake covers Joni Mitchell.&lt;/div&gt;&lt;br /&gt;&lt;iframe allowfullscreen="" frameborder="0" height="290" src="http://www.youtube.com/embed/zcszIDNyTG4" title="YouTube video player" width="380"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-4010239196559227192?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/4010239196559227192/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=4010239196559227192' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/4010239196559227192'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/4010239196559227192'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/02/jamesjoni.html' title='james hearts joni'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/zcszIDNyTG4/default.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-4461292213476963254</id><published>2011-02-09T18:07:00.000-08:00</published><updated>2011-02-09T18:07:56.471-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Celine and Julie'/><category scheme='http://www.blogger.com/atom/ns#' term='Rivette'/><title type='text'>omg, celine and julie!</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-BDNOY1X2-JQ/TVNHMFumopI/AAAAAAAAAqY/aM244yz0bAQ/s1600/title+Celine+and+Julie+Go+Boating+BFIV657-4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="176" src="http://4.bp.blogspot.com/-BDNOY1X2-JQ/TVNHMFumopI/AAAAAAAAAqY/aM244yz0bAQ/s320/title+Celine+and+Julie+Go+Boating+BFIV657-4.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;If you haven't seen this film by Jacques Rivette, you don't know cinema. It's pure magic. Last year, I saw over 400 films, and this film just stands out. I can't get it out of my head! And I don't know why I've resisted watching this film for the longest time. Possibly because it wasn't readily available in the US. Got the DVD from the UK. It's tragic that this film still doesn't have an official US release. (There used to be a VHS version, but that has long gone out of print, from what I gather.) Film has been broken down into 19 parts. I don't think it'll stay up on YouTube for long, so see it now. Here's the first &lt;a href="http://www.youtube.com/watch?v=-2XplQqSjy0"&gt;link&lt;/a&gt;. Hurry!&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Jonathan Rosenbaum on the film: "One of the great modern films, Jacques Rivette’s 193-minute comic  extravaganza is as scary and as unsettling in its diverse narrative high  jinks as it is hilarious and exhilarating in its uninhibited slapstick.  Its slow, sensual beginning stages a mysterious, semiflirtatious  meeting between a shy librarian (Dominique Labourier) and a nightclub  magician (Juliet Berto). Eventually, an outlandish plot-within-a-plot  magically takes shape between them–a Jamesian, Victorian, and somewhat  sexist melodrama featuring Bulle Ogier, Marie-France Pisier, Barbet  Schroeder (the film’s producer), and a little girl–as each of them, on  successive days, visits an old dark house where the exact same events  take place. Oddly enough, both of the plots in this giddy comedy are  equally outlandish, but the remarkable thing about this intricate  balancing act is that each one holds the other in place; the elaborate,  Hitchcockian doublings are so beautifully worked out that this movie  steadily grows in resonance and power, and the final payoff is well  worth waiting for. The four main actresses scripted their own dialogue  in collaboration with Eduardo de Gregorio and Rivette, and the film  derives many of its most euphoric effects from a wholesale ransacking of  the cinema of pleasure (cartoons, musicals, thrillers, and serials).  The use of locations (Paris’s Montmartre in the summertime) and direct  sound is especially appealing, and cat lovers are in for a particular  treat (1974)." From &lt;/span&gt;&lt;a href="http://www.jonathanrosenbaum.com/?p=7654" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;here&lt;/a&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-4461292213476963254?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/4461292213476963254/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=4461292213476963254' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/4461292213476963254'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/4461292213476963254'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/02/omg-celine-and-julie.html' title='omg, celine and julie!'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-BDNOY1X2-JQ/TVNHMFumopI/AAAAAAAAAqY/aM244yz0bAQ/s72-c/title+Celine+and+Julie+Go+Boating+BFIV657-4.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-3533419726800752023</id><published>2011-02-09T16:56:00.000-08:00</published><updated>2011-02-09T16:56:21.519-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='youth'/><category scheme='http://www.blogger.com/atom/ns#' term='Egypt'/><title type='text'>Declaration: Egyptian Youth Protesting in Midan al-Tahrir</title><content type='html'>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: left;"&gt;&lt;span dir="ltr"&gt;"First Main Point: The Promises of the President and the Events of February 2&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: left;"&gt;&lt;span dir="ltr"&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;span dir="ltr"&gt;We have been protesting  since January 25 and conducting a sit-in in Tahrir (Liberation)  Square.&amp;nbsp;We strongly condemn the brutal attack that was undertaken by the  mercenaries of the national party against us at the center of our  sit-in on Wednesday February 2 under the pretenses of a demonstration in  support of President Mubarak and this aggression continues on Thursday  February 3.&amp;nbsp;We are saddened by the participation of some of Egypt’s  youth with the government thugs and criminals whom the National Party is  used to employing in elections.&amp;nbsp;The regime unleashed them against us  after the regime and its media spread many lies about our goals, which  are in support of a change in the political regime, to guarantee to us  and to all citizens, freedom, dignity of life and social justice – goals  also shared by these young people. Thus, we would like to clarify the  following:&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="color: orange; font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;span dir="ltr"&gt;&lt;i&gt;First&lt;/i&gt;, we are a  group of young people from Egypt – Muslims and Christians; the  overwhelming majority of us do not belong to political parties nor have  we been involved in political activities before.&amp;nbsp;Our movement includes  old people and children, peasants, laborers and professionals, students  and workers and pensioners.&amp;nbsp;Our movement cannot be characterized as  driven or moved by a minority given the millions who responded to the  call for bringing down the regime. They joined this call last Tuesday in  Cairo and in the governorates, in an event in which not one single  incident of violence was witnessed nor any attack on property or  harassment of anyone by anyone.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;span dir="ltr"&gt;&lt;i&gt;Second&lt;/i&gt;, our  movement is accused of being funded from outside, with support provided  by the United States.&amp;nbsp;It is also said that the movement has been  instigated by Hamas, and that it is under the leadership and  organization of the president of the National Society for Change,  Mohammed Elbaradei.&amp;nbsp;Finally, and not finally, it is said that the  movement is directed by the Muslim Brotherhood.&amp;nbsp;The listing of these  multiple accusations in this way in and of itself shows how false they  are.&amp;nbsp;&lt;span style="color: orange;"&gt;The protestors are all Egyptians.&amp;nbsp;Their goals are patriotic, clear  and specific.&amp;nbsp;The protestors have neither foreign weapons nor equipment  as the instigators claim.&amp;nbsp;The broad response of the people to the  movement reveals that the movement’s goals are the same goals of the  Egyptian masses in general, and not the goals of particular faction or  foreign entity.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;span dir="ltr"&gt;&lt;i&gt;Third&lt;/i&gt;, the regime  and its media cast false blame upon us for the tensions and instability  that you have seen in the streets of Egypt in the previous days and,  thus, blame the young people who are demonstrating for the damages  inflected upon our interests, the interests of our nation, and the  security of us all.&amp;nbsp;It is not the peaceful protestors who let the  criminals out of prison to create a situation of thievery and looting in  the streets of Egypt.&amp;nbsp;It is not the protestors who imposed a curfew  that starts at 3:00PM, stopping work at banks, bakeries and fuel  stations.&amp;nbsp;When the protestors organized their demonstrations of millions  they came out in the best form, it was well organized, and the  demonstrations ended peacefully.&amp;nbsp;&lt;span style="color: orange;"&gt;The protestors are not the ones who  killed 300 people, some of them with live bullets.&amp;nbsp;Nor did they injure  more than a thousand people in the previous days.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;span dir="ltr"&gt;&lt;i&gt;Fourth&lt;/i&gt;, President  Mubarak came out on Tuesday to announce that he would not run in the  next presidential elections, and that he would amend articles in the  constitution, and begin dialogue with the opposition.&amp;nbsp;The official media  attacked us when we refused his 'concessions' and we decided to  continue our movement. Our demand that Mubarak must leave immediately is  not personal.&amp;nbsp;It is based upon clear reasons including:&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;span dir="ltr"&gt;Promising not to run is  not a new thing, Mubarak promised when he became a president in 1981  that he would not serve as president for more than two terms, but he  stayed in power for more than 30 years. The speech did not put forth any  guarantees that his son Gamal will not run for office.&amp;nbsp;Gamal is still a  member of the ruling party and can nominate himself in an election that  does not proceed under judicial supervision since the speech did not  mention amending article 88 of the constitution.&amp;nbsp;Furthermore, the speech  deemed our movement a conspiracy waged by forces that work against the  interest of the country, as if agreeing to the demands of the people is a  dishonor and disgrace.&amp;nbsp;As for starting a dialogue with the opposition –  how many dialogues did the regime claim it would start with the  opposition in previous years, that ended with Mubarak’s State proceeding  in the path of the narrow interests of the entities that control the  state.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span dir="ltr"&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;The events that happened  on Wednesday validate our position.&amp;nbsp;While the president was offering  promises in his speech, the leaders of his regime were arranging with  thugs to plot the brutal attack in Tahrir Square using machetes, knife,  and fire bombs.&amp;nbsp;They were accompanied by members of the ruling party who  used fire arms against peaceful demonstrators who were surrounded in  Tahrir Square.&amp;nbsp;This attack resulted in the death of at least seven  people and wounded hundreds of people, some of them with serious  injuries, with the aim of ending our national popular movement and  keeping the status quo." From &lt;/span&gt;&lt;a href="http://www.jadaliyya.com/pages/index/528/-updated-w_translation_%D8%A8%D9%8A%D8%A7%D9%86-%D8%B4%D8%A8%D8%A7%D8%A8-%D9%85%D8%B9%D8%AA%D8%B5%D9%85-%D8%A8%D8%A7%D9%84%D8%AA%D8%AD%D8%B1%D9%8A%D8%B1_declaration_egyptian-youth-protesting-in-midan-al-tahrir-" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;here&lt;/a&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-3533419726800752023?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/3533419726800752023/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=3533419726800752023' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/3533419726800752023'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/3533419726800752023'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/02/declaration-egyptian-youth-protesting.html' title='Declaration: Egyptian Youth Protesting in Midan al-Tahrir'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-5760346617822979177</id><published>2011-02-09T16:39:00.000-08:00</published><updated>2011-02-09T16:42:47.236-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Facebook'/><category scheme='http://www.blogger.com/atom/ns#' term='Bifo'/><title type='text'>Bifo on Facebook</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-X-lAqh_2FDM/TVMzpGkRmpI/AAAAAAAAAqI/ytRsn4lBRfM/s1600/youlikethisdesign.gif" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="163" src="http://2.bp.blogspot.com/-X-lAqh_2FDM/TVMzpGkRmpI/AAAAAAAAAqI/ytRsn4lBRfM/s200/youlikethisdesign.gif" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;This was on his Facebook wall today. &lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;"FACEBOOK OR THE IMPOSSIBILITY OF FRIENDSHIP&lt;/div&gt;&lt;div class="entry-content" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;div class="entry-body"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Financial capitalism and precarious work, loneliness and suffering,   atrophy of empathy and sensibility: these are the themes that we may   extrapolate from &lt;i&gt;The social network&lt;/i&gt; the excellent movie by David Fincher.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;The  story that the movie is about is the creation and early  diffusion of  the social network Facebook: an enterprirse in the age of  &amp;nbsp;financial  semiocapitalism. But the focus shifts on the psychological  side of the  evolution of the Internet, in the framework of the  info-acceleration and  stimulus-intensification that the broad band has  made possible. Love  friendship affection – the whole sphere of  emotionality is invested by  the intensification of the rhythm of the  infosphere surrounding the  first generation which learned more words  from a machine than from the  mother.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Although the narration of the beginnings of  Facebook, and the  following legal conflicts and trials corresponds to  the real story,  biographical details (for instance the end of a love  relation in the  first scene of the movie) are not necessarily true, but  they are useful  for a full understanding of the affective side of social  life of  cognitarian labor force.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;The main character of  the film, Mark Zuckerberg may obviously be  described as a winner: he is  the youngest billionaire in the world, he  is the owner of a company that  in a few years has become well known  worldwide with 500 million  subscribers. Nonetheless it is hard to see  him as a happy person, and he  can be described as a looser if you think  of his relation with women,  and colleagues. Friendship seems  impossible for him, and the success of  his website is granted by the  artificial substitution of friendship and  love with standardized  protocols.&amp;nbsp;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Existential unhappiness and  commercial success can be viewed as two  sides of the same coin:  Zuckerberg, in the Fincher movie is so skilled  in the interpretation of  the psychological needs of his generation  because loneliness and  affective frustration are his intimate  psycho-scape. Desire  is diverted from physical contact and invested in the  abstract field of  simulated seduction, in the infinite space of the  image. Boundless  enhancement of disembodied imagination leads to the  virtualization of  the erotic experience, infinite flight from an object  to the next.  Value, money, financial excitement: these are the perfect  form of the  virtualization of desire. The permanent mobilization of  psychic energy  in the economic sphere is simultaneously the cause and  the effect of the  virtualization of contact.&lt;span style="color: orange;"&gt; The very word 'contact'  comes to mean  exactly the contrary of what it means: not bodily touch,  epidermic  perception of the sensuous presence of the other, but purely   intellectual intentionality, virtual cognizability of the other. &lt;/span&gt;Hard  to  predict which sort of mutation is underway in the long run of human   evolution. As far as we know this virtual investment of desire is   currently provoking a pathogenic effect of fragilization of social   solidarity and a stiffening of empathic feeling.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;The  genius of Zuckerberg essentially consists in his ability to  exploit the  suffering energy of the crowd, collective loneliness and  frustration.  The original idea of the website comes from two rich&amp;nbsp;  Harvard’s twins  named Tyler and Cameron Winklevoss, who want to hire  him as programmer.  Zuckerberg pretends to work for them, and actually  takes hold of their  idea, although he is much more able than they in  linking the project to  the psychical needs arising from contemporary  alienation.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Did  Zuckerberg steal the idea from those two undergraduates? &amp;nbsp;Yes  and no.  Actually in the Network it’s impossible to distinguish clearly  the  different moments of the valorization process, because the  productive  force of the net is collective, while profits are private.  Here we find  the irremediable contradiction between collective  intelligence in the  net and private appropriation of its products, a  contradiction which is  shaking the very foundation of semiocapitalism. &amp;nbsp;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;This movie is an interesting view on life and work in the age of precarity. The word precarious&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;means  aleatory, uncertain, unstable, and it refers not only to the   uncertainty of the labor relation, but also to the fragmentation of time   and the unceasing deterritorialization of the factors of social   production. &amp;nbsp;Both labor and capital, in fact have no more a stable   relation to the territory and to the community. Capital is flowing in   the financial circuit and the enterprise is no more based on material   assets, territorialized, but it is based on signs, ideas, information,   knowledge and linguistic exchange. The enterprise is no more linked to   the territory and work process is no more based on the community of   workers, living together in the factory day after day, as it takes the   form of ever changing recombination of time fragments connected in the   global network.&amp;nbsp;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="color: orange; font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Cognitive workers do not meet in the same place every   day, but stay alone in their connected cubicles, and answer to the   requests of ever changing employers. The capitalist is no more signing   agreements in order to exploit the productive energy of the worker   during his overall working life.&amp;nbsp; He is no more buying the entire   availability of the worker. He is hiring a fragment of available time,   which is a fractal, compatible with the protocols of   inter-functionality, and recombinable with other fragments of time.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="color: orange;"&gt;Industrial  workers experienced solidarity because they met each  other every day  and were members of the same living community, and  shared the same  interests, while the net worker is alone and unable to  create solidarity  because everybody is obliged to compete in the labor  market and in the  daily fight for a precarious salary.&lt;/span&gt; Loneliness and  lack of human  solidarity is not only characterizing the net worker, but  also the  entrepreneur. The border separating work and enterprise is  confused, in  the sphere of cognitive work. Although Mark Zuckerberg is a  billionaire,  the way he is spending his work day is not dissimilar  from the way his  employees are spending their work day. They all are  sitting in front of a  computer and type on the keyboard. &amp;nbsp;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;The main character  of the movie - the Zuckerberg described by  Fincher, has a friend, only  one: Edouard Severin, who becomes the  financer of the starting Facebook  enterprise. When the success of the  enterprise is guaranteed and demands  new financers, Zuckenberg does not  hesitate to betray his only friend.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;This  perfectly depicts the personal relations in the sphere of  financial  world, but unfortunately this is also depicting relations  between  workers. Although the movie speaks of a billionaire, it’s also  telling  the story of social condition of labor. The impossibility of  friendship  in the present condition of virtual abstraction of  sociality, and the  impossibility of building solidarity in a society  that is turning life  into abstract container of competing fragments of  time." From &lt;/span&gt;&lt;a href="https://www.facebook.com/note.php?note_id=10150103505130369&amp;amp;id=1085524363" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;here&lt;/a&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-5760346617822979177?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/5760346617822979177/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=5760346617822979177' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/5760346617822979177'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/5760346617822979177'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/02/bifo-on-facebook.html' title='Bifo on Facebook'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-X-lAqh_2FDM/TVMzpGkRmpI/AAAAAAAAAqI/ytRsn4lBRfM/s72-c/youlikethisdesign.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-2487772699236024490</id><published>2011-02-09T16:23:00.000-08:00</published><updated>2011-02-27T03:00:52.836-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='circles'/><title type='text'>orbital motions</title><content type='html'>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Don't exactly understand what the scientific basis for the video illustration, but it satisfies my obsession with circles. Nice music. "In particular, Daniel Fabrycky, a University of California-Santa Cruz astronomy post-doc and member of the Kepler team, has created an impressive visualization of projected orbital motions for all the multi-planet systems Kepler has discovered to date. Within each system, planets are color-coded according to size, with the redder planets being larger and bluer planets being smaller." From &lt;a href="http://www.boingboing.net/2011/02/07/exploring-keplers-li.html"&gt;here&lt;/a&gt;.&lt;/div&gt;&lt;br /&gt;&lt;iframe allowfullscreen="" frameborder="0" height="290" src="http://www.youtube.com/embed/qRJ30fkyiU4" title="YouTube video player" width="380"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-2487772699236024490?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/2487772699236024490/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=2487772699236024490' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/2487772699236024490'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/2487772699236024490'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/02/orbital-motions.html' title='orbital motions'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/qRJ30fkyiU4/default.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-3335169150000500906</id><published>2011-02-09T16:17:00.000-08:00</published><updated>2011-02-09T16:43:39.354-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='critical theory'/><title type='text'>bear(s) in mind</title><content type='html'>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Images by Gordon Lester. Can you tell who these figures are? Answers below. From &lt;a href="http://www.uoguelph.ca/%7Eglester/images.shtml"&gt;here&lt;/a&gt;.&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-b4X2mFRARVg/TVMtuvjJPCI/AAAAAAAAAp8/JHI2UKNG8Dw/s1600/File0012.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-b4X2mFRARVg/TVMtuvjJPCI/AAAAAAAAAp8/JHI2UKNG8Dw/s320/File0012.jpg" width="211" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-b9xUaicO3o0/TVMtw_gn1dI/AAAAAAAAAqA/U6jhcZAovZg/s1600/File0015.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="208" src="http://4.bp.blogspot.com/-b9xUaicO3o0/TVMtw_gn1dI/AAAAAAAAAqA/U6jhcZAovZg/s320/File0015.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-2vrl5OJlmgY/TVMtzgiwUOI/AAAAAAAAAqE/sMbzgmD_-CU/s1600/File0026.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-2vrl5OJlmgY/TVMtzgiwUOI/AAAAAAAAAqE/sMbzgmD_-CU/s320/File0026.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;Walter Benjamin, Edward Said, and Jackie Derrida.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-3335169150000500906?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/3335169150000500906/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=3335169150000500906' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/3335169150000500906'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/3335169150000500906'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/02/bears-in-mind.html' title='bear(s) in mind'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-b4X2mFRARVg/TVMtuvjJPCI/AAAAAAAAAp8/JHI2UKNG8Dw/s72-c/File0012.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-8475806733953055598</id><published>2011-02-09T16:10:00.000-08:00</published><updated>2011-02-09T16:11:44.431-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='book lust'/><title type='text'>book lust: the weariness of the self</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-8hlqJroiV4I/TVMsrCN0lzI/AAAAAAAAAp4/Zt-DNVLHYkE/s1600/Ehrenberg_weariness_lg.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-8hlqJroiV4I/TVMsrCN0lzI/AAAAAAAAAp4/Zt-DNVLHYkE/s320/Ehrenberg_weariness_lg.jpg" width="216" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;"Depression is a pathology of time (the depressed person has no future)  and a pathology of motivation (the depressed person has no energy, his  movement is slowed, his words slurred). The depressed person has trouble  forming projects; he or she lacks energy and the minimum motivation to  carry them out. Inhibited, impulsive or compulsive, she has trouble  communicating with herself and others. With no project, motivation or  communication, the depressed person stands in exact opposition to our  social&amp;nbsp;norms." From &lt;a href="http://67.192.206.163/magazine/93/weariness-self.html"&gt;here&lt;/a&gt;.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;"Depression, once a subfield of neurosis, has become the most diagnosed  mental disorder in the world. Why and how has depression become such a  topical illness and what does it tell us about changing  ideas of the  individual and society? Alain Ehrenberg investigates the history of  depression and depressive symptoms across twentieth-century psychiatry,  showing that identifying depression is far more difficult than a simple  diagnostic distinction between normal and pathological sadness - the one  constant in the history of depression is its changing definition." From &lt;a href="http://mqup.mcgill.ca/book.php?bookid=2434"&gt;here&lt;/a&gt;.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-8475806733953055598?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/8475806733953055598/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=8475806733953055598' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/8475806733953055598'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/8475806733953055598'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/02/book-lust-weariness-of-self.html' title='book lust: the weariness of the self'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-8hlqJroiV4I/TVMsrCN0lzI/AAAAAAAAAp4/Zt-DNVLHYkE/s72-c/Ehrenberg_weariness_lg.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-695280240274184938</id><published>2011-02-09T16:03:00.000-08:00</published><updated>2011-02-09T17:19:45.674-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Weerasethakul'/><title type='text'>uncle boonmee by chris ware &amp; others</title><content type='html'>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Love the kookiness, love the details. Poster below is for the US release by graphic novelist Chris Ware.&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-B-2uMPSpHCk/TVMrNhWZ_kI/AAAAAAAAAp0/gg5Q4HpHewE/s1600/08_uncleboonmee_560x824.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/-B-2uMPSpHCk/TVMrNhWZ_kI/AAAAAAAAAp0/gg5Q4HpHewE/s400/08_uncleboonmee_560x824.jpg" width="270" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Posters from other places.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-dnQ7VVNkzFk/TVM8efO5H8I/AAAAAAAAAqM/YANJC3VXy_Y/s1600/Boonmee-Poster.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-dnQ7VVNkzFk/TVM8efO5H8I/AAAAAAAAAqM/YANJC3VXy_Y/s320/Boonmee-Poster.jpg" width="224" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-3Axnq4VxwCQ/TVM8gs-wOPI/AAAAAAAAAqQ/tmM2WPz-HJA/s1600/uncle_boonmee.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-3Axnq4VxwCQ/TVM8gs-wOPI/AAAAAAAAAqQ/tmM2WPz-HJA/s320/uncle_boonmee.jpg" width="240" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-j_B9gTMOaQ0/TVM8g6YIDsI/AAAAAAAAAqU/Wm8Ld7EFmvQ/s1600/Uncle.Boonmee.Who.Can.Recall.His.Past.Lives.2010.DVDRip.XviD-WRD-VBe4W.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-j_B9gTMOaQ0/TVM8g6YIDsI/AAAAAAAAAqU/Wm8Ld7EFmvQ/s320/Uncle.Boonmee.Who.Can.Recall.His.Past.Lives.2010.DVDRip.XviD-WRD-VBe4W.jpg" width="224" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-695280240274184938?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/695280240274184938/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=695280240274184938' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/695280240274184938'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/695280240274184938'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/02/uncle-boonmee-by-chris-ware.html' title='uncle boonmee by chris ware &amp; others'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-B-2uMPSpHCk/TVMrNhWZ_kI/AAAAAAAAAp0/gg5Q4HpHewE/s72-c/08_uncleboonmee_560x824.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-7941723477579974577</id><published>2011-02-08T04:31:00.000-08:00</published><updated>2011-02-08T13:14:17.500-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Egypt'/><title type='text'>egypt: notes and links</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_xInTbYSDeYk/TVE3Gq5H27I/AAAAAAAAApw/q65M-QU8pks/s1600/167704_1710538775598_1601987061_1618062_6889884_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="212" src="http://2.bp.blogspot.com/_xInTbYSDeYk/TVE3Gq5H27I/AAAAAAAAApw/q65M-QU8pks/s320/167704_1710538775598_1601987061_1618062_6889884_n.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;ul&gt;&lt;li style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="color: orange;"&gt;&lt;span style="color: black;"&gt;Excellent observations by Glenn Greenwald on how mainstream US media (AKA corporate media or lamestream media) portrays corruption as something that happens elsewhere and not in the US. &lt;/span&gt;&lt;/span&gt;"The first is that they have the effect of manufacturing the appearance  that such problems exist only Over There, but not here.&amp;nbsp; One would  never, ever find in &lt;i&gt;The&lt;/i&gt; &lt;i&gt;New&amp;nbsp;York Times&lt;/i&gt; such a sweeping  denunciation of the plutocratic corruption and merger of private wealth  and political power that shapes most of America's political culture.&amp;nbsp;  Just like 'torture'-- which that paper has no trouble declaring is usd by Egypt's government but will never say is used by ours -- such systematic corruption can exist only elsewhere, but never in  America.&amp;nbsp; That's how this genre of Look Over There reporting is not  just incomplete but outright misleading:&amp;nbsp;&amp;nbsp;it actively creates the  impression that such conditions are found only in those Primitive  Foreign Places, but not here." From &lt;a href="http://www.salon.com/news/egyptian_protests/index.html?story=%2Fopinion%2Fgreenwald%2F2011%2F02%2F07%2Fegypt"&gt;here&lt;/a&gt;. &lt;/li&gt;&lt;/ul&gt;&lt;ul&gt;&lt;li style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Is the Egyptian government going after activists through Facebook and Twitter? "'I am worried about being arrested if I leave. Already we have heard stories about activists who have left being rounded up. They have our names from Facebook postings and Twitter. Some have not been heard of since.'" From &lt;a href="http://www.dailymail.co.uk/news/article-1354096/Egypt-protests-Police-use-Facebook-Twitter-track-protesters.html"&gt;here&lt;/a&gt;.&lt;/li&gt;&lt;/ul&gt;&lt;ul&gt;&lt;li style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt; Thugs targeting scholars as well. "On Wednesday, February 2, pro-Mubarak thugs came out to the streets of  Cairo, but also took to the internet to intimidate foreign students and  scholars on Cairo Scholars accusing them of being 'f’n traitors' and 'agents of the Americans' who 'want to set the whole country on fire.'  One pro-Mubarak loyalist threatened: “u have been reported.'” From &lt;a href="http://bikyamasr.com/wordpress/?p=25846"&gt;here&lt;/a&gt;. &lt;/li&gt;&lt;/ul&gt;&lt;ul&gt;&lt;li style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Suleiman isn't the answer; he's a continuation of the &lt;i&gt;ancien regime&lt;/i&gt;. From &lt;a href="http://www.arabist.net/blog/2011/2/6/how-to-restrain-suleimans-power.html"&gt;here&lt;/a&gt;. &lt;/li&gt;&lt;/ul&gt;&lt;ul&gt;&lt;li style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;According to Reuters, Israel has always preferred Suleiman based upon recent Wikileaks documents. &lt;span id="articleText"&gt;"'We defer to Embassy Cairo for analysis of  Egyptian succession scenarios, but there is no question that Israel is  most comfortable with the prospect of Omar Soliman,' said the cable  written by the U.S. embassy in Tel Aviv in 2008, using its own spelling  for his name." From &lt;a href="http://www.reuters.com/article/2011/02/08/us-egypt-israel-wikileaks-idUSTRE7171EJ20110208"&gt;here&lt;/a&gt;.&lt;/span&gt; &lt;/li&gt;&lt;/ul&gt;&lt;span id="articleText"&gt;&lt;/span&gt;&lt;br /&gt;&lt;ul&gt;&lt;li style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span id="articleText"&gt;Is Mubarak headed to Germany? "&lt;/span&gt;According to information obtained by Spiegel Online, plans for a  possible hospital stay in Germany are far more concrete than had been  assumed so far. Talks are already being held with suitable hospitals,  particularly with the Max-Grundig-Klinik Bühlerhöhe in the southwestern  town of Bühl near Baden-Baden, Spiegel Online has learned from sources  close to the clinic. The hospital management declined to comment." Saudi is getting crowded. From &lt;a href="http://www.spiegel.de/international/world/0,1518,743998,00.html"&gt;here&lt;/a&gt;.&amp;nbsp;&lt;/li&gt;&lt;/ul&gt;&lt;ul&gt;&lt;li style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;After 12 days of captivity, Wael Ghonim has been finally released. "...(T)he father-of-two was held in repute by many who believed that he was the anonymous activist behind a &lt;a href="http://www.facebook.com/" title="Facebook"&gt;Facebook&lt;/a&gt; page named after a young Egyptian businessman whose death at the hands of police in June set off months of protests. The page, '&lt;a href="http://www.facebook.com/#%21/elshaheeed.co.uk" title="We are all Khaled Said"&gt;We are all Khaled Said&lt;/a&gt;', became one of the main tools for organising the demonstrations that started the revolt in earnest on 25 January." From &lt;a href="http://www.guardian.co.uk/world/2011/feb/08/wael-ghonim-google-facebook"&gt;here&lt;/a&gt;.&amp;nbsp;&lt;/li&gt;&lt;/ul&gt;&lt;ul&gt;&lt;li style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Wael Ghonim's television interview. Broken down into five parts. Part &lt;a href="http://egypt.alive.in/2011/02/07/dream-tv-interview-with-wael-ghonim-part-1-with-english-subtitles/"&gt;one&lt;/a&gt;. Part &lt;a href="http://egypt.alive.in/2011/02/08/dream-tv-interview-with-wael-ghonim-part-2-with-english-subtitles/"&gt;two&lt;/a&gt;. Part &lt;a href="http://egypt.alive.in/2011/02/08/dream-tv-interview-with-wael-ghonim-%E2%80%93-part-3-%E2%80%93-with-english-subtitles-2/"&gt;three&lt;/a&gt;. Part &lt;a href="http://egypt.alive.in/2011/02/08/dream-tv-interview-with-wael-ghonim-%E2%80%93-part-4-%E2%80%93-with-english-subtitles/"&gt;four&lt;/a&gt;. Part &lt;a href="http://egypt.alive.in/2011/02/08/dream-tv-interview-with-wael-ghonim-%E2%80%93-part-last-3-%E2%80%93-with-english-subtitles/"&gt;five&lt;/a&gt;. Jump ahead to part two. From &lt;a href="http://egypt.alive.in/"&gt;here&lt;/a&gt;. &lt;/li&gt;&lt;/ul&gt;&lt;ul&gt;&lt;li style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Robert Fisk reveals that Frank Wisner works for a law firm that represent Egypt. WTF?!? "Frank Wisner, President Barack Obama's envoy to Cairo who infuriated the  White House this weekend by urging Hosni Mubarak to remain President of  Egypt, works for a Washington law firm, Patton Boggs, which works for  the dictator's own Egyptian government." From &lt;a href="http://counterpunch.org/wisner02072011.html"&gt;here&lt;/a&gt;. &lt;/li&gt;&lt;/ul&gt;&lt;ul&gt;&lt;li style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt; &lt;span class="messageBody"&gt;From  Twitter: "sunnysingh_sw6 Random trivia: Obama's envoy to #Egypt Frank  Wisner is married to Nicolas Sarkozy's former step-mother. International  level nepotism? #Jan25"&lt;/span&gt; &lt;/li&gt;&lt;/ul&gt;&lt;ul&gt;&lt;li style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;A Hosni Mubarak scrapbook of BFF world leaders. From &lt;a href="http://www.foreignpolicy.com/articles/2011/02/01/everybody_loves_loved_hosni?page=full&amp;amp;sms_ss=facebook&amp;amp;at_xt=4d4db1d5f1d885a6%2C0"&gt;here&lt;/a&gt;.&lt;/li&gt;&lt;/ul&gt;&lt;ul&gt;&lt;li style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Who are the thugs that are doing the Egyptian government's bidding? This article suggests that they may need to be pitied as well. "These individuals have everything to lose -- and are now depending on  those who have nothing left to lose. The privileged members of the  regime don't want to get their hands dirty. Instead, they recruit their  helpers from the rural and semi-rural regions, particularly from two  provinces north of Cairo: Bahtim and Qalyub. The poor, who make up the  majority of the population here, are easy prey. Many are distrustful of  the demonstrators' motives and fear that the movement is secretly  pursuing other aims." From &lt;a href="http://www.spiegel.de/international/world/0,1518,743537,00.html"&gt;here&lt;/a&gt;.&lt;/li&gt;&lt;/ul&gt;&lt;ul&gt;&lt;li&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Perhaps the Egyptian people need to raise $1 billion dollars to achieve a US-style democracy? That's how much Obama is estimated to raise for the 2012 elections. "His outreach is part of an intense push to rebuild the finance operation  that helped Obama raise a record $745 million in 2008. Republican  campaign finance lawyers have predicted Obama could top $1 billion in  2012." From &lt;/span&gt;&lt;a href="http://www.latimes.com/news/nationworld/nation/la-na-obama-money-20110206,0,2262809.story" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;here&lt;/a&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;.&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-7941723477579974577?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/7941723477579974577/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=7941723477579974577' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7941723477579974577'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7941723477579974577'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/02/egypt-notes-and-links_08.html' title='egypt: notes and links'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_xInTbYSDeYk/TVE3Gq5H27I/AAAAAAAAApw/q65M-QU8pks/s72-c/167704_1710538775598_1601987061_1618062_6889884_n.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-392682820335027541</id><published>2011-02-08T03:32:00.000-08:00</published><updated>2011-02-08T05:19:22.213-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Hedges'/><category scheme='http://www.blogger.com/atom/ns#' term='empire'/><title type='text'>Language of Empire (Latest Chris Hedges)</title><content type='html'>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Latest Chris Hedges. Riles me up, as usual, at the state of things. Is it because I am an outsider that I can see what he's saying? I don't think he exaggerates much, if at all. Looking around and eavesdropping on conversations, there is a shared sentiment that things will become better--that the economy will one day, in the near future, return to its 'normal' state. All indications point that this isn't the case at all. There should be more pessimism and less positive thinking.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;"Empires communicate in two languages. One  language is expressed in  imperatives. It is the language of command and  force. This militarized  language disdains human life and celebrates  hypermasculinity. It  demands. It makes no attempt to justify the  flagrant theft of natural  resources and wealth or the use of  indiscriminate violence. When  families are gunned down at a checkpoint  in Iraq they are referred to  as having been “lit up.” So it goes. The  other language of empire is  softer. It employs the vocabulary of ideals  and lofty goals and insists  that the power of empire is noble and  benevolent. The language of  beneficence is used to speak to those  outside the centers of death and  pillage, those who have not yet been  totally broken, those who still  must be seduced to hand over power to  predators. The road traveled to  total disempowerment, however, ends at  the same place. It is the  language used to get there that is different.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;This language of blind obedience and  retribution is used by authority  in our inner cities, from Detroit to  Oakland, as well as our prison  systems. It is a language Iraqis and  Afghans know intimately. But to  the members of our dwindling middle  class -- as well as those in the  working class who have yet to confront our  new political and economic  configuration -- the powerful use phrases like &lt;i&gt;the consent of the governed&lt;/i&gt; and &lt;i&gt;democracy&lt;/i&gt;   that help lull us into complacency. The longer we believe in the   fiction that we are included in the corporate power structure, the more   easily corporations pillage the country without the threat of  rebellion.  Those who know the truth are crushed. Those who do not are  lied to.  Those who consume and perpetuate the lies -- including the  liberal  institutions of the press, the church, education, culture,  labor and the  Democratic Party -- abet our disempowerment. No system of  total control,  including corporate control, exhibits its extreme forms  at the  beginning. These forms expand as they fail to encounter  resistance."&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;"Those who administer empire -- elected  officials, corporate managers,  generals and the celebrity courtiers who  disseminate the propaganda --  become very wealthy. They make immense  fortunes whether they deliver  the nightly news, sit on the boards of  corporations, or rise, lavished  with corporate endorsements, within the  vast industry of spectacle and  entertainment. They all pay homage, even  in moments defined as  criticism, to the essential goodness of corporate  power. They shut out  all real debate. They ignore flagrant injustices  and abuse. They peddle  the illusions that keep us passive and amused.  But as our society is  reconfigured into an oligarchic system, with a  permanent and vast  underclass, along with a shrinking and unstable  middle class, these  illusions lose their power. The language of pleasant  deception must be  replaced with the overt language of force. It is hard  to continue to  live in a state of self-delusion once unemployment  benefits run out,  once the only job available comes without benefits or a  living wage,  once the future no longer conforms to the happy talk that  saturates our  airwaves. At this point rage becomes the engine of  response, and  whoever can channel that rage inherits power. The  manipulation of that  rage has become the newest task of the corporate  propagandists, and the  failure of the liberal class to defend core  liberal values has left  its members with nothing to contribute to the  debate." From &lt;a href="http://www.alternet.org/world/149826/how_our_empire_crushes_opposition/?page=1"&gt;here&lt;/a&gt;. &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-392682820335027541?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/392682820335027541/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=392682820335027541' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/392682820335027541'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/392682820335027541'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/02/language-of-empire-latest-chris-hedges.html' title='Language of Empire (Latest Chris Hedges)'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-8847088003376186913</id><published>2011-02-04T12:29:00.001-08:00</published><updated>2011-02-04T12:29:55.263-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Zizek'/><category scheme='http://www.blogger.com/atom/ns#' term='Egypt'/><title type='text'>Zizek's latest appearance on Al-Jazeera</title><content type='html'>&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/29NffzEh2b0" title="YouTube video player" width="480"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-8847088003376186913?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/8847088003376186913/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=8847088003376186913' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/8847088003376186913'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/8847088003376186913'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/02/zizeks-latest-appearance-on-al-jazeera.html' title='Zizek&apos;s latest appearance on Al-Jazeera'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/29NffzEh2b0/default.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-7522726056281233998</id><published>2011-02-03T09:25:00.001-08:00</published><updated>2011-02-09T17:12:51.735-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='music videos'/><title type='text'>this song (mashup) is bananas #5</title><content type='html'>&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/PDw_KyWBWeo" title="YouTube video player" width="480"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-7522726056281233998?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/7522726056281233998/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=7522726056281233998' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7522726056281233998'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7522726056281233998'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/02/this-song-mashup-is-bananas-5.html' title='this song (mashup) is bananas #5'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/PDw_KyWBWeo/default.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-8957899978402747596</id><published>2011-02-03T06:26:00.000-08:00</published><updated>2011-02-03T07:15:14.486-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Zizek'/><category scheme='http://www.blogger.com/atom/ns#' term='Kieslowski'/><category scheme='http://www.blogger.com/atom/ns#' term='Egypt'/><category scheme='http://www.blogger.com/atom/ns#' term='democracy'/><title type='text'>Zizek Factory</title><content type='html'>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_xInTbYSDeYk/TUq74c8GngI/AAAAAAAAApk/RgSVeD3PGDc/s1600/28424_1486559326284_1302941687_31367800_7091718_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/_xInTbYSDeYk/TUq74c8GngI/AAAAAAAAApk/RgSVeD3PGDc/s320/28424_1486559326284_1302941687_31367800_7091718_n.jpg" width="238" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;&lt;b&gt;On the Middle East.&lt;/b&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;"Here, then, is the moment of truth: one cannot claim, as in the case of  Algeria a decade ago, that allowing truly free elections equals  delivering power to Muslim fundamentalists. Another liberal worry is  that there is no organised political power to take over if Mubarak goes.  Of course there is not; Mubarak took care of that by reducing all  opposition to marginal ornaments, so that the result is like the title  of the famous Agatha Christie novel, And Then There Were None. The  argument for Mubarak – it's either him or chaos – is an argument against  him.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;The hypocrisy of western liberals is breathtaking: they publicly  supported democracy, and now, when the people revolt against the tyrants  on behalf of secular freedom and justice, not on behalf of religion,  they are all deeply concerned. Why concern, why not joy that freedom is  given a chance? Today, more than ever, Mao Zedong's old motto is  pertinent: "'There is great chaos under heaven – the situation is  excellent.'" From &lt;a href="http://www.guardian.co.uk/commentisfree/2011/feb/01/egypt-tunisia-revolt"&gt;here&lt;/a&gt;.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;i&gt;&lt;b&gt;On democracy.&lt;/b&gt;&lt;/i&gt; From the book &lt;i&gt;Democracy in What State?&lt;/i&gt; Just out from Columbia UP.&amp;nbsp;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_xInTbYSDeYk/TUq8LzvfMGI/AAAAAAAAApo/Ymtw6l0D0Qo/s1600/28424_1486722610366_1302941687_31368105_4346703_n.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/_xInTbYSDeYk/TUq8LzvfMGI/AAAAAAAAApo/Ymtw6l0D0Qo/s320/28424_1486722610366_1302941687_31368105_4346703_n.jpg" width="238" /&gt;&lt;/a&gt;&lt;/div&gt;"Instead of perceiving what goes on in today’s China as an  oriental-despotic distortion of capitalism, one should see in it the  repetition of the development of capitalism in Europe itself. In early  modernity most of European states were far from democratic—if they were  democratic (as was the case of the Netherlands), it was only for the  liberal elite, not for the workers. Conditions for capitalism were  created and sustained by a brutal state dictatorship, very much like  today’s China: the state legalizing violent expropriations of common  people, which made them proletarians, and disciplining them in their new  role. All the features we identify today with liberal democracy and  freedom (trade unions, universal vote, free universal education, freedom  of the press, etc.) were won in a long, difficult struggle of the lower  classes throughout the nineteenth century, they were far from a natural  consequence of capitalist relations. Recall the list of demands with  which &lt;i&gt;The Communist Manifesto&lt;/i&gt; concludes: most of them, but for  the abolition of private property with the means of production, are  today widely accepted in 'bourgeois' democracies—the result of popular  struggles." From &lt;a href="http://www.cupblog.org/?p=3002"&gt;here&lt;/a&gt;.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;i&gt;&lt;b&gt;On Kieslowski's The Double Life of Veronique (1991).&lt;/b&gt;&lt;/i&gt; This is from the booklet that accompanies the DVD. Blu-Ray edition of the film came out on Tuesday.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;"Kieślowski’s  universe is a gnostic universe, a  not-yet-fully-constituted universe  created by a perverse and confused,  idiotic God who screwed up the work  of Creation, producing an imperfect  world, and then keeps trying to save  whatever can be saved by repeated  new attempts—we are all “Children of a  Lesser God.” Although they may  appear to belong to the premodern space,  such gnostic speculations  often serve as the theological foundation of  the postmodern exploration  of alternative realities and cybergames—as in  the New Age 'cybergnosticism.' In mainstream Hollywood, this uncanny  in-between  dimension is clearly discernible in what is arguably the most  effective  scene in Jean-Pierre Jeunet’s &lt;i&gt;Alien: Resurrection&lt;/i&gt;—the  cloned  Ripley (Sigourney Weaver) enters the laboratory room in which the   previous seven aborted attempts to clone her are on display. Here she   encounters the ontologically failed, defective versions of herself, up   to the almost successful version, with her own face but with some of her   limbs distorted so that they resemble the limbs of the Alien Thing.   This creature asks Ripley to kill her, and, in an outburst of violent   rage, Ripley effectively destroys the entire horror exhibition."&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;"There is, however, a price  to be paid for this retreat. When and why,  exactly, does Véronique  return to her father in order to find a safe  haven of calm? After her  puppeteer lover stages for her the  (unconscious) choice that structured  her life, in the guise of the two  marionettes. So what is Véronique  retreating from when she abandons her  lover? She perceives this staging  as a domineering intrusion, while it  is actually the very obverse: the  staging of her ultimate, unbearable  FREEDOM. In other words, what is so  traumatic for her in the  puppeteer’s performance is not that she sees  herself reduced to a  puppet whose strings are pulled by the hidden hand  of Destiny but that  she is confronted with the fundamental unconscious  choice by means of  which every one of us has to choose her or his  existential project. Her  escape from the puppeteer, back to the safe  haven under the wings of  her father, is her escape from freedom." From &lt;/span&gt;&lt;a href="http://www.criterion.com/current/posts/1733-the-double-life-of-veronique-the-forced-choice-of-freedom" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;here&lt;/a&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-8957899978402747596?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/8957899978402747596/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=8957899978402747596' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/8957899978402747596'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/8957899978402747596'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/02/zizek-factory.html' title='Zizek Factory'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_xInTbYSDeYk/TUq74c8GngI/AAAAAAAAApk/RgSVeD3PGDc/s72-c/28424_1486559326284_1302941687_31367800_7091718_n.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-8784004791848398152</id><published>2011-02-03T06:00:00.000-08:00</published><updated>2011-02-09T16:59:54.575-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='women'/><category scheme='http://www.blogger.com/atom/ns#' term='Egypt'/><title type='text'>Cairo, City of Women</title><content type='html'>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Reportedly, this video was widely circulated before the recent Egyptian protests. According to the article, video is credited as 'triggering' the January 25th protests.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;"Mahfouz made the video after four Egyptian men set themselves on  fire. The men were apparently inspired by the example of Tunisia, where a  self-immolation triggered protests that eventually led to the ouster of  the nation's president.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;'Four Egyptians have set themselves on fire, thinking maybe we can  have a revolution like Tunisia,' she said. 'Maybe we can have freedom,  justice, honor, and human dignity. Today, one of these four has died.'" From &lt;/span&gt;&lt;a href="http://www.rawstory.com/rs/2011/02/video-trigger-massive-protests-egyptian-regime/" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;here&lt;/a&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/SgjIgMdsEuk" title="YouTube video player" width="480"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Another widely circulated video on Facebook which once again highlights the role of women in the protests.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/RtLJpzUp2Z8" title="YouTube video player" width="480"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;From an interview with Nawal El Saadawi, an Egyptian feminist and human rights activist: "Women and girls are beside boys in the streets. They are—and we are calling for justice, freedom and equality, and real democracy and a new constitution, no discrimination between men and women, no discrimination between Muslims and Christians, to change the system, to change the people who are governing us, the system and the people, and to have a real democracy. That’s what women are saying and what men are saying." From &lt;/span&gt;&lt;a href="http://www.democracynow.org/2011/1/31/women_protest_alongside_men_in_egyptian" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;here&lt;/a&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Another video demonstrating the role of women, especially young women, in Egyptian protests.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/jwIY6ivf70A" title="YouTube video player" width="480"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-8784004791848398152?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/8784004791848398152/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=8784004791848398152' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/8784004791848398152'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/8784004791848398152'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/02/cairo-city-of-women.html' title='Cairo, City of Women'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/SgjIgMdsEuk/default.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-7149323697327435722</id><published>2011-02-03T05:41:00.000-08:00</published><updated>2011-02-03T05:50:23.039-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Egypt'/><title type='text'>egypt: notes and links</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_xInTbYSDeYk/TUqwjsyimzI/AAAAAAAAApg/ErZEX_vR_AA/s1600/110201-el-khairy.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="269" src="http://1.bp.blogspot.com/_xInTbYSDeYk/TUqwjsyimzI/AAAAAAAAApg/ErZEX_vR_AA/s320/110201-el-khairy.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;ul style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;li&gt;How much is Hosni worth? "Experts say the wealth of the Mubarak family was built largely from  military contracts during his days as an air force officer. He  eventually diversified his investments through his family when he became  president in 1981. The family's net worth ranges from $40 billion to  $70 billion, by some estimates." Dang, that's a lot dough! Blood money, stolen money. Why don't just say it out loud? From &lt;a href="http://abcnews.go.com/Business/egypt-mubarak-family-accumulated-wealth-days-military/story?id=12821073"&gt;here&lt;/a&gt;.&lt;/li&gt;&lt;/ul&gt;&lt;ul style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;li&gt;Noam Chomsky on &lt;i&gt;Democracy Now!&lt;/i&gt; program (Feb. 2, 2011). Always worth listening to, Mr. Chomsky. "The United States, so far, is essentially following the usual playbook. I  mean, there have been many times when some favored dictator has lost  control or is in danger of losing control. There’s a kind of a standard  routine—Marcos, Duvalier, Ceausescu, strongly supported by the United  States and Britain, Suharto: keep supporting them as long as possible;  then, when it becomes unsustainable—typically, say, if the army shifts  sides—switch 180 degrees, claim to have been on the side of the people  all along, erase the past, and then make whatever moves are possible to  restore the old system under new names. That succeeds or fails depending  on the circumstances." From &lt;a href="http://www.democracynow.org/2011/2/2/noam_chomsky_this_is_the_most"&gt;here&lt;/a&gt;. Video and transcript on the link.&lt;/li&gt;&lt;/ul&gt;&lt;ul style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;li&gt;Same program, same day. Interview with Prof. Nora Radwan who's on the ground in Egypt. "Egyptians have not missed the fact that he did not say, "I promise not  to run for another term of presidency." What he actually said is "I had  no intention of running for another term of presidency." But by the same  token that makes him unable to step down right now, because Egypt is  facing difficult times and an emergency situation, there is no reason  why he cannot create a similar scene like this in November and say, "It  is also a very difficult time for Egypt, and I would have loved to step  down, but I absolutely can’t." There’s also no reason why his son cannot  run for the next term of presidency. We know that he may have left the  country, but we also know that he can come back. He has never resigned  his position in the National Democratic Party." From &lt;a href="http://www.democracynow.org/2011/2/2/as_mubarak_pledges_to_finish_term"&gt;here&lt;/a&gt;. Video and transcript also available.&lt;/li&gt;&lt;/ul&gt;&lt;ul style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;li&gt;Fiery words from blogger, &lt;span class="style2"&gt;As'ad AbuKhalil. Blog is called &lt;a href="http://angryarab.blogspot.com/"&gt;Angry Arab News Service&lt;/a&gt;. &lt;/span&gt;"Every drop of blood that is spilled in Egypt from this day onwards  should be blamed on Obama because he has embraced this new strategy of  letting Mubarak defy the popular will of the Egyptian people." From &lt;a href="http://mrzine.monthlyreview.org/2011/abukhalil020211.html"&gt;here&lt;/a&gt;.&lt;/li&gt;&lt;/ul&gt;&lt;ul style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;li&gt;More from blogger above. This time on Anderson Cooper. "Say what you want about Anderson Cooper but he is at least more valuable and precious than 80 million Egyptians." From &lt;a href="http://angryarab.blogspot.com/2011/02/anderson-cooper.html?spref=fb"&gt;here&lt;/a&gt;. Another one &lt;a href="http://angryarab.blogspot.com/2011/02/you-may-kill-egyptian-but-how-dare-you.html"&gt;here&lt;/a&gt;.&lt;/li&gt;&lt;/ul&gt;&lt;ul style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;li&gt;&lt;span class="text14"&gt;&lt;span class="content"&gt;There's a movie called &lt;i&gt;Map of the Sounds of Tokyo&lt;/i&gt;. Never seen it, though passage below evokes the phrase that is film's title. "'If you go back through our  posts, particularly the last couple of nights, it is very interesting to  see the variety of emotions that are expressed -- from fear, to hope,  to pride -- and these are occurring real-time and dynamically, giving a  map of the sentiment around the city and country.'" These electronic and digital documents should be preserved for archival reasons. Should be fascinating to lay it out as an interactive map. Map of the sounds of Egypt perhaps? From &lt;a href="http://electronicintifada.net/v2/article11771.shtml"&gt;here&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;ul style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;li&gt;&lt;span class="text14"&gt;&lt;span class="content"&gt;Hey young people of the world, will you stand in solidarity with your brown counterparts? &lt;/span&gt;&lt;/span&gt;&lt;span class="text14"&gt;&lt;span class="content"&gt;"What must have provoked such a  deep feeling of identification with the Egyptian people in my friend  was not just awareness of the political causes of the revolution, or  thinking about its consequences, but the spiritual connection that  oppressed people feel with each other." From &lt;a href="http://electronicintifada.net/v2/article11769.shtml"&gt;here&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;span class="text14"&gt;&lt;span class="content"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="text14"&gt;&lt;span class="content"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;ul style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;li&gt;&lt;span class="text14"&gt;&lt;span class="content"&gt;Obama's speech. &lt;/span&gt;&lt;/span&gt;"Second, we stand for universal values, including the rights of the  Egyptian people to freedom of assembly, freedom of speech, and the  freedom to access information.&amp;nbsp; Once more, we’ve seen the incredible  potential for technology to empower citizens and the dignity of those  who stand up for a better future.&amp;nbsp; And going forward, the United States  will continue to stand up for democracy and the universal rights that  all human beings deserve, in Egypt and around the world." The phrase 'universal values' should come with an asterisk. It is a provisional kind of universality, as long as other people's universal values do not interfere with goals of capitalism and empire. From &lt;a href="http://www.whitehouse.gov/the-press-office/2011/02/01/remarks-president-situation-egypt"&gt;here&lt;/a&gt;.&lt;/li&gt;&lt;/ul&gt;&lt;ul style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;li&gt;Worth a chuckle? "The display of military might was meant to have a psychological effect  on the tens of thousands of protesters gathering in Tahrir Square.  However, the tanks have failed to stop the protests. Mubarak, a former  air force officer, decided that fighter planes might get better results,  since it is difficult to fraternize with a high-flying pilot." From &lt;a href="http://www.marxist.com/egypt-moment-of-truth.htm"&gt;here&lt;/a&gt;.&lt;/li&gt;&lt;/ul&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Image by Nidal El-Khairy. &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-7149323697327435722?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/7149323697327435722/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=7149323697327435722' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7149323697327435722'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7149323697327435722'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/02/egypt-notes-and-links.html' title='egypt: notes and links'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_xInTbYSDeYk/TUqwjsyimzI/AAAAAAAAApg/ErZEX_vR_AA/s72-c/110201-el-khairy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-4364856412931209586</id><published>2011-02-03T05:02:00.000-08:00</published><updated>2011-02-03T07:14:43.240-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Lalami'/><category scheme='http://www.blogger.com/atom/ns#' term='Tunisia'/><category scheme='http://www.blogger.com/atom/ns#' term='Egypt'/><title type='text'>Analysis: Tunisia and Egypt by Novelist Lalami</title><content type='html'>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_xInTbYSDeYk/TUqoOUccciI/AAAAAAAAApc/HdccbfmIlrE/s1600/167304_491202856255_685876255_6601956_728958_n.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="180" src="http://2.bp.blogspot.com/_xInTbYSDeYk/TUqoOUccciI/AAAAAAAAApc/HdccbfmIlrE/s320/167304_491202856255_685876255_6601956_728958_n.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;Two spot-on articles by Laila Lalami for &lt;i&gt;&lt;a href="http://www.thenation.com/"&gt;The Nation&lt;/a&gt;&lt;/i&gt;. She also has a &lt;a href="http://lailalalami.com/"&gt;blog&lt;/a&gt;.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;i&gt;&lt;b&gt;On Tunisia.&lt;/b&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;"The Tunisian uprising began on December 17, when Mohammed Bouazizi—a  college graduate eking out a living selling vegetables whose unlicensed  cart was confiscated by the police—set himself on fire, an act of  desperation that inspired the country's thousands of unemployed  graduates to take to the streets in protest. Despite severe police  repression—arrests, beatings and murders—the protests continued for  several weeks, spreading from Bouazizi's hometown of Sidi Bouzid to the  rest of the country and culminating on January 14, when Ben Ali and his  family fled the country.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;What is striking about the Tunisian revolution is how little attention it received in the mainstream American press. The &lt;i&gt;Washington Post&lt;/i&gt;  mentioned the protests for the first time on January 5, two and a half  weeks into the unrest, when it ran a wire report about the burial of  Bouazizi. &lt;i&gt;Time&lt;/i&gt; ran its first piece about the protests later  yet, on January 12. Even those who, like Thomas Friedman, specialize in  diagnosing the ills of the 'Arab street; did not show much interest.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;When the mainstream press finally paid attention, it was often to  explain the success of the Tunisian revolution in terms of technology. 'Tunisian Protests Fueled by Social Media Networks,' read one typical  headline, from CNN. Was it Twitter, which allowed activists to  communicate swiftly and widely with one another? Was it YouTube, where  videos of protesters and police abuse were posted? Or was it WikiLeaks,  whose cables revealed that Ben Ali and his entourage were  mind-bogglingly corrupt? But Twitter seemed to be most helpful in  keeping those of us outside the country informed, since few in the  Western media were reporting the story; YouTube was censored in the  country; and WikiLeaks didn't reveal anything that the Tunisian people  did not already know."&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;"The initial lack of interest by the American press in the Tunisian  protests may have something to do with the fact that there was no  Islamic angle: the Tunisians were not trying to oust an Islamic regime,  nor were they supporters of a religious ideology. In other words, this  particular struggle for freedom was not couched in simple terms that are  familiar to the Western media—Islam, bad; America, good—so it took a  while for our commentariat to notice. " From &lt;a href="http://www.thenation.com/article/157897/tunisia-rising"&gt;here&lt;/a&gt;.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;i&gt;&lt;b&gt;On Egypt.&lt;/b&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;"As it turned out, the entire Arab world is full of Mohamed Bouazizis.  In Egypt, his name was Khaled Said, and he was a 28-year-old  businessman. Last June, Said was sitting in a cybercafe in Alexandria  when the police came in and demanded everyone’s papers. He asked the  officers why, and soon after he lay dead, his face smashed against the  staircase of a nearby building, his cries for help unanswered because  any attempt to meddle in a police matter would automatically result in  arrest and torture. Over the following weeks, young Egyptians staged  protests demanding justice for this man, protests that were repressed by  President Mubarak’s police thugs.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;But the Tunisians’ ouster of President Ben Ali galvanized the  Egyptian youth, whose uprising on January 25 was the release, at long  last, of the fear and silence that had been bottled up for so long. Year  after year, they had heard American presidents deliver hypocritical  lectures on democracy while giving $1.3 billion in military aid to  Mubarak, their torturer in chief. The tear-gas canisters, the guns and  bullets, the communication systems and police trucks—all the tools of  repression that young Egyptians face—were quite likely bought with  American aid. After three decades of empty promises, the young people  realized that Mubarak was not going to reform, that what happened to  Khaled Said could happen to each one of them, and that the time for  change had finally come." From &lt;a href="http://www.thenation.com/article/158221/winter-discontent"&gt;here&lt;/a&gt;. &lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-4364856412931209586?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/4364856412931209586/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=4364856412931209586' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/4364856412931209586'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/4364856412931209586'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/02/analysis-egypt-and-tunisia-by-laila.html' title='Analysis: Tunisia and Egypt by Novelist Lalami'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_xInTbYSDeYk/TUqoOUccciI/AAAAAAAAApc/HdccbfmIlrE/s72-c/167304_491202856255_685876255_6601956_728958_n.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-3824702085948540206</id><published>2011-02-01T02:28:00.001-08:00</published><updated>2011-02-01T10:55:08.940-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='music videos'/><title type='text'>this song is bananas #4</title><content type='html'>"Wilhelm Scream" by James Blake. &lt;br /&gt;&lt;br /&gt;&lt;script src="http://player.ooyala.com/player.js?deepLinkEmbedCode=M5dGwwMjrLsXD-EgPEHLb5vgXYMf_YZQ%2CRiNHEwMjqzOkooTvcBFjsn6h6Ft8hpVe&amp;amp;embedCode=M5dGwwMjrLsXD-EgPEHLb5vgXYMf_YZQ"&gt;&lt;/script&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-3824702085948540206?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/3824702085948540206/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=3824702085948540206' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/3824702085948540206'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/3824702085948540206'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/02/this-song-is-bananas-4.html' title='this song is bananas #4'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-3945249464213732954</id><published>2011-02-01T02:16:00.000-08:00</published><updated>2011-02-01T02:16:05.604-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='China'/><title type='text'>year of (revolutionary) rabbits</title><content type='html'>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;"The Chinese New Year begins on Thursday, the Year of the Tiger giving way to the Year of the Rabbit. The government in Beijing recently removed from the internet an extremely violent cartoon called Greeting Card for the Year of the Rabbit, in which a group of oppressed rabbits overthrow an abusive government of tigers.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;The cartoon claims to be ‘meant as an adult fairy tale’, with ‘no connection to real life’, but most of the events it depicts will be familiar to a Chinese audience." From &lt;a href="http://www.lrb.co.uk/blog/2011/01/31/nick-holdstock/rabbits-v-tigers/"&gt;here&lt;/a&gt;.&lt;/div&gt;&lt;br /&gt;&lt;iframe allowfullscreen="" class="youtube-player" frameborder="0" height="390" src="http://www.youtube.com/embed/XbAtMsz0dro" title="YouTube video player" type="text/html" width="480"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-3945249464213732954?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/3945249464213732954/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=3945249464213732954' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/3945249464213732954'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/3945249464213732954'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/02/year-of-revolutionary-rabbits.html' title='year of (revolutionary) rabbits'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/XbAtMsz0dro/default.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-3280947411109043685</id><published>2011-02-01T02:11:00.000-08:00</published><updated>2011-02-01T02:20:13.371-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='youth'/><category scheme='http://www.blogger.com/atom/ns#' term='Egypt'/><title type='text'>speculation: after the fall, what's next for egypt?</title><content type='html'>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_xInTbYSDeYk/TUfd90mdYaI/AAAAAAAAApU/A01yHzk4QBc/s1600/180615_10150136772556271_503026270_8351082_3442253_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="213" src="http://4.bp.blogspot.com/_xInTbYSDeYk/TUfd90mdYaI/AAAAAAAAApU/A01yHzk4QBc/s320/180615_10150136772556271_503026270_8351082_3442253_n.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;"Vijay  Prashad: If such a transformation fails, which god willing it  won't,  then we are  in for at least three options: (1) the military,  under  Egyptian ruling  class and US pressure, will take control. This  is off  the cards in  Tunisia for now, mainly because the second option   presented itself; (2)  elements of the ruling coalition are able to   dissipate the crowds  through a series of hasty concessions, notably the   removal of the face  of the autocracy (Ben Ali to Saudi Arabia). If   Mubarak leaves and the  reins of the Mubarakian state are handed over to   the safe-keeping of one  of his many bloodsoaked henchman such as Omar   Suleiman…. Mubarak tried  this with Ahmed Shafik, but he could as well   have gone to Tantawi….all  generals who are close to Mubarak and seen  as  safe by the ruling bloc.  We shall wait to see who all among the  elite  will start to distance  themselves from Mubarak, and try to reach  out to  the streets for  credibility. As a last-ditch effort, the Shah  of Iran  put Shapour  Bakhtiar as PM. That didn't work. Then the revolt  spread  further. If  that does not work, then, (3) the US embassy will  send a  message to  Mohamed El-Baradei, giving him their green light.  El-Baradei  is seen by  the Muslim Brotherhood as a credible candidate.  Speaking to  the crowds  on January 30 he said that in a few days the  matter will be  settled.  Does this mean that he will be the new state  leader, with the  backing of  the Muslim Brotherhood, and certainly with  sections of  Mubarak's  clique? Will this be sufficient for the crowds?  They might  have to live  with it. El-Baradei is a maverick, having  irritated  Washington at the  IAEA over Iran. He will not be a pushover.  On the  other hand, he will  probably carry on the economic policy of  Mubarak.  His entire agenda was  for political reforms. This is along  the grain of  the IMF-World Bank  Structural Adjustment part 2, viz.,  the same old  privatisation agenda  alongside 'good governance'.  El-Baradei wanted  good governance in Egypt.  The streets want more. It  will be a truce for  the moment, or as Chavez  said, 'por ahora'."&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;"The   Arab revolt that we now witness is something akin to a '1968' for  the   Arab World. Sixty per cent of the Arab population is under 30 (70  per   cent in Egypt). Their slogans are about dignity and employment. The    resource curse brought wealth to a small population of their societies,    but little economic development. Social development came to some parts    of the Arab world: Tunisia's literacy rate is 75 per cent, Egypt's is    just over 70 per cent, Libya almost 90 per cent. &lt;b style="color: orange;"&gt;The  educated   lower-middle-class and middle-class youth have not been able  to find   jobs. The concatenation of humiliations revolts these young  people: no   job, no respect from an authoritarian state, and then to top  it off  the  general malaise of being a second-class citizen on the  world stage  -  second to the US-Israel and so on - was overwhelming. The  chants on  the  streets are about this combination of dignity, justice  and jobs.&lt;/b&gt;"  From &lt;a href="http://www.counterpunch.org/ghosh01312011.html"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Image by anonymous. From the Facebook group A Virtual 'March of Millions' in Solidarity with Egyptian Protestors.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-3280947411109043685?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/3280947411109043685/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=3280947411109043685' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/3280947411109043685'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/3280947411109043685'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/02/speculation-after-fall-whats-next-for_01.html' title='speculation: after the fall, what&apos;s next for egypt?'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_xInTbYSDeYk/TUfd90mdYaI/AAAAAAAAApU/A01yHzk4QBc/s72-c/180615_10150136772556271_503026270_8351082_3442253_n.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-9167114232774198646</id><published>2011-02-01T01:37:00.000-08:00</published><updated>2011-02-01T02:21:49.356-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Egypt'/><title type='text'>speculation: where would mubarak go?</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_xInTbYSDeYk/TUfepuWyK8I/AAAAAAAAApY/6RS8bMX3bNY/s1600/180267_160282317355459_100001210758661_345282_5205931_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/_xInTbYSDeYk/TUfepuWyK8I/AAAAAAAAApY/6RS8bMX3bNY/s320/180267_160282317355459_100001210758661_345282_5205931_n.jpg" width="312" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="entryDescription"&gt;&lt;/div&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;"Hosni Mubarak’s 30-year rule of Egypt is probably coming to an end,  and that means he’ll likely leave Egypt right after he leaves power.  (Dictators don’t usually stick around the countries they dictated.) So  where would Mubarak flee? &lt;b style="color: orange;"&gt;One data mining company, backed by the  investment arms of Google and the CIA&lt;/b&gt;, has an educated guess.&lt;/span&gt;&lt;a href="http://blog.recordedfuture.com/2011/01/30/pattern-of-life-where-would-hosni-mubarak-flee/"&gt;&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Recorded Future scours tens of thousands of websites, blogs, and Twitter accounts to  find the so-called 'invisible links' between people, actions, and  events. In this case, the company turned its tools on Mubarak’s travel  patterns to find clues to his next moves. The guy isn’t exactly posting  his post-regime plans on his Facebook wall. But, by looking at public  documents about where Mubarak has been and who he hangs with, some  likely destinations for his exile emerge."&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;"Recorded Future’s analysts believe that Saudi Arabia is Mubarak’s next destination, too.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;The company attracted millions of dollars from Google Ventures and  from In-Q-Tel, the investment arm of the U.S. intelligence community,  based on the promise that it can forecast coming events automatically.  The company’s scouring of present and past information is supposed to  feed predictive algorithms, which offer likely future outcomes." From &lt;a href="http://www.wired.com/dangerroom/2011/01/mubaraks-going-to-saudi-arabia-cia-funded-forecasters-say/"&gt;here&lt;/a&gt;.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Anyone else creeped out by this data mining company and its capabilities? Privatized companies like these can easily sell anyone's activities, online and off-, to governments. And you know they will, if not already. A follow-up article about this company is required.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-9167114232774198646?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/9167114232774198646/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=9167114232774198646' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/9167114232774198646'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/9167114232774198646'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/02/speculation-where-would-mubarak-go.html' title='speculation: where would mubarak go?'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_xInTbYSDeYk/TUfepuWyK8I/AAAAAAAAApY/6RS8bMX3bNY/s72-c/180267_160282317355459_100001210758661_345282_5205931_n.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-1329826292539805429</id><published>2011-01-23T06:21:00.000-08:00</published><updated>2011-01-23T06:21:35.892-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Bolano'/><category scheme='http://www.blogger.com/atom/ns#' term='literature'/><category scheme='http://www.blogger.com/atom/ns#' term='Exile'/><title type='text'>A Bolaño Sentence</title><content type='html'>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_xInTbYSDeYk/TTw5XYeHbCI/AAAAAAAAApQ/GdiYcDVyRF0/s1600/roberto.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_xInTbYSDeYk/TTw5XYeHbCI/AAAAAAAAApQ/GdiYcDVyRF0/s1600/roberto.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;"But Mario never made it to Salzburg. He got on the train and didn't get off until Paris, and, after living in Paris for a few months, he got on a plane to Mexico, and when the fateful or happy—depending on how you look at it—year of 1984 arrived, Mario was still living in Mexico and writing poems in Mexico that nobody wanted to publish and that may rank among the best of late-twentieth-century Mexican poetry, and he had accidents, and he traveled, and he fell in love, and he had children, and he lived a good life or a bad life, a life in any case far from the center of Mexican power, and in 1998 he was hit by a car under murky circumstances, a car that drove away while Mario lay dying alone on a street at night in one of the outlying neighborhoods of Mexico City, a city that at some point in its history was a kind of heaven and today is a kind of hell, but not just any hell—the special hell of the Marx brothers, the hell of Guy Debord, the hell of Sam Peckinpah—in other words the most singular kind of hell, and that's where Mario died, the way poets die, unconscious and with no identification on him, which meant that when an ambulance came for his broken body no one knew who he was and the body lay in the morgue for several days, with no family to claim it, in a final stage of development or revelation, a kind of negative epiphany, I mean, like the photographic negative of an epiphany, which is also the story of our lives in Latin America."&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;From &lt;a href="http://www.thenation.com/article/157695/literature-and-exile"&gt;here&lt;/a&gt;. &lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-1329826292539805429?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/1329826292539805429/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=1329826292539805429' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/1329826292539805429'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/1329826292539805429'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/01/bolano-sentence.html' title='A Bolaño Sentence'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_xInTbYSDeYk/TTw5XYeHbCI/AAAAAAAAApQ/GdiYcDVyRF0/s72-c/roberto.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-2297097591183501848</id><published>2011-01-22T16:32:00.000-08:00</published><updated>2011-02-09T17:12:35.130-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='music videos'/><title type='text'>this song is bananas #3</title><content type='html'>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;James Blake's "Limit To Your Love."&lt;/div&gt;&lt;br /&gt;&lt;iframe allowfullscreen="" class="youtube-player" frameborder="0" height="390" src="http://www.youtube.com/embed/oOT2-OTebx0" title="YouTube video player" type="text/html" width="500"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-2297097591183501848?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/2297097591183501848/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=2297097591183501848' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/2297097591183501848'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/2297097591183501848'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/01/this-song-is-bananas-3.html' title='this song is bananas #3'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/oOT2-OTebx0/default.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-5794651040649116051</id><published>2011-01-17T05:17:00.000-08:00</published><updated>2011-01-17T05:18:54.460-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='pets'/><title type='text'>population explosion</title><content type='html'>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;iframe class="youtube-player" frameborder="0" height="390" src="http://www.youtube.com/embed/8B9h94NcjK8" title="YouTube video player" type="text/html" width="500"&gt;&lt;/iframe&gt; &lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;"It was telling that dog owners held an alternative coming of age  ceremony at a Tokyo shrine over the weekend. The number of cats and dogs  in Japan exceeded that of children under 16 in 2003, according to the  Japan pet food manufacturers association. By 2009, the country's 23m  cats and dogs outnumbered children in that age group by 6m."&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;From &lt;a href="http://www.guardian.co.uk/world/2011/jan/10/japan-new-adults-record-low"&gt;here&lt;/a&gt;. &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-5794651040649116051?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/5794651040649116051/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=5794651040649116051' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/5794651040649116051'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/5794651040649116051'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/01/pretty-soon-cats-and-dogs-will.html' title='population explosion'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/8B9h94NcjK8/default.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-336591535933709124</id><published>2011-01-17T05:12:00.000-08:00</published><updated>2011-02-03T06:10:54.583-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='photography'/><category scheme='http://www.blogger.com/atom/ns#' term='Maier'/><title type='text'>Nanny Cam, Or The Afterlife of Vivian Maier</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_xInTbYSDeYk/TTQ_9vETDeI/AAAAAAAAApE/SK4-xzVqg9E/s1600/1953-New-York-NY-009.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/_xInTbYSDeYk/TTQ_9vETDeI/AAAAAAAAApE/SK4-xzVqg9E/s320/1953-New-York-NY-009.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;"The people that remember Maier – the Chicago families for whom she  worked as a nanny in the 1950s and 1960s – recall a reclusive, eccentric  individual, one who spoke in a thick French accent and wore a heavy  overcoat and hat even in the height of summer. Her former charges often  invoke Mary Poppins to describe her and Maloof calls her, 'a really,  really awesome person to hang out with if you were a kid. To be honest, I  wish she had been my nanny. She would take kids on these wild  adventures that only the coolest kids would think of doing.'&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_xInTbYSDeYk/TTRAQTguu2I/AAAAAAAAApM/OlPHJ0K9ZCU/s1600/Sept-28-1959-108th-St.-Ea-006.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/_xInTbYSDeYk/TTRAQTguu2I/AAAAAAAAApM/OlPHJ0K9ZCU/s320/Sept-28-1959-108th-St.-Ea-006.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;They  had no idea, though, that their nanny spent her days off taking some of  the most extraordinary images of the 20th century. When Maier died in  2009 she left behind around 100,000 negatives that no one but she had  ever seen. Now, the first exhibition of her work has just opened at the  Chicago Cultural Centre and Maloof is at work on a feature-length  documentary about her life.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_xInTbYSDeYk/TTRADFQn3LI/AAAAAAAAApI/YawODc0tBFM/s1600/1953-New-York-NY-008.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/_xInTbYSDeYk/TTRADFQn3LI/AAAAAAAAApI/YawODc0tBFM/s320/1953-New-York-NY-008.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Lanny Silverman, the show's curator,  is adamant that 'the best of her work ranks up there with anybody. She  covers humanist portraiture and street life, she covers children, she  covers abstraction and she does them all with a style that I think  digests the history of &lt;a href="http://www.guardian.co.uk/artanddesign/photography" title="More from guardian.co.uk on Photography"&gt;photography&lt;/a&gt;.'"&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;From &lt;a href="http://www.guardian.co.uk/artanddesign/2011/jan/16/vivian-maier-chicago-street-photography?intcmp=239"&gt;here&lt;/a&gt;. &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-336591535933709124?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/336591535933709124/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=336591535933709124' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/336591535933709124'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/336591535933709124'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/01/nanny-cam-or-afterlife-of-vivian-maier.html' title='Nanny Cam, Or The Afterlife of Vivian Maier'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_xInTbYSDeYk/TTQ_9vETDeI/AAAAAAAAApE/SK4-xzVqg9E/s72-c/1953-New-York-NY-009.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-33249955583939472</id><published>2011-01-17T05:05:00.000-08:00</published><updated>2011-01-17T05:05:37.002-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='art'/><category scheme='http://www.blogger.com/atom/ns#' term='Thek'/><title type='text'>Age of Thek</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_xInTbYSDeYk/TTQ95i9AZ6I/AAAAAAAAApA/2WkF-tIJmYA/s1600/Paul-Thek-Comfort.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="234" src="http://1.bp.blogspot.com/_xInTbYSDeYk/TTQ95i9AZ6I/AAAAAAAAApA/2WkF-tIJmYA/s320/Paul-Thek-Comfort.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;"Like many mystically inclined sensualists – ‘decadents’ such as J.K.  Huysmans, author of A Rebours (Against Nature, 1884) and the Satanist  fantasy La-Bas (Down There, 1891), come to mind – Thek had a  fundamentally religious imagination. Informed by a Roman Catholic  upbringing and stocked by exposure to antique grotesqueries – a visit to  Capucin catacombs near Palermo in Sicily fixed his eyes on the beauty  of arrested putrefaction – the artist made his entrance onto the scene  with his ‘Technological Reliquaries’ (1966), sleek,  quasi-science-fictional, quasi-Pop Perspex and metal containers in which  what appear to be fresh cut or torn slabs of raw meat are encased. The  weirdest is the most perversely Pop example; an Andy Warhol ‘Brillo Box’  with a massive sanguinary cross section of skin, fat and sinew. They  are unforgettably pristine, unforgettably loathsome objects."&amp;nbsp;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;From &lt;a href="http://www.frieze.com/issue/article/this-time-around/"&gt;here&lt;/a&gt;.&amp;nbsp;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="post-header"&gt;  &lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;"Paul Thek's 96 Sacraments&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt; &lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;to wake up&lt;br /&gt;to breathe&lt;br /&gt;to touch the earth&lt;br /&gt;to pee&lt;br /&gt;to wash&lt;br /&gt;to prepare breakfast&lt;br /&gt;to eat breakfast&lt;br /&gt;to do the dishes&lt;br /&gt;to clean up&lt;br /&gt;to write a letter&lt;br /&gt;to mail the letter&lt;br /&gt;to go out&lt;br /&gt;to see the sun&lt;br /&gt;to do the shopping&lt;br /&gt;to talk with some people&lt;br /&gt;to buy a paper&lt;br /&gt;to come home&lt;br /&gt;to go to work&lt;br /&gt;to work&lt;br /&gt;to have work&lt;br /&gt;to have lunch&lt;br /&gt;to notice the light changing&lt;br /&gt;to see a cat&lt;br /&gt;to see a dog&lt;br /&gt;to stop for a rest&lt;br /&gt;to go home for dinner&lt;br /&gt;to talk with a neighbor&lt;br /&gt;to talk with a neighbor's child&lt;br /&gt;to kiss someone&lt;br /&gt;to eat dinner&lt;br /&gt;to eat dinner with friends&lt;br /&gt;to eat dinner with children&lt;br /&gt;to eat dinner alone&lt;br /&gt;to have dinner with someone&lt;br /&gt;to think of love&lt;br /&gt;to think of hope&lt;br /&gt;to think&lt;br /&gt;to dream, sing praises!&lt;br /&gt;to plan&lt;br /&gt;to write a poem&lt;br /&gt;to read a poem&lt;br /&gt;to forget bad things&lt;br /&gt;to sing&lt;br /&gt;to sing with someone&lt;br /&gt;to hold hands&lt;br /&gt;to hold anything&lt;br /&gt;to hug&lt;br /&gt;to get on a boat&lt;br /&gt;to go somewhere&lt;br /&gt;to eat a snack&lt;br /&gt;to not eat a snack&lt;br /&gt;to give away some money&lt;br /&gt;to replace some technological education with some spiritual education&lt;br /&gt;to see an island&lt;br /&gt;to go swimming&lt;br /&gt;to see somebody worse off&lt;br /&gt;to see somebody better off&lt;br /&gt;to go swimming nude&lt;br /&gt;to make love in the daytime&lt;br /&gt;to make love in the daytime with someone you love&lt;br /&gt;to eat a peach&lt;br /&gt;to comb your hair&lt;br /&gt;to find a way to grow feathers&lt;br /&gt;to satisfy all hunger in the world&lt;br /&gt;to avoid dominations and dominating&lt;br /&gt;to never stray&lt;br /&gt;to be innocent of corruption&lt;br /&gt;to not think (at least now and then)&lt;br /&gt;to worship in another's church, in another way&lt;br /&gt;to fly away into the air, high as a chicken, come back&lt;br /&gt;to grow&lt;br /&gt;to practice&lt;br /&gt;to be just&lt;br /&gt;to be stronger than you were&lt;br /&gt;to understand a bit more&lt;br /&gt;to like the ups &amp;amp; downs&lt;br /&gt;to feel okay in spite of it all&lt;br /&gt;to feel good knowing all the worst&lt;br /&gt;to avoid being forced into defiance&lt;br /&gt;to avoid emotional escalation&lt;br /&gt;to forget the way&lt;br /&gt;to make the way"&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;From &lt;/span&gt;&lt;a href="http://her-quotes.blogspot.com/2011/01/paul-theks-96-sacraments.html" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;here&lt;/a&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;. &lt;/span&gt;&lt;br /&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-33249955583939472?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/33249955583939472/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=33249955583939472' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/33249955583939472'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/33249955583939472'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/01/age-of-thek.html' title='Age of Thek'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_xInTbYSDeYk/TTQ95i9AZ6I/AAAAAAAAApA/2WkF-tIJmYA/s72-c/Paul-Thek-Comfort.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-2863608652156297164</id><published>2011-01-17T04:57:00.000-08:00</published><updated>2011-01-17T04:58:06.329-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Labor'/><title type='text'>we do all the work</title><content type='html'>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;i&gt;The Wobblies&lt;/i&gt; (1979) Directed by Stewart Bird and Deborah Shaffer.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" id="VideoPlayback" src="http://video.google.com/googleplayer.swf?docid=-582501436157763581&amp;amp;hl=en&amp;amp;fs=true" style="height: 326px; width: 400px;" type="application/x-shockwave-flash"&gt;&lt;/embed&gt; &lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Via &lt;a href="http://www.arthurmag.com/2011/01/01/the-wobblies/"&gt;Arthur Magazine&lt;/a&gt;.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-2863608652156297164?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/2863608652156297164/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=2863608652156297164' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/2863608652156297164'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/2863608652156297164'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/01/we-do-all-work.html' title='we do all the work'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-4467468955797222322</id><published>2011-01-03T10:09:00.001-08:00</published><updated>2011-01-03T10:11:43.397-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Said'/><category scheme='http://www.blogger.com/atom/ns#' term='Butler'/><category scheme='http://www.blogger.com/atom/ns#' term='Exile'/><title type='text'>judith butler on said &amp; darwish</title><content type='html'>&lt;iframe class="youtube-player" frameborder="0" height="385" src="http://www.youtube.com/embed/MLgIXtaF6OA" title="YouTube video player" type="text/html" width="500"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;From &lt;a href="http://www.egs.edu/faculty/judith-butler/videos/what-shall-we-do-without-exile/"&gt;here&lt;/a&gt;.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-4467468955797222322?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/4467468955797222322/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=4467468955797222322' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/4467468955797222322'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/4467468955797222322'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/01/judith-butler-on-said-darwish.html' title='judith butler on said &amp; darwish'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/MLgIXtaF6OA/default.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-3958630558898297556</id><published>2011-01-01T21:11:00.000-08:00</published><updated>2011-01-03T10:18:19.051-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='images'/><category scheme='http://www.blogger.com/atom/ns#' term='Ikeda'/><title type='text'>new year's greetings, fellow seven billion earthlings</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_xInTbYSDeYk/TSAI10ZSiqI/AAAAAAAAAo0/hNMlXLDbImM/s1600/18.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="265" src="http://1.bp.blogspot.com/_xInTbYSDeYk/TSAI10ZSiqI/AAAAAAAAAo0/hNMlXLDbImM/s400/18.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_xInTbYSDeYk/TSAI4leDLbI/AAAAAAAAAo4/Jbxa_rq-wVA/s1600/14.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="265" src="http://2.bp.blogspot.com/_xInTbYSDeYk/TSAI4leDLbI/AAAAAAAAAo4/Jbxa_rq-wVA/s400/14.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_xInTbYSDeYk/TSAI6cjUrfI/AAAAAAAAAo8/6K3y7MkEl2U/s1600/12.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="265" src="http://1.bp.blogspot.com/_xInTbYSDeYk/TSAI6cjUrfI/AAAAAAAAAo8/6K3y7MkEl2U/s400/12.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Images by Ikeda Hirohiko. From &lt;a href="http://www.matador.jp/ikeda_hirohiko/index.html"&gt;here&lt;/a&gt;.&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;iframe title="YouTube video player" class="youtube-player" type="text/html" width="500" height="385" src="http://www.youtube.com/embed/sc4HxPxNrZ0" frameborder="0"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-3958630558898297556?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/3958630558898297556/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=3958630558898297556' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/3958630558898297556'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/3958630558898297556'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/01/happy-new-year.html' title='new year&apos;s greetings, fellow seven billion earthlings'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_xInTbYSDeYk/TSAI10ZSiqI/AAAAAAAAAo0/hNMlXLDbImM/s72-c/18.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-7484894046198509604</id><published>2011-01-01T17:56:00.000-08:00</published><updated>2011-01-01T21:09:16.800-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='personal notes'/><category scheme='http://www.blogger.com/atom/ns#' term='WikiLeaks'/><title type='text'>radio silence</title><content type='html'>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_xInTbYSDeYk/TSAIa5DSPVI/AAAAAAAAAow/av4FVkztm9M/s1600/tumblr_ldh1dyaCBo1qz6f9y.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="258" src="http://1.bp.blogspot.com/_xInTbYSDeYk/TSAIa5DSPVI/AAAAAAAAAow/av4FVkztm9M/s400/tumblr_ldh1dyaCBo1qz6f9y.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;"This does more than just&lt;br /&gt;&amp;nbsp;&amp;nbsp;    ensure that she has something&lt;br /&gt;important to do."&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;From &lt;a href="http://haikuleaks.tetalab.org/"&gt;here&lt;/a&gt;. &lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-7484894046198509604?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/7484894046198509604/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=7484894046198509604' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7484894046198509604'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7484894046198509604'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2011/01/blog-relapse.html' title='radio silence'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_xInTbYSDeYk/TSAIa5DSPVI/AAAAAAAAAow/av4FVkztm9M/s72-c/tumblr_ldh1dyaCBo1qz6f9y.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-3390358326218854904</id><published>2010-12-15T23:20:00.000-08:00</published><updated>2010-12-15T23:20:16.328-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='personal notes'/><category scheme='http://www.blogger.com/atom/ns#' term='America'/><title type='text'>america in dollars and cents</title><content type='html'>&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_xInTbYSDeYk/TQm7jgjh0xI/AAAAAAAAAog/4n2_FM7gvJE/s1600/cartoon121310t.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="252" src="http://4.bp.blogspot.com/_xInTbYSDeYk/TQm7jgjh0xI/AAAAAAAAAog/4n2_FM7gvJE/s320/cartoon121310t.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div id="paragraph9" name="paragraph9" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;It just struck me that my pessimistic view of the country stems from my social position, which is that of an outsider. No wonder some of my friends and family members, fully integrated into the social and economic fabric of the country, cannot see my disappointment of where the country is and where it is going. Based upon my current situation, it would be difficult to climb the social ladder, and I can see that the current administration's domestic and foreign policies are not about to change it nor those of others who are on the margins, looking in into this fantasy of the American Dream. Even if I were to be able to assimilate into mainstream culture, it would be difficult not to be aware of this other America that exists with the official America, where these two are co-dependent on each other. The only conclusion I could come up with is that one can not just be merely 'political' or 'politically aware,' but that one must also be an activist for the country and its people and for the world and its inhabitants.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div id="paragraph9" name="paragraph9" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div id="paragraph9" name="paragraph9" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;"If the Pentagon was a corporation,  it would be the largest in the  world. The curiously called, Department  Of Defense, costs the&amp;nbsp; American  taxpayers, since the ill advised  attacks on Afghanistan and Iraq, around  $700 billion a year. Of course,  if you add up health care for wounded  veterans, and&amp;nbsp; layers of new 'security' administration such as the  Department of Homeland Security, &amp;nbsp;  the numbers keep adding up to top $1  trillion a year. Overall more  than 25 percent of the federal budget gets  swallowed in the financial  black hole that is the Pentagon.&lt;/span&gt;&lt;/div&gt;&lt;div id="paragraph9" name="paragraph9" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div id="paragraph10" name="paragraph10" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;If  Americans could do the math, they would quickly understand that  the  bill for the two wars is now creeping up to $10 trillion. In order  to  achieve the chimeric goals of the neocons of an ever lasting global   American empire money had to be borrowed. Currently, for every dollar   spent by the federal government 40 cents is borrowed. America used to   borrow mainly from Japan and Europe. but now does its main borrowing   from China. In a striking reversal of fortune, the 'poor man of Asia'   has now become the country in the world with the most liquid assets." From &lt;a href="http://www.alternet.org/world/149173/the_american_empire_is_collapsing,_and_americans_will_be_the_last_to_know/"&gt;here&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-3390358326218854904?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/3390358326218854904/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=3390358326218854904' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/3390358326218854904'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/3390358326218854904'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2010/12/america-in-dollars-and-cents.html' title='america in dollars and cents'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_xInTbYSDeYk/TQm7jgjh0xI/AAAAAAAAAog/4n2_FM7gvJE/s72-c/cartoon121310t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-7208798982049601577</id><published>2010-12-15T23:00:00.000-08:00</published><updated>2010-12-15T23:00:14.257-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='photography'/><category scheme='http://www.blogger.com/atom/ns#' term='decay'/><category scheme='http://www.blogger.com/atom/ns#' term='architecture'/><title type='text'>Detroit 2010</title><content type='html'>&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Enter the zone. Images of the present, images of our futures? What is striking, even in their decay, is the underlying optimism of the architecture. An optimism that has not faded, which only adds to the pathos and wonder of the images. Photographs by Yves Marchand and Romain Meffre. From &lt;a href="http://next.liberation.fr/arts/11011197-les-vestiges-de-detroit"&gt;here&lt;/a&gt;. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_xInTbYSDeYk/TQm3nY9OmOI/AAAAAAAAAoQ/lxJLXYBv5LE/s1600/-2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="249" src="http://3.bp.blogspot.com/_xInTbYSDeYk/TQm3nY9OmOI/AAAAAAAAAoQ/lxJLXYBv5LE/s320/-2.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_xInTbYSDeYk/TQm3rE29xII/AAAAAAAAAoU/PzDpw8bDun8/s1600/-3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="212" src="http://3.bp.blogspot.com/_xInTbYSDeYk/TQm3rE29xII/AAAAAAAAAoU/PzDpw8bDun8/s320/-3.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_xInTbYSDeYk/TQm3tg5g1zI/AAAAAAAAAoY/nnzD0UYTrus/s1600/-4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="250" src="http://4.bp.blogspot.com/_xInTbYSDeYk/TQm3tg5g1zI/AAAAAAAAAoY/nnzD0UYTrus/s320/-4.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-7208798982049601577?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/7208798982049601577/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=7208798982049601577' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7208798982049601577'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7208798982049601577'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2010/12/detroit-2010.html' title='Detroit 2010'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_xInTbYSDeYk/TQm3nY9OmOI/AAAAAAAAAoQ/lxJLXYBv5LE/s72-c/-2.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-6340663693948226004</id><published>2010-12-15T22:45:00.000-08:00</published><updated>2010-12-15T22:45:46.683-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Georgia'/><category scheme='http://www.blogger.com/atom/ns#' term='prison'/><title type='text'>background: on the georgia prison strike</title><content type='html'>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;"Thousands of prisoners in at least four penitentiaries across the  state  of Georgia continued a non-violent strike for the fifth  consecutive day  yesterday in a showdown between the Department of  Corrections and  inmates over forced labour and poor living conditions.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="color: orange; font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;The strike is unprecedented in at least two ways: it was organised by   mobile phones that were smuggled into the prisons, and it has united   prisoners across ethnic and religious lines, in an environment where   racially-based gangs often fight each other.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;'They have set aside their differences,' said Elaine Brown, a former   Black Panther leader and adviser to the prisoners, whose 27- year-old   adopted son is incarcerated at Macon State prison."&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;"Prisoners began planning the strike at the end of the summer, when   prison authorities cut the cigarette supply. For the past three months,   they have organised by word of mouth and mobile phone. One prisoner  told  the New York Times that 10 per cent of inmates had contraband  mobile  phones.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="color: orange; font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;The prisoners’ main demand is an end to forced labour without pay,   which they say is a violation of the 13th amendment of the constitution   banning slavery and involuntary servitude. Georgia state law prohibits   paying them. Inmates are required to do prison chores, cook and serve   meals and are sent out to maintain other government buildings. On   release, they are given $25 and a bus ticket.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;With 60,000 prisoners and 150,000 people on probation, Georgia has   the highest prisoner-to-resident ratio in the US. African-Americans   comprise 63 per cent of the prison population but only 30 per cent of   state residents. The striking prisoners are also demanding educational   opportunities beyond the General Equivalency Diploma certificate.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="color: orange; font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;They object to a monopoly on money transfers from their families to   them, held by the private company J-Pay, which takes a 10 per cent   commission. Global Tel-Link, another private company, charges $55 a   month for once weekly 15-minute phone conversations between prisoners   and families.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Prisoners say they are over-charged for medical care, and want better   food, especially fruit and vegetables. Georgia spends $49 a day per   prisoner, compared to a national average of $79."&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;From &lt;a href="http://socialrupture.tumblr.com/post/2328300040/thousands-of-prisoners-continue-fifth-day-of"&gt;here&lt;/a&gt;. &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-6340663693948226004?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/6340663693948226004/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=6340663693948226004' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/6340663693948226004'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/6340663693948226004'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2010/12/background-on-georgia-prison-strike.html' title='background: on the georgia prison strike'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-1542776998678986487</id><published>2010-12-15T22:34:00.000-08:00</published><updated>2010-12-15T22:38:39.234-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='education'/><category scheme='http://www.blogger.com/atom/ns#' term='solidarity'/><category scheme='http://www.blogger.com/atom/ns#' term='prison'/><title type='text'>In Solidarity: Prisoner Strikers of Georgia</title><content type='html'>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;"A Letter to the Prisoners on Strike in Georgia,&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;We, as members of activist and community organizations in the Bay Area of California, send our support for your strike against the terrible conditions you face in Georgia's prisons. We salute you for making history as your strike has become the largest prison strike in the history of this nation. As steadfast defenders of human and civil rights, we recognize the potential that your action has to improve the lives of millions subject to inhumane treatment in correctional facilities across this country.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;Every single day, prisoners face the same deplorable and unnecessarily punitive conditions that you have courageously decided to stand up against. For too long, this nation has chosen silence in the face of the gross injustices that our brothers and sisters in prison are subjected to. Your fight against these injustices is a necessary and righteous struggle that must be carried out to victory.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;We have heard about the brutal acts that Georgia Department of Corrections officers have been resorting to as a means of breaking your protest and we denounce them. In order to put a stop to the violence to which you have been subjected, we are now in the process of developing contacts with the personnel at the different prison facilities and circulating petitions addressed to the governor and the Georgia DOC. We will continue to expose the DOC's shameless physical attacks on you and use our influence to call for an immediate end to the violence.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;Here, in the Bay Area, we are all too familiar with the violence that this system is known to unleash upon our people. Recently, our community erupted in protest over the killing of an unarmed innocent black man named Oscar Grant by transit police in Oakland. We forced the authorities to arrest and convict the police officer responsible for Grant's murder by building up a mass movement. We intend to win justice with you and stop the violent repression of your peaceful protest in the same way—by appealing to the power and influence of the masses.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="color: orange; font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;We fully support all of your demands. We strongly identify with your demand for expanded educational opportunities. In recent years, our state government has been initiating a series of massive cuts to our system of public education that continue to endanger our right to a quality, affordable education; in response, students all across our state have stood up and fought back just as you are doing now. In fact, students and workers across the globe have begun to organize and fight back against austerity measures and the corresponding violence of the state. Just in the past few weeks in Greece, Ireland, Spain, England, Italy, Haiti, Puerto Rico – tens and hundreds of thousands of students and workers have taken to the streets. We, as a movement, are gaining momentum and we do so even more as our struggles are unified and seen as interdependent. At times we are discouraged; it may seem insurmountable, but in the words of Malcolm X, “Power in defense of freedom is greater than power on behalf of tyranny and oppression.”&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="color: orange;"&gt;You have inspired us. News of your strike, from day one, has served to inspire and invigorate hundreds of students and community organizers here in Berkeley and Oakland alone. &lt;span style="font-size: large;"&gt;We are especially inspired by your ability to organize across color lines and are interested in hearing an account from the inside of how this process developed and was accomplished.&lt;/span&gt; You have also encouraged us to take more direct actions toward radical prison reform in our own communities, namely Santa Rita County Jail and San Quentin Prison. We are now beginning the process of developing a similar set of demands regarding expediting processing (can take 20-30 hours to get a bed, they call it “bullpen therapy”), nutrition, visiting and phone calls, educational services, legal support, compensation for labor and humane treatment in general. &lt;span style="font-size: large;"&gt;We will also seek to unify the education and prison justice movements by collaborating with existing organizations that have been engaging in this work.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;We echo your call: No more Slavery! Injustice to one is injustice to all!&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;In us, students, activists, the community members and people of the Bay Area, you have an ally. We will continue to spread the news about your cause all over the Bay Area and California, the country and world. We pledge to do everything in our power to make sure your demands are met.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;In solidarity,&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;UC-Berkeley Student Worker Action Team (SWAT), Community Action Project (CAP), La Voz de los Trabajadores (www.lavozlit.com), Laney College Student Unity &amp;amp; Power (SUPLaney.wordpress.com), Laney College Black Student Union (BSU) , Bay Area United Against War Newsletter (bauaw.org), ,Socialist Viewpoint magazine (socialistviewpoint.org), Workers International League (www.socialistappeal.org), Bay Area ISO (norcalsocialism.org), We Are the Crisis (UC Davis Chapter) Bicycle Barricades (UC Davis)"&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;From &lt;a href="http://ca.defendpubliceducation.org/?p=729"&gt;here&lt;/a&gt;, with option to sign open letter.&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-1542776998678986487?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/1542776998678986487/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=1542776998678986487' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/1542776998678986487'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/1542776998678986487'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2010/12/in-solidarity-prisoner-strikers-of.html' title='In Solidarity: Prisoner Strikers of Georgia'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-8376023723147770310</id><published>2010-12-15T22:24:00.000-08:00</published><updated>2010-12-15T22:36:04.841-08:00</updated><title type='text'>malick's tree of life trailer</title><content type='html'>&lt;iframe class="youtube-player" frameborder="0" height="385" src="http://www.youtube.com/embed/fLPe0fHuZsc" title="YouTube video player" type="text/html" width="500"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-8376023723147770310?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/8376023723147770310/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=8376023723147770310' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/8376023723147770310'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/8376023723147770310'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2010/12/malicks-tree-of-life-trailer.html' title='malick&apos;s tree of life trailer'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/fLPe0fHuZsc/default.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-2413461475916161096</id><published>2010-12-07T04:40:00.000-08:00</published><updated>2010-12-07T04:41:20.111-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Balibar'/><category scheme='http://www.blogger.com/atom/ns#' term='UCI CTE'/><title type='text'>balibar seminar: bourgeois universalism and the anthropological differences</title><content type='html'>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;&lt;span class="DeptNormal2"&gt;Hope to audit the seminar. Please make it happen!&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="DeptNormal2"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span class="DeptNormal2"&gt;"BOURGEOIS UNIVERSALISM AND THE ANTHROPOLOGICAL DIFFERENCES&lt;br /&gt;&lt;br /&gt;Subject: Taking its departure from the ambiguity of the term 'bourgeois', which traverses the modern European idioms (where 'burgher'  or Bürger both means a citizen and a member of the merchant society),  the class will discuss the contradictory relationship between 'bourgeois  [or civic-bourgeois] universalism' (which in the principle involves  limitless access for every human being to the complete range of civil  and political rights), and the new function of anthropological  differences (sex-gender, age, health-normality, intellectuality, race,  etc.). It will try to show how this tension has affected the ideas of  subjection and subjectivation which, together, constitute the identity  of the modern (philosophical) subject. &lt;br /&gt;&lt;br /&gt;Description: &lt;br /&gt;&lt;br /&gt;Whereas in traditional societies such differences as sex, age,  genealogy, are used to establish hierarchies among status groups and  limit access to public functions, in modern polities which legitimize  their institutions through an equalitarian notion of human rights, they  become at the same time more pervasive and less stable, less  authoritative and more violent (symbolically and/or physically). The  only way to legitimize an exclusion from citizenship is now to  collectively define individuals as inhuman or imperfectly human. But  this definition is bound to remain contradictory, equivocal and  permanently shifting between boundaries and languages,  institutionalizing different forms of internal exclusion and producing a  typical 'uneasiness' of the subject. The class will elaborate on this  paradox by comparing three issues of special practical and theoretical  importance: the conflation of crime and madness in the construction of 'abnormality' (after Foucault), the figure of the 'foreign body'  vacillating between racial and cultural types, and the problematic  “binarisms” imposed on sexual difference by 'heteronormative' social  representations (in the privileged form of a discussion of a reflection  on the aporias of the Freudian model of gender determination and sexual  choice)." From &lt;a href="http://www.humanities.uci.edu/SOH/bin/display_course_detail.php?recid=47622&amp;amp;dept_name=HUMAN&amp;amp;css_path=cte&amp;amp;title=ANTHRPLOGIC+DIFFRNC&amp;amp;bkgd=ffffff"&gt;here&lt;/a&gt;.&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;span class="DeptNormal2"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-2413461475916161096?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/2413461475916161096/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=2413461475916161096' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/2413461475916161096'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/2413461475916161096'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2010/12/balibar-seminar-bourgeois-universalism.html' title='balibar seminar: bourgeois universalism and the anthropological differences'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-1919058640212375314</id><published>2010-12-07T02:08:00.000-08:00</published><updated>2010-12-07T02:08:53.322-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='art'/><category scheme='http://www.blogger.com/atom/ns#' term='Queer'/><category scheme='http://www.blogger.com/atom/ns#' term='Wojnarowicz'/><title type='text'>One Day This Kid... (By David Wojnarowicz)</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_xInTbYSDeYk/TP4HYrPnIiI/AAAAAAAAAoM/gCH3N6ElSg4/s1600/02219.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="305" src="http://1.bp.blogspot.com/_xInTbYSDeYk/TP4HYrPnIiI/AAAAAAAAAoM/gCH3N6ElSg4/s400/02219.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-1919058640212375314?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/1919058640212375314/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=1919058640212375314' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/1919058640212375314'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/1919058640212375314'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2010/12/one-day-this-kid-by-david-wojnarowicz.html' title='One Day This Kid... (By David Wojnarowicz)'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_xInTbYSDeYk/TP4HYrPnIiI/AAAAAAAAAoM/gCH3N6ElSg4/s72-c/02219.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-8012726860029353178</id><published>2010-12-07T01:59:00.000-08:00</published><updated>2010-12-07T01:59:18.906-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='art'/><category scheme='http://www.blogger.com/atom/ns#' term='Eggleston'/><title type='text'>in black and white, or stranded with eggleston</title><content type='html'>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;"The images here are the first examples of Eggleston's now-famous  democratic gaze: everything, even the most banal-seeming subject, is  given equal importance in the unfolding visual narrative. This might  seem a scattergun approach, but in his short introduction to the book,  the southern writer and cultural critic Dave Hickey sees in them echoes  of early photographs of the British Raj. There is a 'dissonance' in  Eggleston's photographs, Hickey notes, suggesting the tension of the  moment that America, with all its 'mass-produced banality', began to  colonise the old south.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;This is an interesting analysis. It sheds  new light, too, on the so-called 'snapshot aesthetic' that the likes of  Eggleston, Shore and before them Robert Frank deployed.  Hickey argues  that, in Eggleston's work, there is 'no other honest option' but 'to  make 'bad' pictures of bad places'. (The quotation marks that frame the  word 'bad' are of the utmost importance.) Eggleston, Hickey writes, 'abandons composition for a world with no composure. The truth of formal  arrangement, contrast and atmosphere would be a lie imposed on these  settings. It would deaden the acidic essence of the subject matter.'" From &lt;/span&gt;&lt;a href="http://www.guardian.co.uk/artanddesign/2010/dec/03/william-eggleston-photography-before-colour" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;here&lt;/a&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-8012726860029353178?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/8012726860029353178/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=8012726860029353178' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/8012726860029353178'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/8012726860029353178'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2010/12/in-black-and-white-or-stranded-with.html' title='in black and white, or stranded with eggleston'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-211505627978793482</id><published>2010-12-07T01:55:00.000-08:00</published><updated>2010-12-07T02:00:43.509-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Inoue'/><category scheme='http://www.blogger.com/atom/ns#' term='literature'/><title type='text'>in color</title><content type='html'>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;"In &lt;i&gt;Black Tide&lt;/i&gt;, a retired schoolteacher has spent his life  writing a cultural history of color in Japan, rediscovering and  re-creating the old materials and methods so as to bring to life the  colors of the past as they really looked:  &lt;/div&gt;&lt;blockquote style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;to understand the ancient Japanese people’s spiritual and  psychological relationship to color—in the broadest sense, to  understand the inner lives of the men and women of the past and the  social mentality of the time—it was absolutely essential to have a  concrete sense of the ancient colors, and there was obviously only one  way to do it: manufacture once again the hues of the old colors using  the dyeing techniques of the past. &lt;/blockquote&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;After some forty years of work, the schoolteacher has finished his  studies and dyed enough silk to tip swatches of all the colors—including  the legendary, forbidden hajizome, 'like the rays of the sun as it  crosses the meridian'—into five hundred copies of his three-volume work,  if he can get it printed in the tight postwar years.&lt;/span&gt;&lt;a href="http://quarterlyconversation.com/the-greatest-japanese-writer-youve-never-heard-of#_ftn2" name="_ftnref" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;" title=""&gt;&lt;sup&gt; &lt;/sup&gt;&lt;/a&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Inoue himself as a historical novelist is well-known for his thorough  research—he is said to have climbed Mount Hodaka four times to gather  material for his novel about mountain climbing, &lt;/span&gt;&lt;i style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;The Ice Wall&lt;/i&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;. In the author’s preface in the novel, he describes his five years of researching &lt;/span&gt;&lt;i style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Tun-huang &lt;/i&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;as 'a very satisfying time.'” From &lt;a href="http://quarterlyconversation.com/the-greatest-japanese-writer-youve-never-heard-of"&gt;here&lt;/a&gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-211505627978793482?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/211505627978793482/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=211505627978793482' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/211505627978793482'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/211505627978793482'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2010/12/color.html' title='in color'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-7405178586141373038</id><published>2010-12-07T01:49:00.000-08:00</published><updated>2010-12-07T01:49:01.161-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='gardening'/><title type='text'>weekend garden warriors</title><content type='html'>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;"The part-timers are engaged in what's known here as &lt;i&gt;shumatsu nogyo&lt;/i&gt;,  or weekend farming. Their daily lives are firmly rooted in crowded  cities. But with no yard of their own, they sign up instead at nearby  farms that teach the basics of horticulture. The seasoned ones rent  their own pint-sized plots in public-run gardens, known as &lt;i&gt;shimin noen&lt;/i&gt; ('people's farms'), on the fringes of Tokyo, Yokohama, Osaka and other cities."&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;"One of the most influential books promoting part-time farming is Naoki  Shiomi's 'Han No, Han X To lu Ikikata' ('Half Farmer, Half-X [Something  Else Lifestyle]'). It details his decision to quit his job at an online  retailer in the 1990s and divide his time between farming and  environmental activism. Shiomi traces weekend farming to widespread  food-safety concerns, following mad-cow disease outbreaks in Japan, the  United States and Britain and the discovery in Japan of banned  pesticides in dumplings from China." From &lt;a href="http://www.latimes.com/news/nationworld/world/la-fg-japan-farmers-20101206,0,1714392.story"&gt;here&lt;/a&gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-7405178586141373038?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/7405178586141373038/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=7405178586141373038' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7405178586141373038'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7405178586141373038'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2010/12/weekend-garden-warriors.html' title='weekend garden warriors'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-219239078042363325</id><published>2010-12-07T01:44:00.000-08:00</published><updated>2010-12-07T02:01:04.163-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='gao'/><category scheme='http://www.blogger.com/atom/ns#' term='literature'/><title type='text'>gao xingjian interview</title><content type='html'>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;"Q: &lt;i&gt;Soul Mountain&lt;/i&gt;, which you published in 1990, chronicles your  spiritual odyssey when you traveled deep into the Chinese hinterland.  The work left a lasting impression on me, especially your depictions of  quaint villages of ethnic minorities and sensuous folksongs sung by  village elders. Am I correct to assume that China, in your mind, is a  conglomeration of these diverse cultures, rather than a nation-state? &lt;/div&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;    A: That is exactly my understanding of Chinese culture. In China, the  history of emperors has been recounted as China's legitimate history.  But aren't there also other histories? I always asked myself. While  traveling along the Yangtze river, I collected many old local poems and  mythical folk tales, including those of the ethnic minorities. This made  me realize that there is no single source of Chinese culture, but that  Chinese culture is a composite of diverse ethnic and regional cultures.  This revelation deepened my understanding of ethnic and cultural  diversity, and freed me from thinking of China as a monolithic state."From &lt;a href="http://www.asahi.com/english/TKY201012050261.html"&gt;here&lt;/a&gt;. &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-219239078042363325?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/219239078042363325/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=219239078042363325' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/219239078042363325'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/219239078042363325'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2010/12/gao-xingjian-interview.html' title='gao xingjian interview'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-7179818959314672346</id><published>2010-12-07T01:41:00.000-08:00</published><updated>2010-12-08T06:40:02.626-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='WikiLeaks'/><title type='text'>the wikileaks intervention</title><content type='html'>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;"The corporate owners of mass circulation media are also less and less inclined to see the working of the neo-liberal globalized economy and its politics detailled and discussed at length. The shift of information towards infotainment demanded by the public and media-owners has unfortunately also been embraced as a working style by journalists themselves making it difficult to publish complex stories. Wikileaks erupts in this state of affairs as an outsider within the steamy ambiance of ‘citizen journalism’ and DIY news reporting in the blogosphere. What Wikileaks anticipates, but so far has not been able to organize, is the ‘crowd sourcing’ of the actual interpretation of its leaked documents.&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Traditional investigative journalism consisted of three phases: unearthing facts, cross-checking these and backgrounding them into an understandable discourse. Wikileaks does the first, claims to do the second, but leaves the issue of the third completely blank. This is symptomatic of a particular brand of the open access ideology, whereby the economy of content production itself is externalized to unknown entities ‘out there’. The crisis in investigative journalism is neither understood nor recognized. How the productive entities are supposed to sustain themselves is left in the dark. It is simply presumed that the analysis and interpretation will be taken up by the traditional news media but this is not happening automatically. The saga of the Afghan War Logs demonstrates that Wikileaks has to approach and negotiate with well-established traditional media to secure sufficient credibility. But at the same time these also prove unable to fully process the material."From &lt;a href="http://networkcultures.org/wpmu/geert/2010/08/30/ten-theses-on-wikileaks/"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Updated &lt;a href="http://networkcultures.org/wpmu/geert/2010/12/07/twelve-theses-on-wikileaks-with-patrice-riemens/"&gt;version&lt;/a&gt;. &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-7179818959314672346?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/7179818959314672346/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=7179818959314672346' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7179818959314672346'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/7179818959314672346'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2010/12/wikileaks-intervention.html' title='the wikileaks intervention'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-2727474127690215584</id><published>2010-12-03T17:42:00.001-08:00</published><updated>2010-12-06T00:13:26.695-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mix tape'/><title type='text'>musical interlude w/ a sufi, a jesus, &amp; a black emperor</title><content type='html'>&lt;object height="385" width="500"&gt;&lt;param name="movie" value="http://www.youtube.com/v/1kYkGc1MfAY?fs=1&amp;amp;hl=en_US"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/1kYkGc1MfAY?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="500" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;"I love the Los Angeles music scene—especially dublab.com radio and the Plug Research label crew. It’s full of so many free-minded, inventive people making great music, like Dntel, Daedelus, and Flying Lotus. What counts here is more their attitude than any specific sound—and one that’s far away from Hollywood fake. Check out Gonjasufi’s &lt;/span&gt;&lt;i style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;A Sufi and a Killer&lt;/i&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt; (Warp, 2010). --Gudrun Rut, &lt;/span&gt;&lt;i style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Artforum&lt;/i&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;. From &lt;/span&gt;&lt;a href="http://artforum.com/inprint/id=26858" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;here&lt;/a&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Who is Gonjasufi? "The latest project from rapper, and yoga teacher, Sumach Ecks, the album  sees producers Mainframe and Gaslamp Killer supplying the dust whipped,  cracked and frazzled beats with Flying Lotus also helping out, repaying  the favour (Gonjasufi appeared on his 'Testament' track), with &lt;/span&gt;&lt;i style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;A Sufi  And A Killer's&lt;/i&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt; 'Ancestors'." Preview album &lt;a href="http://www.clashmusic.com/feature/hear-gonjasufi-a-sufi-and-a-killer-album"&gt;here&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;object height="385" width="500"&gt;&lt;param name="movie" value="http://www.youtube.com/v/XlddZf9R0jU?fs=1&amp;amp;hl=en_US"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/XlddZf9R0jU?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="500" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;object height="81" width="100%"&gt; &lt;param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F5077453&amp;secret_url=false"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed allowscriptaccess="always" height="81" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F5077453&amp;secret_url=false" type="application/x-shockwave-flash" width="100%"&gt;&lt;/embed&gt; &lt;/object&gt;  &lt;span&gt;&lt;a href="http://soundcloud.com/beyazpeynir/godspeed-you-black-emperor-east-hastings"&gt;Godspeed You Black Emperor - East Hastings&lt;/a&gt; by &lt;a href="http://soundcloud.com/beyazpeynir"&gt;BeyazPeynir&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-2727474127690215584?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/2727474127690215584/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=2727474127690215584' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/2727474127690215584'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/2727474127690215584'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2010/12/musical-interlude.html' title='musical interlude w/ a sufi, a jesus, &amp; a black emperor'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-8306202452164811832</id><published>2010-12-03T06:16:00.000-08:00</published><updated>2010-12-03T06:16:46.860-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Huppert'/><category scheme='http://www.blogger.com/atom/ns#' term='Godard'/><title type='text'>godard in montana</title><content type='html'>&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;From an interview with Isabelle Huppert in the current issue of &lt;i&gt;Film Comment&lt;/i&gt;.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;i&gt;"&lt;/i&gt;One day, Jean-Luc called and asked to meet me. I was pretty young, young in my knowledge of cinema history. I said, 'Whenever you like.' And he came over 10 minutes later. It was surprising. But then, almost two years went by. He came to see me in Montana where I was doing &lt;i&gt;Heaven's Gate&lt;/i&gt; [80]. I picked him up at the airport in a rented car, and we had supper. Here I was driving Jean-Luc Godard on the mountain roads of Montana in an enormous apple-green American car -- and without a license! I asked him to tell me about the part in &lt;i&gt;Every Man for Himself&lt;/i&gt;. He said, 'I want you to play the face of tragedy.' And he left the next day. I acted for him again, in &lt;i&gt;Passion&lt;/i&gt; [82]. He got who I was." &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-8306202452164811832?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/8306202452164811832/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=8306202452164811832' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/8306202452164811832'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/8306202452164811832'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2010/12/godard-in-montana.html' title='godard in montana'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5853454098911399626.post-2591568297843856648</id><published>2010-12-02T03:09:00.000-08:00</published><updated>2010-12-02T03:12:38.007-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='visuality'/><title type='text'>chemigram</title><content type='html'>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_xInTbYSDeYk/TPd-qfravVI/AAAAAAAAAn8/BFWuA-KLePk/s1600/1235064831_Susan-Derges-Summer-2008-WEB-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="247" src="http://4.bp.blogspot.com/_xInTbYSDeYk/TPd-qfravVI/AAAAAAAAAn8/BFWuA-KLePk/s400/1235064831_Susan-Derges-Summer-2008-WEB-1.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;"'We're so conditioned to the syntax of the camera,' says Adam Fuss, one  of the artists whose work features at the exhibition. 'We don't realise  we're running only half the visual alphabet.' The rest of the 'alphabet'  is represented by a variety of techniques: chemigrams, dye-destruction  prints, digital C-prints and luminograms. Probably the oldest and  best-known method of taking photographs without a camera is the  photogram, created by placing objects on photosensitive paper and then  exposing the paper to light. The result is an inverse shadow." From &lt;a href="http://www.newscientist.com/blogs/culturelab/2010/10/photography-minus-the-camera.html"&gt;here&lt;/a&gt;.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_xInTbYSDeYk/TPd_FboLa2I/AAAAAAAAAoA/FkHr69a2i7w/s1600/CH8-2-61-I.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="340" src="http://1.bp.blogspot.com/_xInTbYSDeYk/TPd_FboLa2I/AAAAAAAAAoA/FkHr69a2i7w/s400/CH8-2-61-I.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;From &lt;a href="http://www.pierrecordier.com/spip.php?article19"&gt;&lt;span class="spip"&gt;&lt;b class="spip"&gt;10 F.A.Q. about chemigram&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt; &lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="spip" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;b class="spip"&gt;"1 / « Is chemigram photography ? »&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="spip" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;No, 'photo – graphy' means 'writing with light'.  Chemigram means 'writing with chemistry' because developer and fixer do  the writing. To say that a chemigram is a photograph because it is  created on photographic paper is like saying that the Mona Lisa is a  piece of cabinet-work because it was painted on a piece of wood.&lt;/span&gt;&lt;/div&gt;&lt;div class="spip" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="spip" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;b class="spip"&gt;2 / « Is a chemigram a photogram ? »&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="spip" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;No. A chemigram, like a photogram, is made without a  camera (= 'cameraless photography') and without an enlarger (='lensless  photography'). As in photography, a photogram is a technique in which  light does the writing. However, in chemigram chemistry does the  writing, not light. Chemigram must remain in a category of its own. It  must not be placed in the same category as photogram, as some photogram  historians have done, in books or on the internet."&lt;/span&gt;&lt;/div&gt;&lt;div class="spip"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853454098911399626-2591568297843856648?l=orpheusfx.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://orpheusfx.blogspot.com/feeds/2591568297843856648/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5853454098911399626&amp;postID=2591568297843856648' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/2591568297843856648'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853454098911399626/posts/default/2591568297843856648'/><link rel='alternate' type='text/html' href='http://orpheusfx.blogspot.com/2010/12/chemigram.html' title='chemigram'/><author><name>Amanuensis</name><uri>http://www.blogger.com/profile/17091267378917950367</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_xInTbYSDeYk/TPd-qfravVI/A
